Ross Racine

Periphery

2012

(15 3/8" X 20 1/2" ) archival pigment print, edition of 5 Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a computer...

(15 3/8" X 20 1/2" ) archival pigment print, edition of 10 Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a compute...

30"x40" archival pigment print signed on reverse by the artist. This composition is created entirely of cut paper, and then is photographed by the artist. The white paper in his as...

23 1/2”x31 1/2" archival pigment print, edition of 5 Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a computer; no ...

34 1/2"x34 1/2" paper size, image size 31 1/2"x31 1/2" : signed and editioned on reverse, limited edition of 5. This limited edition print by Montreal artist, Ross Racine, depicts a...

34.5"x34.5" paper size, image size 31.5"x31.5" : signed and editioned on reverse, (edition of 5). This limited edition museum quality print by Montreal artist, Ross Racine, depicts ...

Carrie Marill It's A Cowboy State, 2020 archival pigment print 14.5" x 14.5" paper size Edition of 10 Carrie Marill is a meticulous artist, sophisticate...

Kenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...

"Burnt Place" - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place. About the Twilight's Path project: "We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...

This image is printed in an edition of 7, but comes in larger and smaller sizes. Each image is printed on archival paper, signed and numbered. Statement: This image of What I Remember is from Sarah Hadley's series Story Lines, which explores the female interior landscape. The series was inspired by the French New Wave films of the 60’s, which were shot in black and white on the street and which often portrayed the subconscious thoughts and feelings of ordinary women. These photo collages pay homage to the surrealists who first employed the technique of conjoining unrelated images to create startling and thought-provoking connections. Using backdrops...

Archival pigment print

Untitled (Nr. 0113) Photography 36" x 44" Edition 1/12 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminat...