Paul Narkiewicz

“Poplars” Earth Toned Hand Colored Pastoral Scene Lithograph (Artist's Proof #3)

1979

Deep tonal abstract lithograph of a landscape. The work is signed, titled and editioned by the artist. The work is framed in a gold frame with a white matte. The work is by Cora Pasz...

Abstract lithograph of a float red ball and amorphous white shape against a surreal background. Signed by unknown artist in lower right corner. Hung in complimentary brown wooden fra...

Yellow, green, and blue geometric abstract lithograph by Israeli artist Ilan Hasson. The piece depicts the tower of babel made with various building shapes with metallic details. The...

Gray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...

Woodcut print of fall trees done in heavy blacks with a deep blue background titled "Autumn" edition 10/100. Signed and titled by artist. Artist Biography: Eugene Larkin was born into a farming family of seven children in rural Minnesota in 1921. The landscape and rhythms of agricultural life were a strong early influence, as was the artistic example of his painter mother, Martha. Larkin attended the University of Minnesota, graduating with an M.A. in 1947. As a student of the art historian Lawrence Schmeckebier, an authority on the art of the Mexican muralists, he was soon introduced to the expressionism and political engagement of German and Mexican artists of the 1920s and 30s. An early cycle of prints and drawings on the life of labor activist Joe Hill...

Blue and gray toned abstract landscape digital print by Ohio artist Timothy O'Toole. This whimsical print depicts a reflective body of water along a horizon. This piece is edition 37...

Marcel Mouly (French 1918 - 2008) “Jerusalem” lithograph on woven paper with deep saturated colors in excellent condition. Well framed with acr...

The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...

Title: Paintings and Drawings Year: 1991 Medium: Lithograph on premium paper, exhibition poster Size: 39 x 26 inches Condition: Excellent Notes: Published by the Leo Castelli Gallery...

With the blind stamp of California printer Lynton Kistler, at the lower left. An impression of this subject is in the National Gallery of Art, Washington, DC.

Up towards the sun. 1972, paper, lithography, 15x12.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began he...

Nautical abstract expressionist painting that is signed by the artist, but spelling of name is unclear: either Palermo or Palmaro? Signed in bottom right corner. Bottom Left co...