Alexandra Buckle

Alexandra Buckle, Seaside Poppies, Limited edition landscape and seascape print

2021

Discover works by Jennifer Jokhoo online and in our Deddington art gallery. Originally from New Zealand, Printmaker, Painter Jennifer Jokhoo works from her home studio in the Surrey Hills...

Autumn Prelude [2022] limited_edition and hand signed by the artist Reduction linocut Edition number AP Image size: H:47.5 cm x W:30 cm Sold Unframed Please note that insitu im...

September Equinox [2021] limited_edition and hand signed by the artist Reduction linocut Edition number AP Image size: H:30.3 cm x W:59.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look In celebration of the Autumn equinox! We are so fortunate to experience such dramatic skies in the Surrey hills...

Summer Woodland Glow by Alexandra Buckle. Limited edition and hand signed by the artist Linocut on paper Sold unframed Complete size of unframed work: H:70cm x W:49cm x D:0.1cm P...

Sailing at high tide at Blakeney, Norfolk with the Blakeney Hotel in the distance at the edge of the quay. Printed in Nautical Blue. Linocut Print – A relief printing technique where linoleum is cut, inked and rolled to create an inverse relief print, generating the image as seen.This work is sold mounted but not framed. Edition numbers may vary. Discover artwork by Kate Heiss with Wychwood Art online and in our Deddington gallery. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge...

Mark A Pearce Sun on the Scafells is a limited edition print by Mark A Pearce. Mark A Pearce handprinted linocuts available to buy online and in our art gallery with Wychwood Art. Mark Pearce grew up in Cumbria where he trained at Carlisle College of Art. Mark Pearce then studied at The Norwich School of Art and after a successful career as a graphic designer in London, Mark moved back to Cumbria in 2006. He works from his Ravenglass home, creating vibrant images using a variety of media: Painting with watercolour, gouache, pastels and oils, and as a printmaker his techniques include reduction lino/woodcuts, dry point, etching and carborundum printing. Mark A Pearce says, “It’s all about noticing things”. Here in Ravenglass the mountains almost reach the shore, and the three rivers meet to form a perfect estuary, so there is a huge variety of landscape to notice. I make pictures to share the excitement of a light effect, a composition or a colour combination. I particularly enjoy the discipline of multi colour printing; it forces me to think precisely about the nature of what I see and how to put it across. At school I spent most of my time in the art department. I then went on to do a one year foundation course at Carlisle College of Art. It was here that I learnt the art of printmaking and then continued my studies at the Norwich School of Art doing a degree in graphic design. Keen to move to London I found my first job as a graphic designer with John Nash and Friends and my second with Michael Peters and Partners. I went on to win a D&AD (Design and Art Directors Club of Great Britain) silver award for the very first greeting stamps issued by the Royal Mail. These featured smiles from the likes of Dennis the...

"My Favored Truck", is a black and white cardboard print depicting an old truck. Lok Kandjengo's works often hold a strong sense of nostalgia for the material remnants of the past th...

DAVIES, Peter (b.1953) ‘Solstice Sun’ 2019 Linocut on paper 15.0 x 10.0 cm (6 x 4 in.) Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, rather than lyrical or painterly, approach. This probably puts my observational paint – by – numbers pictures at a creative and expressive disadvantage. But it doers prove conducive to a structural or compositional kind of drawing over which are applied layers of oil paint to deliver idiosyncratic textural and atmospheric effects. Furthermore, a Ben Nicholson – inspired dichotomy between foreground rooftops or architecture and a naturalistic marine or landscape background makes a chosen plastic and temperamental approach apt. So when in 2004 I was inspired by the much loved master relief printmaker John Liddell 1925-2005) to try my hand at linocut I found a process ideally suited to my mechanical bent it has been a love affair ever since. The workshop he founded in 1991 Poole Printmakers is a safe haven, an intimate co-operative near Poole Quay, and some of the most scenic terrain in Britain. It is also an area where my art career started in 1978 and inspired my early book Art in Poole and Dorset, published by Poole Historical Trust, 1987. Many blissful and absorbing hours over the last 13 years have yielded a large body of linocut prints in which I exercise those mechanical and reproductive qualities proper to the medium. Peter Davies...

Signed, titled and numbered by the artist in pencil. Reduction linocut, 2 colors, edition of 6. As a native-born Angeleno, artist Dave Lefner has always had a love for the city aro...

DAVIES, Peter (b.1953) Wing and Prayer 2013 Linocut 25/50 15.5 x 10.5 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

DAVIES, Peter (b.1953) ‘Sandy Harbour’ 2008 Linocut 3/8 30.0 x 30.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

DAVIES, Peter (b.1953) ‘The Godrevy Window’ 2010 Linocut 3/8 20.5 x 30.5 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechan...