Sarah Duncan

Carbonous

2021

Sarah Duncan Coriolis Effect Limited Edition Etching on Zerkall German Etch 350gsm Paper Edition of 20 Image Size: H 60cm x W 60cm Sheet Size: H 70cm x W 70cm x D 0.1cm Sold Unframed...

Allan Forsyth MAGNOLIA ANGELIC Limited Edition Floral Print Archival Chromagenic Photographic Print Edition of 25 Artwork Size: H 76cm x W 228cm x D 2cm Diasec Framed and Ready to Ha...

FLORA ODYSSEY N°5 by Allan Forsyth [2020] limited_edition and hand signed by the artist Archival Chromagenic Photographic Print Edition number 12] Image size: H:100 cm x W:77 cm Com...

This soft ground etching was made using impressions of natural plants and printed with etching inks on Fabriano paper. This print is a variable edition of 100, and is signed, numbere...

Vicky Oldfield artist and printmaker, ‘Cardoon’ is a hand coloured collagraph print, the print is taken from a plate which has been collaged with a variety of textured materials. The...

After the Storm is a contemporary landscape print by Phil Greenwood. The serene combination of earthy green, blue and white tones gives the work a calming feel and Greenwood’s attent...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows one of the mountains in beautiful Yosemite National park in California. Details: + Title: Yosemite Blue Mountain + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

Minneapolis at Dusk Etching & aquatint printed in colors, 1993 Signed, titled and numbered in pencil Edition: 65 (19/65) Condition: Excellent This image depicts the Wells Fargo Center designed by Cesar Pelli Richard Haas (American, b.1936) is a practitioner of the trompe l'oeil artistic style, a technique that uses realistic images in a way that tricks the eye into perceiving the painting in three dimensions. Haas has painted hundreds of murals that incorporate trompe l'oeil methods in the depiction of the architectural features of the building. He was born in Spring Greene but grew up in Milwaukee, WI. He graduated in 1959 from the University of Wisconsin-Milwaukee with a Bachelor in Art. Instructors for his courses included Joseph Friebert (American, 1908–2002) and Robert Von Neuman (German, 1888–1976). Haas returned to his birthplace to work as a helper for his stonemason uncle, and he had an opportunity to view the work of the architect Frank Lloyd Wright (American, 1867–1959). He spent several years as an assistant professor at the University of Michigan before he moved to New York City in 1968. Haas spent 10 years teaching at Vermont's Bennington College, splitting his time between the school and New York. Haas worked for many years as an Abstract painter who used traditional canvas media. He later developed an interest in drawing and etching the details of late 19th century and early 20th century New York City buildings. The artist’s first outdoor mural, a commission to paint the cast iron façade at the corner of Prince Street and Greene Street, was completed in 1975. His other notable murals include Fort Worth, Texas' Homage to Chisholm Trail...

Richard Haas Manhattan View, Governor's Island (Szoke 87, 89), 1999 Aquatint & Photo Etching in Colors on Arches Cover Paper with full margins Pencil signed from the limited edition ...

Richard Haas Alwyn Court (180 West 58th Street, NYC), 1973 Etching on wove paper Edition 4/50 Signed, titled and numbered 4/50 on the recto Measurements: Artwork: 19.25 inches (vert...

Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, sheet:...

Created in 2007, this color soft ground etching with aquatint on paper is hand-signed and dated by Robert Bechtle (San Francisco, 1932 - Berkeley, 2020)...