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Ruth Haviland Sutton
Cape Cod Cottage

c. 1955

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  • Edge of the Woods.
    By William Harry Warren Bicknell
    Located in Storrs, CT
    Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • The Arthur Williams Estate
    By Earl Horter
    Located in Storrs, CT
    The Arthur Williams Estate. c. 1916. Etching and drypoint. 4 3/4 x 9 (sheet 8 x 10 7/8). A rich impression printed on dark cream wove paper. Water stai...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Etching

  • Skyline, New York
    By Martin Lewis
    Located in Storrs, CT
    Skyline, New York. 1919. Etching and drypoint. McCarron 36. 8 7/8 x 10 3/8 (sheet 12 1/4 x 14 . 11 recorded impressions (intended edition 50. Lewis states that he destroyed 6 of the ...
    Category

    1920s American Modern Abstract Prints

    Materials

    Drypoint, Etching

  • From the Weather Bureau. New York, New York.
    By Stow Wengenroth
    Located in Storrs, CT
    "From the Weather Bureau. February 1940. Lithograph printed in black and cream. Stuckey catalog 106. state i. Two stone printing. 10 1/8 x 17 (sheet 16 x 21 5/8). Edition 40 in this ...
    Category

    1940s American Modern Landscape Prints

    Materials

    Lithograph

  • Royal Insurance Building of Canada. (Royal Globe Insurance Company Building)
    By Louis Conrad Rosenberg
    Located in Storrs, CT
    Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing. Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed. The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...
    Category

    1920s American Modern Landscape Prints

    Materials

    Drypoint

  • Charing Cross Bridge from My Window
    By Joseph Pennell
    Located in Storrs, CT
    Charing Cross at Night. 1909. Mezzotint. Wuerth 510. 11 7/8 x 10 (sheet 15 x 10 3/4). Edition probably 30. Printed on 'Rome'cream laid paper, probably fr...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Resin, Aquatint

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    Located in New York, NY
    This is a modernist view of a New York City park. It's interesting because we're given so much detail and yet it's drawing style also keep things hidden. Really I think it's about Cu...
    Category

    1930s American Modern Abstract Prints

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  • Mornings with Judd (Second state)
    By Peter Milton
    Located in Middletown, NY
    Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...
    Category

    1970s American Modern Landscape Prints

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    Engraving, Etching, Archival Paper

  • Wharf-side
    By Richard Florsheim
    Located in New York, NY
    Richard Florsheim created this color lithograph entitled “Warf-Side” in 1962 in an edition of 60 pieces. This impression is signed and inscribed “Trial Proof” and printed at the Mour...
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    1960s American Modern Abstract Prints

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  • Waves
    By Richard Florsheim
    Located in New York, NY
    Richard Florsheim created this color lithograph entitled “Waves” in 1973 in an edition of 50 pieces. Printed by Mourlot Press, Paris, this impression is signed and inscribed “3/50” – the third print of fifty. It is in good condition with full original color. The printed image size is 16 3/8 x 23.75 inches and the paper size is 19.75 x 26.50 inches. RICHARD ABERLE FLORSHEIM...
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    1970s American Modern Abstract Prints

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  • Incandescent City
    By Richard Florsheim
    Located in New York, NY
    Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...
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    1960s American Modern Landscape Prints

    Materials

    Lithograph

  • Carnival
    By Richard Florsheim
    Located in New York, NY
    Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...
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    1970s American Modern Abstract Prints

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