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Stephen McMillanThe Slot #91981
1981
About the Item
Artist: Stephen McMillan – American (1949- )
Title: The Slot #9
Year: 1981
Medium: 3 plate aquatint etching
Sight size: 36 x 24”
Sheet size: 41.5 x 29.5 inches on Arches paper
Signature: Signed, dated lower right
Edition size: 150 This one: 15/150
Condition: Very good
Unframed
This aquatint etching is by a master of the medium, Stephen McMillan (1949- ). It depicts a rock formation near Borrego Mountain, Anza Borrego State Park, San Diego County, California. The print is titled in the lower left, numbered in the lower center and signed and dated in the lower right, all in pencil. The print is in very good condition. There is some very light rippling of the sheet. There are three archival hinges on the top edge which will assist in future mounting and matting. Please see the pictures. Please note that this print is in demand and hard to find.
Stephen McMillan studied at the University of California, Santa Cruz, and for one year at Hornsey College of Art in London, England, where he concentrated on sculpture. It was at Santa Cruz, in 1969, that Steve was first introduced to etching. Since he received his BFA from UCSC in 1975, he has focused on creating aquatint etchings of landscapes, drawn freehand from photographs he takes. From 1975 to 1979 he worked at Graphic Arts Workshop in San Francisco. For most of the years from 1979 to 1992 he was an artist in residence at Kala Art Institute in Berkeley, where he taught classes in printmaking, and wrote three technical articles about aquatint etching. In 1992 he moved to Petaluma, California, and set up a printmaking studio in his home. In 2006 he moved north to set up a new studio in Bellingham, Washington. Source: Artist’s website.
- Creator:Stephen McMillan (1949, American)
- Creation Year:1981
- Dimensions:Height: 41.5 in (105.41 cm)Width: 29.5 in (74.93 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:The print is in very good condition. There is some very light rippling of the sheet. There are three archival hinges on the top edge which will assist in future mounting and matting. Please see the pictures.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: PM07192022-11stDibs: LU666310569752
Stephen McMillan
Born in Berkeley, California, on December 21, 1949, Stephen was raised in a home that had a sweeping view of the San Francisco Bay. This scene kindled his interest in landscape and was one of his earliest drawing subjects. He had his first one man show when he was sixteen. Throughout his life, Steve McMillan has been inspired and sustained by the natural world and has spent much of his time outside. Whether it's a bike ride in the Sonoma countryside, or a week-long backpacking trip in the High Sierra, he is renewed and invigorated by being in and moving through landscape. It is this sense of renewal that he seeks to share with others. Stephen studied art at the University of California, Santa Cruz, and also one year at Hornsey College of Art in London, England, where he concentrated on sculpture. It was at Santa Cruz, in 1969, that Steve was first introduced to etching. Since receiving his BFA from UCSC in 1975, he has focused on creating aquatint etchings of landscapes, drawn freehand from photographs he takes. From 1975 to 1979 he worked at Graphic Arts Workshop in San Francisco. For most of the years from 1979 to 1992 he was an artist in residence at Kala Art Institute in Berkeley, where he taught classes in printmaking, and wrote three technical articles about aquatint etching. In 1992 he moved to Petaluma, California, and set up a printmaking studio in his home. In 2006 he moved north to set up a new studio in Bellingham, Washington.
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Title: La Vilaine
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Located in San Francisco, CA
Artist: David Smith-Harrison– American (1959-)
Title: Orchard
Year: circa 1988
Medium: Multiple Plate Intaglio etching
Plate size: 19.75 x 27.5 inches.
Sheet size: 26.5 x 35.5 inches. On Arches Cover White paper
Matted size: 28.75 x 37.25 inches
Framed Size: 31.25 x 38.75 inches
Signature: Signed lower right
Edition: 2nd state. Edition of 85. This one: 5/85
Condition: Very good
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David Smith-Harrison’s approach to printmaking relies on drawing and alludes to past renaissance style architecture. He was awarded the Utah State Sterling Scholarship, before going on to be educated at the South Glamorgan Institute in Cardiff, Wales and at the University of Utah. He has participated in numerous shows, nationally and internationally. Juried exhibitions include Ashland University Printmaking Invitational Exhibition in Ohio, National Printmaking College of New Jersey, Trenton, Tokyo International Mini-Print Triennial, Japan, Society of American Graphic Artists at Federal Plaza, New York and US-UK Print Connection, Barbican Centre in London.
COLLECTIONS (partial list)
The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, San Francisco, CA
Long Beach Museum of Art, Long Beach, CA
Springville Museum of Art, Springville, UT
Tama Art University Museum, Tokyo, Japan
The Cleveland Museum of Art, Cleveland Ohio
EDUCATION
1984
University of Utah, Salt Lake City, Utah
1983
South Glamorgan Institute, Cardiff, Wales, U.K.
1977-78, 1981-83
Utah State University, Logan, Utah
1977
Utah State Sterling Scholar
SOLO EXHIBITIONS
2014 Old Town Gallery, Park City, Utah
2007 Waterworks Gallery, Friday Harbor, WA
2006 The Dovetail Collection, Healdsburg, CA
2005 Couturier Gallery, Los Angeles, CA
2005 Tula Prints, Cordoba, Spain
1999 The Artful Eye, Calistoga, CA
1998
The Artful Eye, Healdsburg, CA
Evolving Space, San Francisco, CA
Hallside Gallery, Univerity Medical Center, Salt Lake City, UT
1997 Evolving Space, San Francisco, CA
1996
Couturier Gallery, Los Angeles, CA
Evolving Space, San Francisco, CA
1995
Pioneer Memorial Theatre, University of Utah, Salt Lake City, Utah
Rasmussen Art Gallery, Pacific Union College, Angwin, CA
1994 J.D. Neumann, San Francisco, CA
1993
Sala d'art Josep Bages, Torre Muntadas, El Prat de Llobregat, Barcelona, Spain
LeCelle Gallery, San Anselmo, CA
1990 Loge Gallery, University of Utah, Salt Lake City, Utah
1988
Contemporary Realist Gallery, San Francisco, CA
Old Town Gallery, Park City, Utah
GROUP EXHIBITIONS (selected)
2004
Studio 7 Gallery, Pleasanton, CA
2003
Studio 7 Gallery, Pleasanton, CA
Waterworks Gallery, Friday Harbor, WA
The Hayward Arts Council, Hayward, CA
2002
Present Art IX, Couturier Gallery, Los Angeles, CA
1999
Richard Reed Armstrong, Chicago, Illinois
Ashland University Printmaking Invitational Exhibition, Ashland University, Ashland, OH
University of Dallas National Print Invitational, Waco, TX
1998
Waterworks Gallery, Friday Harbor, WA
Religious and Spiritual Art of Utah, Springville Museum of Art, Springville, UT
Printmaking: People and Process, The California Society of Printmakers, Contra Costa College, CA
1997
Long Beach Museum of Art, Long Beach, CA
Pacific Edge Print Exhibition, Mendocino Art Center, Mendocino, CA
Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX
Dakotas International, University of South Dakota, Vermillion, SD
National Printmaking 1997, College of New Jersey, Trenton, NJ
Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA
Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA
1996
Beauty's Plea, Long Beach Museum of Art, Long Beach, CA
Davidson Gallery, Seattle, WA
Art and Architecture, Nortel Northern Telecom, Santa Clara, CA
Beyond Boundaries Preview Exhibition, Bank of America Concourse Gallery, San Francisco, CA
Printwork /96, Barrett House Galleries, Dutchess County Art Association, Poughkepsie, NY
Network General, Architecture in Art Exhibit, Menlo Park, CA
1995
Present Art III, Couturier Gallery, Los Angeles, CA
Synopsys Inc., Architecture in Art Exhibit, Mountain View, CA
Waterworks Gallery, Friday Harbor, WA
1994
Gump's Gallery, San Francisco, CA
Bartlett Gallery, Pleasanton, CA
1993
Evergreen Graphic Art Association, Taipei Cultural Center, Taipei, Taiwan Republic of China
1990
Gump's Gallery, San Francisco, CA
1989
Intaglio, New Mexico State University, Las Cruces, NM
1988
Contemporary Works on Paper, William Gallery, St. Helena, CA
Ornamentation in Architecture, American Institute of Architects San Francisco Chapter, San Francisco, CA
1987
Intaglio, Lawson Galleries, San Francisco, CA
Fine Print Exhibition, Convergence Gallery, San Francisco, CA
JURIED EXHIBITIONS (selected)
2005
Impressions: Matrix and Image, Alameda Art Center, Alameda, CA
2004
Delta National Small Prints Exhibition, Arkansas State University
2003
Delta National Small Prints Exhibition, Arkansas State University
1999
Ashland University Printmaking Invitational Exhibition, Ashland, OH
1998
74th Utah Spring Solan, Springville Museum of Art, Springville, UT
1997
The 15th University of Dallas National Print Invitational, University of Dallas, Irving, TX
From Coast to Coast, Center for Visual Arts, Oakland, CA
Janet Turner National Print Competition, Janet Turner Print Gallery and CA State University, Chico, CA
The Fantastic Image, the Art of Intaglio, CA Society of Printmakers, Vallejo Community Arts Foundation, Vallejo, CA
73rd Utah Spring Salon, Springville Museum of Art, Springville, UT
Pacific Edge Print Competition, Mendocino Art Center, Mendocino, CA
Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX
Dakotas International, University of South Dakota, Vermillion, SD
National Printmaking 1997, College of New Jersey, Trenton, NJ
Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA
Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA
1996
Beyond Boundaries, North America Printmaking Exhibition, San Francisco, CA
Printwork 96, Barrett House Galleries, Dutchess County Art Association, Poughkeepsie, NY
72nd Utah Spring Salon, Springville Museum of Art, Springville, UT
Pacific Prints 1996, 8th Biennial Print Competition and Exhibition, Palo Alto, CA
1995
Janet Turner National Print Competition, Janet Turner Print Gallery and CSU Chico, CA
Tokyo International Mini-Print Triennial '95, Tokyo, Japan
Impressions: The Medium Extended, ProArts, Oakland, CA
71st Utah Spring Salon, Springville Museum of Art, Springville, UT
Print & Draw: Biennial, Triton Museum of Art, Santa Clara, CA
1994
10th Annual Exhibition, Part II, Berkeley Art Center Association, Berkeley, CA
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Materials
Paper, Etching, Intaglio
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Located in San Francisco, CA
Artist: Luigi Kasimir Austrian (1881-1962)
Title: Schallaburg Castle, Austria
Year: circa 1930
Medium: Color Etching
Sight size: 17 x 22.25 inches
Sheet Size: 20 x 25 inches
Framed Size:26.5 x 31.5 inches
Signature: Signed lower right by the artist
Edition: unknown
Condition: See below
This artwork titled "Schallaburg Castle c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower right. The plate mark (image) size is 17 x 22.25 inches, paper size is 20 x 25 inches, matted size is 24 x 29 inches, framed size is 26.5 x 31.5 inches. It is custom matted with a brown inner mat, gold liner and cream-colored outer mat. The wood frame is black with a faint gold inner edge. The print is in fair-to-good condition. It is attached to the mat with archival tape. It bears the residue of a previous backing on the reverse, but that does not at all show on the front of the print. The surface of the print is in very good condition with strong colors. There are small losses to the corners of the print, far from the image. The mat is in good condition. The frame is in fair condition with some pits, mostly on the lower and upper bars. I have included pictures of the reverse of the print as well as the flaws on the frame. I can ship the print with the frame or without the frame.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
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