Lawrence Heyman

Bridge, Abstract Aquatint Etching by Lawrence Heyman

circa 1965

Prehistoria II by Max Papart, French (1911–1994) Date: circa 1982 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of 16/25 Size: 21 x 40 in. (53.34 ...

Edition: 21/50 Image Size: 26.5 x 18.5 inches Frame Size: 34 x 26 inches Signed, numbered, dated, and titled in pencil Hans Behrens created this etchin...

Artist: Vitaly Komar, Russian (1943 - ) and Alexander Melamid, Russian (1945 - ) Title: Church, NJ Year: 1991 Medium: Etching, signed, numbered, dated, and tilted in pencil Paper Si...

Artist: Vitaly Komar, Russian (1943 - ) and Alexander Melamid, Russian (1945 - ) Title: Sunrise at Bayonne Year: 1988 Medium: Aquatint Etching with Metallic Leaf Collage, signed and ...

Repetition Susan Hall, American (1943) Date: 1978 Aquatint Etching, Signed and Numbered in Pencil Edition of 78 Image Size: 21.5 x 28 inches Size: 28 x 35 in. (71.12 x 88.9 cm)

Flight Susan Hall, American (1943) Date: 1978 Aquatint Etching, signed and numbered in pencil Edition of 78 Image Size: 21.5 x 28 inches Size: 28 in. x 35 in. (71.12 cm x 88.9 cm)

Early Morning Rain Etching & color aquatint, 1977 Signed, titled, numbered and dated in pencil Edition: 40 (39/40) Published by Associated American Artists, New York Condition: Mint Image/Plate size: 16 1/2 x 15 3/8 inches Sheet size: 25 3/4 x 19 1/2 inches Reference: AAA Index No. 2486 "Norman Ackroyd (RA) is one of Britain’s most celebrated living landscape artists. He is renowned for his evocative and atmospheric visions of the British Isles. Working in both etching and watercolour, he is equally as adept at capturing the calm of a Summer’s daybreak as he is the ferocity of a winter sea. Born in 1938 in Leeds, he studied at Leeds College of Art (1957-61) and the Royal College of Art in London...

Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...

Etching with aquatint on buff wove paper, 11 3/8 x 15 1/2 inches (287 x 392 mm), full margins. Signed, titled, and numbered 99/100 in pencil, lower margin. In good condition with som...

September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...

The First Wooden Temple of Jupiter or Restoration of one of the first Temples of Jupiter Capitolinus, Rome.Dickins 47. 5 1/8 x 7 1/8 (sheet 9 3/16 x 11 5...

c. 1932. Aquatint. 10 1/4 x 11 (sheet 12 5/8 x 15 1/2). A rich impression printed with plate tone on countermarked French wove paper. Unsigned; annotated 'Dark House (Aqua)' in Horter's hand. Another impression is in the Library of Congress. Housed in a 16 x 20-inch archival mat, suitable for framing. Earl Horter...