Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

David Roberts
David Roberts' 19th Century Hand Colored Lithograph, "Fortress of Ibrim, Nubia"

1847

About the Item

"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition. The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left. There are four additional listings of David Roberts engravings of Egypt, Nubia and the Holy Land (three are hand colored and one is a tinted duo-tone), that are available for sale. They are identically framed and matted and would make a beautiful display grouping of two, three, four of five prints. See Ref. #'s: LU117324672952, LU117324672762, LU117324672632, LU117324286351. Please inquire about the discount available for the purchase of multiple Roberts' prints, which increases with the size of the order. Artist: David Roberts (1796-1864) was born outside of Edinburgh, Scotland. At age 10 he became a house painter’s apprentice. He continued painting houses and eventually theater scenes in Edinburgh and then in London. His friend, J. M. W. Turner, recognized his artistic talent and encouraged him to become a full-time artist. In 1839 he traveled to Egypt and then in 1840, through the Holy Land, concluding in Jerusalem. Upon his return to England, F. G. Moon agreed to publish lithographs created by Louis Haghe from Robert’s sketches and watercolors. This publication was highly acclaimed and very popular for its esthetic quality, its historical and topographical accuracy, and Robert’s dramatic depiction of his scenes. Queen Victoria and Charles Dickens were among the subscribers who collected his works. Robert’s and Haghe’s duotone lithographs, often colored, remain extremely sought-after today and have been rising steadily in value.
  • Creator:
    David Roberts (1796-1864, British)
  • Creation Year:
    1847
  • Dimensions:
    Height: 24.63 in (62.57 cm)Width: 31.75 in (80.65 cm)Depth: 1.25 in (3.18 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Alamo, CA
  • Reference Number:
    Seller: #14481stDibs: LU117324672822

More From This Seller

View All
18th C. Italian Architectural Engraving of a Borromini Designed Church in Rome
Located in Alamo, CA
"Pianta del Finestrone, Prospetto del finestrone con suoi ornamenti nel mezzo della naue maggiore per fianco nella Basilica di S. Gio. in Laterano" is an architectural engraving of an elevation of monumental windows with their associated columns and ornaments above an entrance to the Basilica of S. Gio. In Laterano in Rome, the Cathedral of the Most Holy Savior and of Saints John the Baptist and the Evangelist in the Lateran, also known as the Papal Archbasilica of Saint John in Lateran. It is the church of the Diocese of Rome which serves as the seat of the Roman Pontiff. The print was engraved by Alessandro Specchi (1668-1729), an engraver and architect, after a design by the Italian architect Francesco...
Category

Early 1700s Realist Figurative Prints

Materials

Engraving

Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category

1770s Old Masters Figurative Prints

Materials

Etching

Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category

1820s Old Masters Landscape Prints

Materials

Etching

Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching, Engraving, Drypoint

You May Also Like

View of the Mall From a Castle Tower Seven-Color Lithograph on rag Signed HC VII
By Richard Haas
Located in New York, NY
Richard Haas View of the Mall From a Castle Tower, 1983 Seven-Color Lithograph: Hand Drawn on English Somerset Satin 100% rag paper 14 1/4 × 43 3/4 inches...
Category

1980s Realist Landscape Prints

Materials

Lithograph

"The Putting Green" - Figurative Landscape
By Douglas Adams
Located in Soquel, CA
"The Putting Green" - Figurative Landscape 20th century lithograph copy (restrike) of an original painting by British artist Douglas Adams (English, 185...
Category

1970s Realist Landscape Prints

Materials

Lithograph, Paper

Vintage David Hockney Poster Miami New World Festival of Arts 1982 palm trees
By David Hockney
Located in New York, NY
This vintage David Hockney poster features whimsical imagery and rich, bright color. Palm trees, boats in the ocean, a cafe, and a bodega with an elaborate iron-wrought balcony sit a...
Category

1980s Realist Figurative Prints

Materials

Lithograph

"Newport Beach" Currier & Ives, Hand-Colored Lithograph of Newport Beach
By Currier & Ives
Located in New York, NY
Currier & Ives Newport Beach Hand-colored lithograph Sheet 10 x 13 1/4 inches After undertaking apprenticeships in Boston and Philadelphia, Currier set up a print publishing compan...
Category

Late 19th Century Realist Figurative Prints

Materials

Lithograph

YELLOW BOAT Signed Lithograph, Abstract Landscape, Beached Boat, Turquoise Water
By Laurent Marcel Salinas
Located in Union City, NJ
YELLOW BOAT is an original hand drawn lithograph by the Egyptian French artist Laurent Marcel Salinas printed using hand lithography techniques on archival printmaking paper 100% aci...
Category

1970s Realist Landscape Prints

Materials

Lithograph

Rue Moufftard, Paris
By Samuel Chamberlain
Located in Middletown, NY
Lithograph in brown ink on lightweight, cream laid Japon paper with a deckle edge, 10 3/4 x 17 inches (274 x 432 mm), full margins. Signed and numbered 9/35 in pencil in the lower ma...
Category

Early 20th Century Realist Landscape Prints

Materials

Handmade Paper, Lithograph

Recently Viewed

View All