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Karl Schrag
TREE TOPS AND AUTUMN MOON

1972

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  • ARCH NO. 1
    By Stuart Davis
    Located in Portland, ME
    Davis, Stuart. ARCH NO. 1. Lithograph, 1929. Edition of 30. Numbered "23/30" and signed in pencil. 8 3/4 x 13 inches, 225 x 275 mm. In excellent condition.
    Category

    American Modern Landscape Prints

    Materials

    Lithograph

  • QUEENSBRIDGE
    Located in Portland, ME
    Bernhardt, John (American 1921-1963. QUEENSBRIDGE. Color Woodcut, 1965. Ttiled, signed, dated and annotated "To Smitty" in pencil. 17 3/4 x 28 inches. In very good condition. Framed ...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Color, Woodcut

    QUEENSBRIDGE
    $700 Sale Price
    36% Off
  • THE HARBOR WORKHORSE
    By Woldemar Neufeld
    Located in Portland, ME
    Neufeld, Woldemar. THE HARBOR WORKHORSE. Woodcut in colors, not dated (c.1940s-50s). Edition size not known, but likely 50 or fewer. 17 1/2 x 12 inches, plu...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Woodcut

  • THE HOME PLACE
    By Merritt Mauzey
    Located in Portland, ME
    Mauzey, Merritt. THE HOME PLACE. Lithograph with handcoloring, c. 1940. Edition size not known. 9 1/4 x 14 5/8 inches, 235 x 370mm. In excellent condition.
    Category

    1940s Landscape Prints

    Materials

    Color, Lithograph

  • FONDAMENTA DELLE ZATTERE (VIEW IN VENICE).
    Located in Portland, ME
    Bacher, Otto. FONDAMENTA DELLE ZATTERE (VIEW IN VENICE). Etching, 1880. #17 of the "Venice Set." Signed, titled, and dated in the plate. Framed. In excellent condition. Etching on pa...
    Category

    1880s Landscape Prints

    Materials

    Etching

  • BROOKLYN BRIDGE
    By Louis Lozowick
    Located in Portland, ME
    Lozowick, Louis. Amer., (1892-1973), Brooklyn Bridge, Lithograph, 1930, Ed. 100, F.#48, 13-1/16 x 7-7/8 inches (image), initialed in the stone, signed...
    Category

    1930s Landscape Prints

    Materials

    Lithograph

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  • This Way Out, colorful graphic amusement park with text
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    Silkscreen Edition of 125 + 1AP Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Many are large-scale papier collé installations, a technique Marano learned from Robert Indiana in whose studio she formerly assisted. In conjunction with “American Dream Land,” in 1981 Marano and Richard Eagan co-founded the Coney Island Hysterical Society, which undertakes projects such as restoring old rides in response to the alarming rate at which they were shutting down in the fabled amusement park of their childhood. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...
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