Items Similar to Léger, L'Eau, Verve: Revue Artistique et Littéraire (after)
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Léger, L'Eau, Verve: Revue Artistique et Littéraire (after)1937
1937
About the Item
Lithograph on vélin du Marais paper. Inscription: Signed in the plate. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 1, December 1937. Printed by Mourlot Freres, Paris, 1937.
FERNAND LEGER (1881-1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art. Léger was born in Argentan, Orne, Lower Normandy, where his father raised cattle. Fernand Léger initially trained as an architect from 1897 to 1899, before moving in 1900 to Paris, where he supported himself as an architectural draftsman. After military service in Versailles, Yvelines, in 1902–1903, he enrolled at the School of Decorative Arts after his application to the École des Beaux-Arts was rejected. He nevertheless attended the Beaux-Arts as a non-enrolled student, spending what he described as "three empty and useless years" studying with Gérôme and others, while also studying at the Académie Julian. He began to work seriously as a painter only at the age of 25. At this point his work showed the influence of impressionism, as seen in Le Jardin de ma mère (My Mother's Garden) of 1905, one of the few paintings from this period that he did not later destroy. A new emphasis on drawing and geometry appeared in Léger's work after he saw the Cézanne retrospective at the Salon d'Automne in 1907. In 1909, he moved to Montparnasse and met Alexander Archipenko, Jacques Lipchitz, Marc Chagall, Joseph Csaky and Robert Delaunay. In 1910, he exhibited at the Salon d'Automne in the same room (salle VIII) as Jean Metzinger and Henri Le Fauconnier. In his major painting of this period, Nudes in the Forest, Léger displays a personal form of Cubism that his critics termed "Tubism" for its emphasis on cylindrical forms. In 1911, the hanging committee of the Salon des Indépendants placed together the painters identified as 'Cubists'. Metzinger, Albert Gleizes, Le Fauconnier, Delaunay and Léger were responsible for revealing Cubism to the general public for the first time as an organized group. The following year he again exhibited at the Salon d'Automne and Indépendants with the Cubists, and joined with several artists, including Le Fauconnier, Metzinger, Gleizes, Francis Picabia and the Duchamp brothers, Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp to form the Puteaux Group—also called the Section d'Or (The Golden Section) paintings, from then until 1914, became increasingly abstract. Their tubular, conical, and cubed forms are laconically rendered in rough patches of primary colors plus green, black and white, as seen in the series of paintings with the title Contrasting Forms. Léger made no use of the collage technique pioneered by Braque and Picasso.
- Creation Year:1937
- Dimensions:Height: 13.25 in (33.66 cm)Width: 10.25 in (26.04 cm)
- Medium:
- Movement & Style:
- After:Fernand Léger (1881-1955, French)
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465213975592
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2002
1stDibs seller since 2021
856 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Clinton Township, MI
- Return PolicyA return for this item may be initiated within 1 day of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- Sky Bird, Braniff Flying Colors suite, Alexander CalderBy Alexander CalderLocated in Auburn Hills, MIALEXANDER CALDER (1898-1976) Credited with the invention of the mobile, Alexander Calder revolutionized twentieth-century art with his innovative use of subtle air currents to animate sculpture. Calder was prolific and worked throughout his career in many art forms. An accomplished painter of gouaches and sculptor in a variety of media, Calder is best known for poetic arrangements of boldly colored, irregularly shaped geometric forms that convey a sense of harmony and balance. He also designed jewelry, tapestry, theater settings and architectural interiors. From the 1940s on, Calder's works, many of them large-scale outdoor sculptures, have been placed in virtually every major city of the Western world. Original Limited Edition Lithograph on Arches paper, 1974. Edition: 3,000. Paper Size: 20" x 26." Monogrammed & dated on the stone plate ‘CA 74’. A superb impression of the definitive state, from the edition commissioned by Braniff International Airlines. One of six plates comprising the Flying Colors Collection, bearing its blindstamp in the sheet lower right. Printed at Atelier Fernand Mourlot, Paris. Excellent Condition; never framed or matted. ABOUT THE FLYING COLORS COLLECTION: In 1972, Dallas based Braniff International Airways commissioned Alexander Calder to paint a full-size Douglas DC-8-62 airliner as a “flying canvas.” Models of the aircraft were sent to Calder at his studio in France in November of 1972, and work commenced. Braniff announced the Calder collaboration to the public on June 4, 1973. This was to be the first time that an artist had ever painted a jetliner used in regular airline service...Category
1970s Modern Abstract Prints
MaterialsLithograph
- Chagall, Printemps, Verve: Revue Artistique et Littéraire (after)By Marc ChagallLocated in Auburn Hills, MILithograph on vélin du Marais paper. Inscription: Signed in the plate, verso, with title and additional lithograph. Good condition. Notes: From the volume, Verve: Revue Artistique et...Category
1930s Modern Landscape Prints
MaterialsLithograph
- Wou-Ki 赵无极, Composition, XXe Siècle (after)By Zao Wou-KiLocated in Auburn Hills, MIOriginal Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, n°37, 197...Category
1970s Modern Abstract Prints
MaterialsLithograph
- Matisse, La Danse (Duthuit 67), Verve: Revue Artistique et Littéraire (after)By Henri MatisseLocated in Auburn Hills, MILithograph on vélin du Marais paper. Double signed in the plate, verso, as issued. Good condition with centerfold and binding pinholes, as issued; lithography by Matisse, verso, as i...Category
1930s Modern Landscape Prints
MaterialsLithograph
- Miró, L'Ete (Dupin 1310; Benhoura 396), Verve: Revue Artistique (after)By Joan MiróLocated in Auburn Hills, MILithograph on vélin du Marais paper. Inscription: Signed in the plate. Good condition; lithograph by Miro on verso, with signature, date, and title, verso, as issued. Notes: From the...Category
1930s Modern Landscape Prints
MaterialsLithograph
- Kandinsky, Comets, Verve: Revue Artistique et Littéraire (after)By Wassily KandinskyLocated in Auburn Hills, MILithograph on vélin du Marais paper. Inscription: Signed and dated in the plate, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° ...Category
1930s Modern Landscape Prints
MaterialsLithograph
You May Also Like
- Lullaby Sketches: black white drawing based on Auden poetry and Yorkshire landsBy Henry MooreLocated in New York, NYOne of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...Category
Late 20th Century Modern Abstract Prints
MaterialsLithograph
- Split Stone: abstract drawing based on Auden poetry and Yorkshire landscapeBy Henry MooreLocated in New York, NYThis abstract, black and white drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an ed...Category
Late 20th Century Modern Abstract Prints
MaterialsLithograph
- Lullaby: Sleeping HeadBy Henry MooreLocated in New York, NYPaper: 25.25 x 20.5 in. / 64.1 X 52 cm. Image: 10.75 x 11.5 in / 27.3 x 29.2 cm. One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 bo...Category
Late 20th Century Modern Landscape Prints
MaterialsLithograph
- Thin-lipped Armourer I: black drawing based on Auden poetry, Yorkshire landscapeBy Henry MooreLocated in New York, NYThis darkly-shaded portrait of two figures is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from a...Category
Late 20th Century Modern Abstract Prints
MaterialsLithograph
- The Cavern: abstract black drawing based on Auden poetry and Yorkshire landscapeBy Henry MooreLocated in New York, NYOne of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...Category
Late 20th Century Modern Landscape Prints
MaterialsLithograph
- Sketches of Auden: black drawing based on Auden poetry and Yorkshire landscapeBy Henry MooreLocated in New York, NYThis black and white portrait drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist and numbered 8/25 lower right in pencil. This print features a pair of sketches...Category
Late 20th Century Modern Abstract Prints
MaterialsLithograph