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Artist: Dennis A. Oppenheim
Medium: Lithograph
Devil's Hole
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Devil's Hole
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 150
Size: 41.25 in. x 29.75 in. (104.78 cm ...
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
Time Line, Contemporary Lithograph by Dennis A. Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Time Line Kent, Maine
Year: 1979
Medium: Lithograph, signed and numbered in pencil
Edition: 150, AP 3...
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
Whirlpool - Eye of the Storm, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Whirlpool - Eye of the Storm
Year: 1978
Medium: Lithograph on Johannot Wove Paper, signed and ...
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
Nebraska Project, Lithograph by Dennis Oppenheim 1979
Located in Long Island City, NY
Nebraska Project
Dennis Oppenheim, American (1938–2011)
Date: 1979
Lithograph on Johannot Paper, signed and numbered in pencil
Edition of 150, AP 30
Size: 41 x 30 in. (104.14 x 76.2 cm)
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
"Wishing the Mountains Madness", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Wishing the Mountains Madness
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 150
Size: 41.25 in. x 29.7...
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
"Two Ways to Skin a Cat", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Two Ways to Skin a Cat
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 ...
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
"Tar Wells", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Tar Wells
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 x 27 in. (99.06 x 68.58 cm)
Category
1970s Land Lithograph Landscape Prints
Materials
Lithograph
"Dry Wells", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Dry Wells
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
"Tank Skid", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Tank Skid
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
"Death Ramp", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Death Ramp
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
"Ghost Trip", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Ghost Trip
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
Mud Flat, Contemporary Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim
Title: Mud Flat
Year: 1977
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 41 in. x 29 in. (104.14 cm x 73.66 cm)
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
"Cage Screen Test", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Cage Screen Test
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Paper Si...
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
"Star Field - Western United States", 1979, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Star Field - Western United States
Year: 1978
Medium: Lithograph, signed and numbered in ...
Category
1970s Conceptual Lithograph Landscape Prints
Materials
Lithograph
"No Room for Horses", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: No Room for Horses
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39...
Category
1970s Land Lithograph Landscape Prints
Materials
Lithograph
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Running Fences yellow
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Date: 1976
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Dimensions: 25.25" x 39.5"
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Stars Missoula Montana by top conceptual artist signed, numbered Large: 41 x 30"
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Stars Missoula Montana, 1979
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Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim)
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Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969
Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson
23 × 16 inches
Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker
Unframed
This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item.
More information about the project from the Tate Gallery archives, which acquired the work:
This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote:
In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin.
(Quoted from artist’s statement in Tate acquisition file.)
Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...
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Lithograph landscape prints for sale on 1stDibs.
Find a wide variety of authentic Lithograph landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Peter Max, John James Audubon, Marc Chagall, and Harold Altman. Frequently made by artists working in the Modern, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Lithograph landscape prints, so small editions measuring 0.01 inches across are also available
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