Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

(after) Paul Klee
Paul Klee Etching "Verhexte Landschaft"

1923

About the Item

Helio-etching on hand-made paper, 1923 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 17 Image: 5.43 x 7.48 in ( 13,8 x 19 cm ), Framed: 13.46 x 15.16 in ( 34,2 x 38,5 cm )
  • Creator:
    (after) Paul Klee (1879 - 1940, German, Swiss)
  • Creation Year:
    1923
  • Dimensions:
    Height: 5.51 in (14 cm)Width: 7.48 in (19 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Berlin, DE
  • Reference Number:
    1stDibs: LU1841890193

More From This Seller

View All
Landscape, Helio Etching by Franz Marc
By (after) Franz Marc
Located in Berlin, DE
Franz Marc (1880-1916), Germany, Member of "Blaue Reiter", expressionist. Helio etching on paper. This etching comes from the portfolio no 2, it apeard in an edition of 5 in 1922. Th...
Category

1910s Expressionist Landscape Prints

Materials

Etching

Paul Klee Etching "Sonne und Regen"
By (after) Paul Klee
Located in Berlin, DE
Helio-etching on hand-made paper, 1929 by Paul Klee. Framed. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 53 Measurements: Image: 7.48 x 4.65 in ( 19 x 11,8 cm ), Fra...
Category

Early 20th Century Expressionist Landscape Prints

Materials

Etching

Paul Klee Etching "Botanischer Garten. Abteilung der Strahlenblattpflanzen"
By (after) Paul Klee
Located in Berlin, DE
A vintage helio-etching on hand-made paper, 1926 after a drawing by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 29 Image: 7.36 x 5.2 in ( 18,7 x 13,2 cm ...
Category

Early 20th Century Expressionist Landscape Prints

Materials

Etching

Paul Klee Etching "Niederländische Katedrale"
By (after) Paul Klee
Located in Berlin, DE
Helio-etching on hand-made paper, 1927 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 37 Image: 5.12 x 7.48 in ( 13 x 19 cm ), Framed: 13.46 x 15.16 in ( ...
Category

Early 20th Century Expressionist Landscape Prints

Materials

Etching

Paul Klee Etching "Hügelland von Porquerolles"
By (after) Paul Klee
Located in Berlin, DE
Helio-etching on hand-made paper, 1927 by Paul Klee. Signatur is printed, lower right: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 39 Image: 5,0 x 7.6 in ( 12,7...
Category

Early 20th Century Expressionist Landscape Prints

Materials

Paper, Etching

Paul Klee Etching "Felsgräber"
By (after) Paul Klee
Located in Berlin, DE
Helio-etching on hand-made paper, 1929 by Paul Klee. Signatur is printed, lower center: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 50 Image: 4.72 x 7.56 in ( 1...
Category

Early 20th Century Expressionist Landscape Prints

Materials

Paper, Etching

You May Also Like

Buffaloes original 1968 limited ed. aquatint etching by Julian Trevelyan
By Julian Trevelyan
Located in Paonia, CO
Buffaloes is a signed limited edition ( 13/75 ) aquatint etching by British artist and poet Julian Trevelyan. Several buffaloes and workers are in a field with mountains a...
Category

1960s Expressionist Landscape Prints

Materials

Etching

Automne (Autumn)
By Georges Rouault
Located in Storrs, CT
Automne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #58. Published by Vollard. A rich impression with brigh...
Category

Mid-20th Century Expressionist Figurative Prints

Materials

Color, Aquatint

United Nations, Cityscape Etching by Bernard Buffet
By Bernard Buffet
Located in Long Island City, NY
An etching by Bernard Buffet from 1949. A beautiful rendering of a city skyline on the waterfront in an expressionist style. Artist: Bernard Buffet, French (1928 - 1999) Title: Un...
Category

1940s Expressionist Landscape Prints

Materials

Etching

Composition, Everything That Rises Must Converge
By Benny Andrews
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...
Category

Early 2000s Expressionist Figurative Prints

Materials

Etching

Composition, Everything That Rises Must Converge
By Benny Andrews
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...
Category

Early 2000s Expressionist Figurative Prints

Materials

Etching

Composition, Everything That Rises Must Converge
By Benny Andrews
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...
Category

Early 2000s Expressionist Figurative Prints

Materials

Etching

Recently Viewed

View All