Frances H. Gearhart

JOSHUA TREE

1925-30

Kites [2021] original Linocut on paper Image size: H:11 cm x W:29.5 cm Complete Size of Unframed Work: H:22 cm x W:40 cm x D:0.5cm Sold Unframed Please note that insitu images are p...

Burkhart Beyerle Berweg Linoleum Cut on light Paper 1990s 17.32 x 24.01 inches (44 x 61 cm) Edition: 14 Signed, numbered and titled by hand COA provided Burkhart Beyerle is a German...

Beach Boats [2022] limited_edition Linocut print Edition number 50 Image size: H:33 cm x W:45 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Clinker-built boats have always been a fascination of mine. I love their lines and shapes at low tide. These I came across on a coastal walk in Suffolk. The sun was setting and I tried to capture the effect of light on water. Rob Barnes, artist, is available for sale online and in our art gallery at Wychwood Art. Rob Barnes studied painting and printmaking at Hull College of Art and London University in the early 1960s. He taught etching, screen-printing, lino and related surface printmaking at Keswick Hall College in Norfolk. He later moved to the University of East Anglia, Norwich where he continued teaching in the School of Education until 2006. Presently he divides his time between printmaking and his other passion, playing the violin in local orchestras and for choral performances. In 2017 he began making a small number of sterling silver jewellery pieces following a course at West Dean, Sussex. His artwork follows themes, such as light on water, or shadows in the landscape. Linocuts are hand-printed on an Albion press...

Moonlit by Ian Phillips [2022] limited_edition and hadn't signed by the artist Linocut Edition number 19/30 Image size: H:41 cm x W:28.5 cm Complete Size ...

"Country Church" is an original linoleum print by Elsa E. Ulbricht. A front facing view of a country church is proudly replicated within this print. Unsigned and unnumbered, as issued. Image:7" x 5" Framed: 15.25" x 13.25" Painter, Teacher When she directed The Milwaukee Handicraft Project, Elsa Ulbricht...

'Field' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents fields of flowers, trees and grasses below a cloudy sky, but rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the plants resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4.5 x 6 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College Chapel, Cambridge (Cambridge Series 1956 - 66) Linocut 72 x 41 cm Signed and inscribed A/P in pencil. Hoyle depicts King's College Chapel as both indomitable and delicate. The bold composition sees the chapel's spires surrounded by a fiery orange light against the black night of the background; at the same time, the western facade looks like it could have been cut from paper, or crafted from lace. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) Senate House, Cambridge (Cambridge Series 1956 - 66) Linocut 46 x 70 cm Signed and inscribed A/P in pencil. Trial print aside from the series, with different colourway. Senate House, under a lively blue sky. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College, Cambridge (Cambridge Series 1956 - 66) Linocut 46 x 56 cm Signed, titled, and numbered 5/5 in pencil. Hoyle's view of King's College, Cambridge, against a shadowy yellow sky. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...