Renato Guttuso

Landscape - Original Screen Print by Renato Guttuso - 1980

1980

Roman Arch (Arch of Janus) is an original screen print on paper realized by Italian artist Marco Orsi (1926 - 1999). Hand-signed on the lower right in penc...

Landscape is a mixed colored screen print realized by the Sicilian artist Renato Guttuso. Sheet dimension: 50 x 69 cm. Good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Ro...

In The Forest is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as reported on ...

Magic Forest is a modern artwork realized by the Artist Rolandi, in the 1970s. Mixed-colored screen print. Hand-signed on the lower right margin. Numbered on the lower left 85/500 ...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored serigraph. Hand signed on the lower right margin. Artist's proof (as repor...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored serigraph. Hand signed on the lower right margin. Artist's proof (as repor...

Winds from the West is based on a view of East Matunuck State Beach in Rhode Island. This print was made at California State University, Stanislaus, in Turlock, California with assis...

Golden Hour was completed in October 2020 — an image that captures the magical time of sunset at the beach. The left part of the print is covered in a deep teal etching ink which is broken by the sun’s low glow over Second Beach in Middletown, Rhode Island. Waves crash by the rocks, and seagulls with shiny treasures, fly off to their nesting spots. Allison Bianco...

Andrés Rueda (Spain, 1956) 'Tarde gris', 1997 silkscreen on canvas 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: RUE1222-001-075 Unframed Hand-signed by author

Pavel Mora (Mexico, 1985) 'Escultura en el paisaje ', 2017 etching on paper Guarro Biblos 250g. 26.8 x 34.1 in. (68 x 86.5 cm.) ID: MOP-102 Unframed

Canyon Rock is a serigraph on paper with an image size 24 x 18 inches, signed 'Ricker' lower right and annotated lower left. Framed in a contemporary gold-tone frame. Numbered 81/200, from the edition of 500 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 Roman on canvas). Framed in a contemporary silver-tone moulding. Ricker created four stunning images for a suite titled ‘Sacred Places’ – all powerful images of earthly splendor. The vistas he paints, almost desolate in a primeval way, are a chorus of voices that sing of the glory of nature. In a style which he calls ‘Epic Visionary,’ he presents a view that is at once new and fresh and yet as deep-rooted and enduring as the pristine landscapes themselves. In the images of ‘Sacred Places,’ Ricker’s harmonious layering and blending of colors, muted blues and greens, contrast with the jutting precipices and craggy outcrops of rock that punctuate each portrait. The effects of the elements are visible and beautiful, creating carved layers in the rock and earth, and weaving a ribbon of shimmering water as a central feature in each work. “…these places…are sacred places – they are sacred because their beauty is so deep and mysterious that we are stopped in our tracks…for the moment, we can’t imagine anything better on earth or in heaven.” – Bruce...

Primordial Splendor is a serigraph on paper with an image size 30.25 x 30.25 inches, signed 'Ricker' lower right and annotated lower left. From the edition of 500, numbered 161/200 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 AP on canvas). Framed in a contemporary black moulding. Bruce Ricker...