Linda Plotkin

Clouds II, Modern Lithograph by Linda Plotkin

circa 1965

Picking Salt by Dorothy Dell Dennison, American (1908–1994) Date: circa 1970 Lithograph, signed, titled and numbered in pencil Edition of 100 Size: 24 in. x 36 in. (60.96 cm x 91.44 cm)

Bauxite Factory, Suriname Clarence Holbrook Carter American (1904–2000) Date: 1980 Lithograph, signed and numbered in pencil Edition of 200, AP 30 Image Size: 17.75 x 26 inches Siz...

Ira Moskowitz, Polish/American (1912 - 2001) - Flowers 5, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 30 in. x 21.5 in. (76.2 cm x 54.61...

Guy Charon, French (1927 - 2021) - Flower Lined Home, Year: circa 1975, Medium: Lithograph on Arches, signed, and numbered in pencil, Edition: 250, EA, Image Size: 22.75 x 18.25 ...

Artist: Christo Title: The Umbrellas, Joint Project for Japan and the U.S.A. Medium: Offset lithograph in colors on wove paper Date: 1987 Edition: Unnumbered Sheet Size: 36 3/4" x 27...

Artist: Christo Title: The Gates, Project for Central Park, New York City XIX Medium: Offset lithograph in colors on wove paper Date: 2004 Edition: Unnumbered Sheet Size: 28 1/4" x 4...

The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist and numbered 1/25 lower left in pencil. This print features small sketches of heads resting on forearms. Moore experimented with different angles, appearing to practice for the composition for Lullaby: Sleeping Head, which depicts a shadowy figure supporting the head of a sleeping woman. Lullaby: Sketches is a rare window into Moore’s process of composing an image. Delicate, single-line arms and hair reveal the sculptor’s equal talent as a draftsman. The imagery for Lullaby Sketches was inspired by Auden’s poem Lullaby. Lullaby was the first poem Moore read for this project, which begins: “Lay your sleeping head, my love / Human on my faithless arm; / Time and fevers burn away Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie, / Mortal, guilty, but to me / The entirely beautiful.” The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue. Lullaby Sketches is one of a group of lithographs...