jamie williams

Jamie Williams Digital Creator 2D 3D Pink Trees Silhouette Magical Realism Light

2022

Artwork details: Jamie Williams, Nightlies, image 23cm x 23cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 1/20 verso...

Artwork details: Jamie Williams, Nightlies, image 23cm x 23cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 1/20 verso...

Artwork details: Jamie Williams, Nightlies, image 23cm x 23cm sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 1/20 ve...

Artwork details: Jamie Williams, Nightlies, image 23cm x 23cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 1/20 ve...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

This square woodcut print on paper evokes the peacefulness of looking upwards through a forest canopy in a symmetrical pattern composed of the silhouettes of trees in dark cobalt blu...

This square woodcut print on paper evokes the peacefulness of looking upwards through a forest canopy in a symmetrical pattern composed of the silhouettes of trees in shades of cobal...

signed and editioned on reverse. edition of 5, 23 1/2"x31 1/2" This limited edition print by Ross Racine has an abstract quality in the composition. The golden yellow ground in thi...

signed and editioned on reverse. (edition of 5) 23 1/2"x31 1/2" This limited edition print by Ross Racine has an abstract quality in the composition. The parallel diagonal lines ap...

Limited edition Giclée prints on archival matte textured paper with archival ink. These reproductions of hand brushed paintings are scanned using high-resolution CRUSE scanning technology. Prints include a white border for easy framing options and are rolled and tube packed for safe shipping. Size indicated does not include border. Items are numbered and limited to a total of: 20 for 20"x40" print on paper 30 for 10"x20" print on paper 30 for 5"x10" print on paper - after which reproductions (prints on paper) will no longer be available in their respective sizes. Matt Beasant...

Limited edition Giclée prints on archival matte textured paper with archival ink. These reproductions of hand brushed paintings are scanned using high-resolution CRUSE scanning technology. Prints include a white border for easy framing options and are rolled and tube packed for safe shipping. Size indicated does not include border. Items are numbered and limited to a total of: 20 for 60x40" print on paper 30 for 30x20" print on paper 30 for 10x15" print on paper - after which reproductions (prints on paper) will no longer be available in their respective sizes. Matt Beasant...