Wayne Ensrud

FLORENCE

1980

Lithograph in colors on arches paper. Hand signed and numbered by Lea Nikel. Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed on May 10, 1978 to hono...

Lithograph in colors on arches paper. Hand signed and numbered by Liliane Klapisch. Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed on May 10, 1978 ...

Lithograph in colors on paper.. Hand signed Bennett / Benedetto (Tony Bennett's family name) and numbered. Image size 23.75 x 33.5 inches. Sheet size approx. 29 x 38 inches. Frame ...

Lithograph in colors on arches paper. Hand signed and numbered by Aviva Uri Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed...

Palazzo, Florence Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954 Signed in pencil lower right (see photo) Edition 250 plis 10 on Rives wove paper, printed by the artist Published by The Print Club of Cleveland, No. 33 for 1955 REFERENCE: Geske #32 Condition: Mint Image size: 9 3/16 x 13 1/8 inches Impressions of this image can be found in the following museums: National Gallery of Art, Washington Toledo Museum of Art Oberlin, Allen Museum of Art Cornell Univeristy Cleveland Museum of Art Indianapolis Museum of Art Baltimore Museum of Art Georgetown University Indiana Univeristy, Eskenazi Museum of Art David Museum of Art at Wellesley College "Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...

Wayne Ensrud, American (1934 - ) - Enchanted City, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 20.5 x 28.5 inches, Size:...

View of Florence Guy Charon, French (1927) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 250, EA Image Size: 18 x 22 inches Si...

The Duomo, Florence Watercolor, 1914 Signed and dated lower center edge (see photo) Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. Condition: Excellent Image size: 16 3/4 x 14 1/2 inches Frame size: 24 1/4 x 22 inches Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters. Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year. He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...