JR artist

JR au Louvre, 29 Mars 2019, 18h08 - Contemporary, 21st Century, Print, Edition

2021

Alexandre Ponomarev Maya-L'île Perdue, 2007 Silkscreen Print Edition of 200 56,5 x 75,6 cm (22.2 x 29.7 in), unframed In mint condition Signed, titled, dated and numbered Accompanied...

JR Trompe l'oeil, Les Falaises du Trocadéro, 18 mai 2021, 19h58, Paris, France, 2021 2021 Giclée Print Laminated with G-gloss, Mounted on 3mm Dibond 64 × 96 cm (25.2 × 37.8 in) In mi...

Alexandre Ponomarev Maya-L'île Perdue, 2007 Silkscreen Print Edition of 200 56,5 x 75,6 cm (22.2 x 29.7 in), unframed In mint condition Signed, titled, dated and numbered Accompanied...

Ugo Rondinone, Stars Contemporary, 21st Century, Silkscreen, Limited Edition, Skyscapes Silkscreen Edition of 300 105 x 74.7 cm (41.3 x 29.4 in) Signed and numbered, accompanied by C...

David Hockney David Hockney. 220 for 2020. Art Edition A No. 1–100 ‘Spilt Ink with Tests', 2021 11-color inkjet print on cotton-fiber archival paper 45.7 × 102.6 cm (18 × 40.4 in) Signed, numbered and dated Edition number 47 In mint condition Unframed Hockney made four different prints, each in an edition of 100, to accompany 400 copies of the book(s). Edition B is numbered, as here, 101-200. Edition A, C and D each have different images for each of their editions, numbered respectively, 1-100, 201-300, and 301-400. There were another 1,620 “collector edition” books numbered in Volume 1, numbered 401-2,200 From a small, picturesque farmhouse in the rich fields and meadows of the northern French region of Normandy, Hockney followed and recorded the changing seasons throughout the COVID-19 pandemic. For the past decade, Hockney’s medium of choice has been the iPad and it was this technological instrument, he used to spontaneously depict impressions of the Norman landscape surrounding him. The two-year project entitled “220 for 2020” documents the passage of time by portraying the first spring blossoms, the smell of summer, the saturated colours of autumn, and the stark shapes of dark branches in winter time. This poetic undertaking represented a lifeline for the artist, and offered its viewers a message of hope in unprecedented times. As part of this project, Hockney included drawings from his “La Grande Cour, Rumesnil, Normadie, 26 Juli 2019”, sketchbook. These almost autobiographical accounts started in the vicinity of the artist’s Los Angeles home...

David Hockney 220 for 2020. Art Edition D No. 301–400 ‘My Second Drawing of Beuvron-en-Auge’, 2021 11-color inkjet print on cotton-fiber archival paper 45.7 × 102.6 cm (18 × 40.4 in) Signed, numbered and dated Edition of 100 In excellent condition Unframed Edition number might vary from what is shown in the pictures The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase.” About this edition: From a small, picturesque farmhouse in the rich fields and meadows of the northern French region of Normandy, Hockney followed and recorded the changing seasons throughout the COVID-19 pandemic. For the past decade, Hockney’s medium of choice has been the iPad and it was this technological instrument, he used to spontaneously depict impressions of the Norman landscape surrounding him. The two-year project entitled “220 for 2020” documents the passage of time by portraying the first spring blossoms, the smell of summer, the saturated colours of autumn, and the stark shapes of dark branches in winter time. This poetic undertaking represented a lifeline for the artist, and offered its viewers a message of hope in unprecedented times. As part of this project, Hockney included drawings from his “La Grande Cour, Rumesnil, Normadie, 26 Juli 2019”, sketchbook. These almost autobiographical accounts started in the vicinity of the artist’s Los Angeles home...

Richard Haas View of the Mall From a Castle Tower, 1983 Seven-Color Lithograph: Hand Drawn on English Somerset Satin 100% rag paper 14 1/4 × 43 3/4 inches...

"FernLake" Cargo Ship at Sea Chromolithograph on Canvas Original Maiden Voyage of the FernLake Chromolithograph from the painting by Norwegian artist Carl B. Hestman (Norwegian, 19...

Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Télépheriques de l'Aiguille du Midi et de la Vallée Blanche...

Medium: Lithograph Printer and Publisher: Cirrus Editions, Los Angeles Catalogue reference: MMA 4 Edition size: 65, plus proofs Signed, dated, and numbered in pencil, lower margin

Davis Cone 1983 Variety Photo Plays Signed in pencil and marked 3/7 PP (Printers Proof) Lithograph in colors Paper Size 34½ x 26 inches Image Size 32½ x 23¼ inches Eleanor Ettinger G...