Hans V. Figura

"Drottingholm" Palace Etching on Silk

1900's

Etching of a seascape with a boat house and boats. The peice is titled, signed, dated, and editioned in pencil by the artist. The etching is framed in a wooden frame with a white mat...

Harvard University etching dedicated to Frank Freed. The work is signed by the artist along with the dedication. The etching is not framed. Artist Biography: Frank C. Dill was born in 1910. He was a Houston, Texas painter...

Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...

Abstract lithograph of a staircase. The work is signed and editioned by the artist in pencil. It is framed in a unique wooden frame. Dimensions Without Frame: H 30 in x W 24 in. Ar...

Black and white winter landscape lithograph by Paula Nelson who was the curator for the Woodstock School of Art Gallery. The piece is signed, titled, and ...

Copperplate engraving hand colored map of Northern America. The figures of the mythical figure along the right side and the animals were added in later after the original printing. T...

Engraved by Claudine Bouzonnet-Stella (French, 1636-1697) After Jacques Stella (French 1596-1657) The Wedding Procession - Le Cortege nuptial • Copper engraving on laid paper • Sh...

This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...

"Bellman, " an Otter-Hound 1887 Etching 3 x 5

"Lady, " an English Terrier 1887 Etching 3 x 5

"George" and "Romp, " Sussex Spaniels 1887 Etching 3 x 5

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...