Items Similar to Vladimir: Greek column abstract etching and screenprint, handmade paper frame
Want more images or videos?
Request additional images or videos from the seller
1 of 16
Michael HursonVladimir: Greek column abstract etching and screenprint, handmade paper frame1989
1989
$1,800
£1,347.27
€1,556.79
CA$2,496
A$2,795.84
CHF 1,453.53
MX$34,523.01
NOK 18,516.78
SEK 17,504.74
DKK 11,617.62
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
An abstract black and white shadowbox drawing of a Greek column, with a unique handmade, hand printed, leather brown wood grain frame. According to Roberta Smith, Michael Hurson "...negotiated his own path between Pop Art and Conceptual Art" -- his whimsical take on everyday objects and wicked sense of humor are on display here.
Paper 19 x 5.75 in. / 48 x 14.5 cm
Frame 23.25 x 10 x 2.25 in. / 59 x 25.5 x 6 cm
Lithograph on white Arches paper, with silkscreen printing on plexiglass, mounted in a frame made of heavy paper printed with an intaglio image of woodgrain. Edition 35: this impression 26/35. Signed by the artist with initials and numbered 26/35 in pencil lower right. A hanging wire is suspended on the reverse, enabling instant hanging on a wall. The framed work is pre-packed in a box ready for shipping as in the photograph above.
This mixed-media print combines lithography, intaglio, and silkscreen to produce a layered shadowbox, featuring a single column sketched in black, grey, and white ink. White crosshatching on black defines the background, while the column is sketched in black and grey, with short horizontal hatching up the length of the column. On the left, white daubs of ink seem to float down the composition like leaves. Suspended on plexiglass, the white marks cast small shadows on the paper. These silkscreen images on the plexiglass face add to the three dimensionality of the piece.
Hurson was a life-long theater aficionado, even writing and producing a surreal theater piece entitled 'Red and Blue' at the Public Theater's Other Stage in 1982. The production featured two light bulbs engaged in humorous, philosophical dialogue. In Vladimir, a stylized doric column atop the black of the background suggest the set of a play, or an illustration of a greco-roman drama. Columns are a repeated motif in Hurson's work, perhaps standing in for human figures or suggesting the mythological.
Born in Ohio in 1941, and raised in Chicago, Michael Hurson earned a Bachelor of fine arts degree from the Art Institute in 1963. Hurson came to prominence after he was included in the Whitney Museum of American Art’s 1978 “New Image Painting” exhibition. Including such artists as Jennifer Bartlett, Robert Moskowitz, Susan Rothenberg, and Joe Zucker, the exhibition was considered a landmark return to figuration.
A favorite of New York Times art critic Roberta Smith, Hurson drew with a stylish, satirical energy, imbuing everyday objects such as eyeglasses, pencils, and coat hangers with playfully mythological significance. Hurson frequently paired anthropomorphic objects in his compositions, suggesting a dialogue or narrative between forms. Hurson’s witty, intentionally loose mark-making find a parallel to the style of Phillip Guston, with whom Hurson exhibited on numerous occasions.
Hurson often mined art history, experimenting with multi-planed compositions recalling the work of Cubist painters, and producing thoughtfully-sketched interpretations of famous masterpieces such as Georges Seurat’s “Sunday Afternoon on the Island of the Grande Jatte.”
Hurson’s work is represented in numerous public collections, including those of the Museum of Modern Art, New York, Whitney Museum of American Art, Art Institute of Chicago and the Walker Art Center, Minneapolis. He has been represented by the Paula Cooper Gallery, New York since 1982.
- Creator:Michael Hurson (1941 - 2007, American)
- Creation Year:1989
- Dimensions:Height: 23.25 in (59.06 cm)Width: 10 in (25.4 cm)Depth: 2.25 in (5.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This framed work has been stored in its packaging for shipment since its making..
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU121124979642
Michael Hurson
Born in Ohio in 1941, and raised in Chicago, Michael Hurson earned a Bachelor of Fine Arts degree from the Art Institute in 1963. Hurson came to prominence after he was included in the Whitney Museum of American Art’s 1978 “New Image Painting” exhibition. Including such artists as Jennifer Bartlett, Robert Moskowitz, Susan Rothenberg, and Joe Zucker, the exhibition was considered a landmark return to figuration. A favorite of New York Times art critic Roberta Smith, Hurson drew with a stylish, satirical energy, imbuing everyday objects such as eyeglasses, pencils, and coat hangers with playfully mythological significance. Hurson frequently paired anthropomorphic objects in his compositions, suggesting a dialogue or narrative between forms. Hurson’s witty, intentionally loose mark-making find a parallel to the style of Phillip Guston, with whom Hurson exhibited on numerous occasions. Hurson often mined art history, experimenting with multi-planed compositions recalling the work of Cubist painters, and producing thoughtfully-sketched interpretations of famous masterpieces such as Georges Seurat’s “Sunday Afternoon on the Island of the Grande Jatte.” Hurson’s work is represented in numerous public collections, including those of the Modern, the Whitney, the Art Institute of Chicago and the Walker Art Center in Minneapolis. He has been represented by Paula Cooper Gallery since 1982.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1968
1stDibs seller since 2019
320 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllTwo Columns by Michael Hurson framed abstract with greco roman pillars on stage
By Michael Hurson
Located in New York, NY
In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, taupe, and grey ink. The f...
Category
1980s Abstract Figurative Prints
Materials
Monoprint, Monotype
Two Columns by Michael Hurson framed abstract with greco roman pillars on stage
By Michael Hurson
Located in New York, NY
In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, brown, and purple ink. The...
Category
1980s Abstract Figurative Prints
Materials
Monoprint, Monotype
Two Columns (framed): colorful pop art abstracted Greek pillars Micheal Hurson
By Michael Hurson
Located in New York, NY
Pop art scene of abstracted Greek pillars and green leaves. Drawings in black and white, pale blue, red and grey compose this colorful print. Layers of p...
Category
1980s Contemporary Figurative Prints
Materials
Lithograph, Screen
A Muse (single print #11) by Dieter Roth abstract black and white lithograph
By Dieter Roth
Located in New York, NY
This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
A Muse (single print #11) by Dieter Roth abstract black and white lithograph
By Dieter Roth
Located in New York, NY
This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
A Muse by Dieter Roth set of ten abstract black and white lithographs
By Dieter Roth
Located in New York, NY
This series of abstract black and white Roth prints is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. The artist worked on the same stone, erasing and adding elements with each step of the process to create a new print. Working on a lithography stone allowed him to scratch away areas with precision, revealing tightly hatched white lines that complement swaths of smokey gray. A Muse reflects Roth’s interest in permutations, decay, and a mathematical approach to making images. Each week the artist created a new variant: the series was originally planned as a set of 52.
Dieter Roth, A Muse 1971-1972
series of 12 prints (this set is an incomplete set of ten prints), lithographs from stone printed in black on white handmade paper
image 18.9 × 14.6 in / 48 x 37 cm paper 30.7 × 20.9 in / 78 x 53 cm
edition of 30 each, numbered and signed, 6 artists copies
this series 1/30
printed by Karl Schulz, Braunschweig and published by Petersburg Press, London
weekly variant printed from the same stone, began October 1971
(52 prints were planned, but only 12 were executed)
Condition: excellent with some dimples and wear commensurate with age
Catalogue Reference: Roth 185-196
Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972).
Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work.
Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
You May Also Like
Madeleine Dietz, German engraving photo 83x45in aquatint abstract conceptual
Located in Miami, FL
"Madeleine Dietz (Germany, 1953)
'Kann sein', 2004
etching, aquatint on paper Velin Arches 300 g.
83.3 x 43.2 in. (211.5 x 109.5 cm.)
Edition of 12
ID: DIE-301"
Category
Early 2000s Contemporary Prints and Multiples
Materials
Etching, Aquatint, Screen
"The End, " Original Woodcut & Silkscreen signed by Carol Summers
By Carol Summers
Located in Milwaukee, WI
"The End" is an original color woodcut by Carol Summers. The artist signed the piece in the center right. This woodcut depicts a marble fluted column with the title in large letters ...
Category
1960s Prints and Multiples
Materials
Screen, Woodcut
Gustavo Perez Monzon, Untitled, 2018 Cuban Mexican original engraving 43x32in
Located in Miami, FL
Gustavo Perez Monzon (Cuba, 1956)
'Untitled', 2018
etching, aquatint on paper Velin Arches 300 g.
42.2 x 31.5 in. (107 x 80 cm.)
Edition of 40
ID: MOZ-101
Unframed
Category
2010s Contemporary Abstract Prints
Materials
Etching, Engraving
Leonard Baskin Abstract Woodcut, Signed
By Leonard Baskin
Located in New York, NY
Leonard Baskin (1922-2000)
Untitled, Late 20th Century
Woodcut
Framed: 32 x 24 1/4 x 1/4 in.
Edition 26/50
Signed and numbered lower right
A highly respected draftsman, printmaker, ...
Category
Late 20th Century Abstract Abstract Prints
Materials
Woodcut
Lithograph by Vladimir Velickovic
By Vladimir Velickovic
Located in Long Island City, NY
Vladimir Velickovic ( France, Born 1935), a color lithograph with collage, signed and numbered 9/90
Dimension 79 x 80 cm. Framed.
Not examined out of frame.
Category
1990s French Modern Contemporary Art
Materials
Paper
"CYCLOPS", print, hand-tooled aluminum intaglio, abstract, monotype, framed
By Harold Wortsman
Located in Toronto, Ontario
CYCLOPS is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is a framed monotype in black matte wood with spacers under glass to maintain the deckle edge of paper. The print floats on museum board using archival Hayaku Japanese Hinging Paper. Like Wortsman's sculptures, the abstract components here seem to possess both organic and geometric forms. Note the four corners of black, bracing the center serpentine shape of copper and black speckled white – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the indigenous art of Africa, the Middle East, India and Asia, his forms are organic and geometric abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
CYCLOPS was exhibited at Harold Wortsman...
Category
21st Century and Contemporary Contemporary Abstract Prints
Materials
Glass, Wood, Printer's Ink, Archival Paper, Intaglio, Etching