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Nathan Oliveira
Archive Site

1979

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  • Abstract Modern Cityscape with Yellow & Green
    By Julia Pitcher
    Located in Soquel, CA
    Limited editions layered paper and etching composition of an abstracted urban landscape, with fractured yellow and green color fields, by Julia Pitcher (American, b. 1942). Numbered ...
    Category

    Late 20th Century Abstract Impressionist Landscape Prints

    Materials

    Paper, Ink, Mixed Media, Aquatint

  • Process Landscape
    By Tom Marioni
    Located in San Francisco, CA
    Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...
    Category

    1990s Abstract Impressionist Abstract Prints

    Materials

    Paper, Aquatint

  • Mid Century Abstracted Landscape -- South from Puertecitos
    By Edgar Dorsey Taylor
    Located in Soquel, CA
    A striking woodcut landscape print from Edgar Dorsey Taylor's series of prints depicting his adventures in Baja California in 1963 (American, 1904-1978). Also, the book titled "Baja ...
    Category

    1960s Abstract Impressionist Landscape Prints

    Materials

    Woodcut, Archival Paper

  • Rocky Shore, Etching by Olga Poloukhine
    By Olga Poloukhine
    Located in Long Island City, NY
    Rocky Shore Olga Poloukhine, French/American Aquatint Etching, Signed and Numbered in Pencil Edition of 150 Size: 28 x 21 in. (71.12 x 53.34 cm)
    Category

    1980s Abstract Impressionist Landscape Prints

    Materials

    Etching

  • Berthoud Pass, Rocky Mountain Skiing
    Located in Brooklyn, NY
    Berthoud Pass, located in the Rocky Mountains of Colorado, has a rich history associated with winter sports, skiing, exploration, and snowmobiling since the 1930s. An avid outdoors p...
    Category

    21st Century and Contemporary Abstract Impressionist Landscape Prints

    Materials

    Archival Ink, Rag Paper

  • Yellow Dining Room Interior - Multi Layer Fauvist Screenprint on Archival Paper
    By Doris Warner
    Located in Soquel, CA
    Bold and bright depiction of a dining room by Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004). The scene is composed of chunky, rectilinear forms, creating an ani...
    Category

    1980s Abstract Impressionist Landscape Prints

    Materials

    Paper, Ink, Screen

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