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Sir Frank Short
Ben Arthur, Scotland

1888

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  • The Steam Launch, Chelsea Embankment.
    By Theodore Casimir Roussel
    Located in Storrs, CT
    1888-89. Etching. Hausberg 18. 3 1/4 x 4 3/4 (image and sheet). Edition about 30. Agnew's label verso. A rich impression with plate tone, printed on off-white paper. A rich impressio...
    Category

    Late 19th Century Impressionist Landscape Prints

    Materials

    Etching

  • Barcarolle.
    By James McBey
    Located in Storrs, CT
    Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
    Category

    1920s Impressionist Landscape Prints

    Materials

    Drypoint, Etching

    Barcarolle.
    $9,000 Sale Price
    33% Off
  • The Venetian Mast
    By James Abbott McNeill Whistler
    Located in Storrs, CT
    The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...
    Category

    1870s American Impressionist Landscape Prints

    Materials

    Drypoint, Etching

  • The Church Across the Way
    By Childe Hassam
    Located in Storrs, CT
    The Church Across the Way. 1916. Etching. Cortissoz, Clayton 66. 8 1/4 x 4 3/8 (sheet 10 1/16 x 6 1/8). A fine impression with carefully-wiped plate tone printed on white laid paper ...
    Category

    1910s American Impressionist Landscape Prints

    Materials

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  • La Fruitière de la Rue de Grenelle (The Fruitseller in Grenelle Street).
    By James Abbott McNeill Whistler
    Located in Storrs, CT
    La Fruitière de la Rue de Grenelle (The Fruitseller in Grenelle Street). 1894. Lithograph. Way 56, Levy 87, Stratis, Spink and Tedeschi 106. 9 x 6 (sheet 11 1/4 x 8 3/4). Way lists 33 impressions; Goulding printed 31 posthumous impressions on October 15, 1903. A good impression printed in black ink on white machine-made wove paper. Fair condition -- horizontal centerfold, a small 1/4-inch stain in the lower right, outside the image. Monogrammed with the butterfly on the awning. Housed in a 21 3/4 x 19 3/4-inch gold Whistler-style frame. A charming presentation of this scarce Whistler lithograph...
    Category

    Late 19th Century Impressionist Figurative Prints

    Materials

    Drypoint, Etching

  • Laguna Veneta.
    By Otto Henry Bacher
    Located in Storrs, CT
    Laguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper. Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire. Housed in a 16 x 20-inch archival mat, suitable for framing. The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving. Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander...
    Category

    19th Century American Impressionist Landscape Prints

    Materials

    Etching

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    By Jean-Baptiste-Camille Corot
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    Jean Baptiste Camille COROT (after) After the Bath, 1873 Original Etching Engraved by Boilevin under the supervision of COROT Printed sig...
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  • Hope - Original etching - Ed. Durand Ruel, 1873
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    Pierre PUVIS DE CHAVANNES (after) Hope, 1873 Original Etching Engraved by Boilvin under the supervision of PUVIS DE CHAVANNES Printed signature in the plate On laid paper 20,5 x 30...
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  • The Harbour, Sailboats - Original etching - Ed. Durand Ruel, 1873
    By Édouard Manet
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    Edouard MANET (after) The Harbour, Sailboats, 1873 Original Etching Engraved by Gaucherel under the supervision of MANET Printed signature in the plate On laid paper 20,5 x 30 cm ...
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  • 'Stanford University, the Quad', Palo Alto, Vienna Academy, Metropolitan Museum
    By Luigi Kasimir
    Located in Santa Cruz, CA
    Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), and with title and date, 'Palo Alto, 1931'. at lower right, Paper dimensions: 12.25 x 16 inches. N.B. This is an original etching by Luigi Kasimir and is hand-signed by the artist. The notable etcher and painter, Luigi Kasimir, attended the Vienna Academy of Art where he studied under William Unger, who introduced him to colored etching. Kasimir was influenced by Anders Zorn and Karl von Kalckreuth and he furthered his studies with Sigmund L'Allemand. A pioneer in the technique of hand-colored etching, Kasimir began exhibiting in 1905 and received immediate critical recognition. Starting with a sketch, usually in pastel, Kasimir would transfer the design, by hand, onto as many as six plates, applying the color by hand to each plate. Luigi Kasimir's work is held in private and public collections throughout the world including in the permanent collections of New York's Metropolitan Museum and Smithsonian Museum, among others. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse...
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  • Mounts Bay, Monochrome: Contemporary Limited Edition Etching
    By Ian Laurie
    Located in Brecon, Powys
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