Items Similar to Palace Court
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Frederick Landseer Griggs, R.A., R.E.Palace Court1933
1933
About the Item
Frederick Landseer Griggs (1876-1938), Palace Court, 1933, etching, signed and inscribed in pencil. Reference: Comstock 49, third state (of 3), from the printing of about 75. In excellent condition, printed in a warm brownish/black ink on a cream laid paper with a “letters in a row” watermark.
Special presentation proof impression, dedicated in pencil by F.L.Griggs “To my friend H.J.F. Badeley”. Badeley was an accomplished original printmaker famed especially for his exquisitely engraved bookplates.
A fine impression.
In the first state (only 2 proofs) figures were yet to be etched, and in the lower margin was a dedication to Mary Anderson deNavarro, a American Shakespearean actor. In the second state (only 3 proofs) the group of figures in Tudor costume was added (13 figures plus a ghostly outline of a figure to the left of the group which appears to have been burnished out), the flagstaff and weathervane were added as well as the pigeons over the roof at the left. In the third state the bottom margin containing the dedication was cut off.
In a 1933 letter to Campbell Dodgson, Griggs wrote that this imaginary subject was “a kind of essay on East Anglican building – of mediaeval kinds, of course.”
- Creator:Frederick Landseer Griggs, R.A., R.E. (1876 - 1938, British)
- Creation Year:1933
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531576853
Frederick Landseer Griggs, R.A., R.E.
Frederick Maur Landseer Griggs was born in Hitchin, Hertfordshire, in 1876. He studied at the Slade School of Art and worked for two years 1896-8 in the architectural office of C.E. Mallows, the architectural draughtsman. He worked in a visionary tradition deriving from William Blake, Samuel Palmer, and Edward Calvert. Griggs created 57 prints in all, depicting idealized Gothic buildings and landscapes. He was Master of the Art Workers' Guild, and one of the first etchers to be elected to full membership of the Royal Academy.
About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2000
1stDibs seller since 2016
99 sales on 1stDibs
Typical response time: 3 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- HaarlemBy James McBeyLocated in New York, NYJames McBey (1883-1959), Haarlem, etching, 1910, signed in ink bottom right margin and numbered XXXV bottom left [also signed, titled and dated July 1910 in the plate]. Reference: Hardie and Carter 61, only state, edition of 40, 4 3/4 x 6 7/16, the sheet 6 1/4 x 8 inches. Printed on old laid paper, with a partial crest watermark, with margins. In good condition, a paper loss upper right corner (away from image), slight soiling in margins, archival mounting. A fine impression, with a light veil of plate tone. At the age of 26 McBey left his bank job (which he had had for 15 years!) and traveled to Holland, where from July to September of 1910 he created a number of etchings depicting the Dutch landscape. McBey had studied Rembrandt’s prints, and the influence of the Master is evident in etchings such as Haarlem; Haarlem also is reminiscent of Whistler’s Thames etchings...Category
1910s Realist Landscape Prints
MaterialsEtching
- Printemps BretonBy Jean-Emile LaboureurLocated in New York, NYJean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...Category
1920s Realist Landscape Prints
MaterialsEngraving, Drypoint, Etching, Aquatint
- Le Bourg de BatzBy William Strang, R.A., R.E.Located in New York, NYWilliam Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...Category
1910s Realist Landscape Prints
MaterialsDrypoint, Etching
- A DouelanBy Adolphe BeaufrèreLocated in New York, NYAdolphe-Marie Beaufrère (1876-1960) A Douelan, etching, 1923, signed in pencil and numbered (21/50) [also initials and date in the plate]. Reference: Morane 23-07, BN Laran 175. Seco...Category
1920s Realist Landscape Prints
MaterialsEtching
- Doorway of the Doges, VeniceBy Donald Shaw MacLaughlanLocated in New York, NYDonald Shaw MacLaughlin (1876-1938), Doorway of the Doges, Venice, etching with plate tone, 1909, signed bottom right [also signed and dated in the plate]. Reference: Marie Bruette 1...Category
Early 1900s Realist Landscape Prints
MaterialsEtching
- La Fumee du BateauBy Jean-Francois RaffaelliLocated in New York, NYJean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...Category
1910s Realist Landscape Prints
MaterialsDrypoint, Etching
You May Also Like
- The Thames, 1894 - Victorian aquatint etching of London by Joseph PennellBy Joseph PennellLocated in London, GBJOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...Category
1890s Realist Landscape Prints
MaterialsAquatint
- Philip Pearlstein 'View Over Soho, Lower Manhattan' NYC signed, printBy Philip PearlsteinLocated in San Rafael, CAPhilip Pearlstein (1924-2022) View Over Soho, Lower Manhattan, 1977 Aquatint in colors on wove paper Edition 7/41 Signed, editioned and titled in pencil lower left Printed by the Orl...Category
1970s Realist Landscape Prints
MaterialsAquatint
- The Pantheon in Rome: A 19th Century Etching by CottafaviLocated in Alamo, CAThis is a 19th century architectural etching of the Pantheon in Rome entitled "Panteon di Agrippa detta La Rotonda", plate 9 from "Raccolta delle principali vedute di Roma e...Category
Mid-19th Century Realist Landscape Prints
MaterialsEtching
- New York City Skyline Modern Print Chrysler State Building Framed Unique EtchingBy Katherine GallagherLocated in Buffalo, NYLimited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...Category
1980s Realist Landscape Prints
MaterialsEtching, Aquatint
- Original etchings C. Bernier - International monument of the reformation, GenevaLocated in Geneva, CHThis is an original etching representing an important monument in Geneva during the 19th century. The work is sold framed. Total size with the frame 34x31 cm. Signed C. BernierCategory
19th Century Realist Landscape Prints
MaterialsEtching
- City Service Building (70 Pine Street, Manhattan)By Richard HaasLocated in New York, NYRichard Haas City Service Building (70 Pine Street, Manhattan), 2005 Etching Signed, titled, dated and numbered 7/20 in pencil on the front 20 × 16 inches Unframed Rare print by Rich...Category
Early 2000s Realist Landscape Prints
MaterialsEtching, Pencil