Renzo Meschis

The Gulf of Palermo - Lithograph by Renzo Meschis - 1989

1989

Landscape is a lithograph realized by Bob Paulson in the 2000s. Numbered, Edition, 9/99. Hand-signed. The artwork is depicted through harmonious colors in a well-balanced composit...

Networks in Fiumicino is an original lithograph on paper realized by Giuseppe Megna. Hand-signed on the lower right, numbered on the lower left in pencil, edition of 6/80 prints. I...

Landscape is a Lithograph on paper realized by Ivan Lackovic in the 1980s . Hand-signed. Artist's proof. Good conditions. The artwork is depicted th...

Peasants is a Lithograph on paper realized by Mijo Kovacic in the 1980s . Hand-signed. Artist's proof. Good conditions. The artwork is depicted through harmonious colors in a wel...

Pink blossoms is an original colored lithograph realized by the Belgian artist Martine Goeyens. On the back, the label of the certificate of authenticity by the "Fondazione Di Paolo...

St Mark's Square, Venice is a modern artwork realized by Sergio Mari in 1989. Lithograph on paper. Hand signed, titled and datet on the lower right margin. Numbered on the lower l...

Yvonne Jacquette EAST 15th Street (Faberman 8), 1974 Lithograph in five colors on Arches Cover paper Hand signed by the artist on lower right front This is a rare pencil signed proof, aside from the regular edition of 125. Printed by Paul Narkiewicz and Chip Elwell; published by Brooke Alexander, Inc. (to benefit the Horace Mann School in NYC) 17 3/8 × 21 1/8 inches Unframed Other examples of this exquisite work are in major museums and collections such as the Whitney Museum of American Art. Literature: Aerial Muse: The Art of Yvonne Jacquette by Hilarie Faberman (2002-01-29), 8. Yvonne Jacquette Biography: Yvonne Jacquette (1934 - 2023) was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. She continued to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting with an aerial perspective, East River View At Night (1978), inspired a lasting exploration of the effects of bright lights, reflections, and indistinct objects set against surrounding darkness. The city of New York was a special focus of Jacquette’s. In the 1980s and 1990s, she chartered planes from Teterborough Airport in New Jersey to circle the city while she sketched the scene below. She also worked from the Empire State Building, and, from 1974 through early 2001, often used empty offices or an enclosed deck at the World Trade Center. Jacquette painted aerial landscapes across the country, as well as city views in San Francisco, Chicago, Minneapolis, Philadelphia, Vancouver, Tokyo, and New Orleans. After a trip to Hong Kong in 1990, she began incorporating composite viewpoints into her work, realizing that she could better express the city’s many layers of complexity by creating new spatial configurations through multiple perspectives. Since then, she continued to base her paintings on pastels made from direct observation, while frequently enlivening compositions through heightened color, repetition of certain elements, and manipulation of light, scale, and perspective. As she approached the rendering of space with greater freedom, her paintings became both more inventive and disjunctive, combining aspects of observation, memory, and imagination.  Jacquette participated in her first group show in New York City in 1962 and has been exhibiting steadily since. In 1965 she had a one-person exhibition at Swarthmore College, PA. In 1983, the St. Louis Art Museum organized her first major museum exhibition. A comprehensive retrospective, Aerial Muse: The Art of Yvonne Jacquette, originated at the Cantor Center for Visual Arts, Stanford University, CA in 2002 and traveled to Colby College Museum of Art, Waterville, ME; Utah Museum of Fine Arts, Salt Lake City; and the Hudson River Museum, Yonkers, NY. In 2008, the Museum of the City of New York organized Under New York Skies: Nocturnes by Yvonne Jacquette, which was shown concurrently with Street Dance, an exhibition of photography by her late husband, Rudy Burckhardt...

Melanie Taylor Kent "Boardwalk of Atlantic City" Signed Numbered Lithograph Art. Wow this is an amazing signed and numbered print 166/500 of the At...

Embossed lithograph with foil stamping on paper. Hand signed lower right by the artist. From the edition of 200. Artwork is in excellent condition. Certificate of authenticity inc...

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 450. Artwork is in excellent condition. Certificate of authenticity included. All reason...

FATHER & SON is a hand drawn, limited edition lithograph by the African American artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper, 100% acid free. FATHER & SON is a beautifully simple composition depicting a refreshing Lowcountry South Carolina landscape...

SUR LE BANC is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Arches paper 100% acid free, by the popular French artist Mich...