Yoshida Hiroshi

Yoshida Hiroshi -- The Golden Pavilion 金阁

Title Hirosaki Castle 弘前城 From the series "Sakura Hachi-dai" (Eight Scenes of Cherry Blossom) Date 1935; (posthumous edition, likely 1950's/60's). Publisher Yoshida Fam...

Title The Cherry Tree in Kawagoe 川越の桜 From the series "Sakura Hachi-dai" ("Eight Scenes of Cherry Blossom") Date 1933; (posthumous edition, likely 1950's/60's). Publisher ...

Title Bamboo Wood 竹林 Date 1939 Seals: Jizuri Signature: Hiroshi Yoshida (in pencil), Yoshida (ink) with Hiroshi seal Image Size 40 * 27 cm Oban Impression very good im...

Kawase Hasui Rain at Yasuniwa (Nagano), 1946 woodcut in colours Signed on the block, sealed, titled and dated in ink Publisher: Shozaburo Watanabe, with his 6mm seal The first state ...

Yoshida Hiroshi Plum Gateway Date 1935 Seals: Jizuri Signature: Hiroshi Yoshida (in pencil), Yoshida (ink) with Hiroshi seal Image Size 40 * 27 cm Oban Frame Size 59 * 46 * 1...

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

Four trees. Paper, wood carving, 29x29 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...

"Thicket 6" is a dramatic relief monotype with layers of orange foliage and branches as well as yellow and blue foliage. This print on paper is mounted onto cradled wood panel with a protective cold wax coating on the surface. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with cyanotype photograms, in different arrangements making each print unique. For more works by Katherine Warriner and new listings, follow our storefront at Colibri Gallery. Katherine Warinner...

"Thicket 4" is a dramatic relief monotype with layers of orange, green, and blue foliage and branches. The overlapping translucent layers create a multitude of addition colors, shapes, and a rich depth. This print on paper is mounted onto cradled wood panel with a protective cold wax coating on the surface. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with cyanotype photograms, in different arrangements making each print unique. For more works by Katherine Warriner and new listings, follow our storefront at Colibri Gallery. Katherine Warinner...

"Thicket 1" is a dramatic relief monotype with layers of yellow, gray, and blue branches with yellow foliage. The overlapping translucent layers create a multitude of addition colors, shapes, and a richness of depth. This print on paper is mounted onto cradled wood panel with a protective cold wax coating on the surface. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with cyanotype photograms, in different arrangements making each print unique. For more works by Katherine Warriner...

"Leaf Ocean" is a dramatic cyanotype and woodcut monoprint with contrasting layers and objects abstracted from nature. Black, silver, and white leaves float on top of a watery background. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with ink washes, in different arrangements making each print unique. For more works by Katherine Warriner and new listings, follow our storefront at Colibri Gallery...

"Composition 792" is a fun and fresh woodcut and monotype print in a Springtime color scheme. Organic-inspired shapes float against a subtle blue and yellow background. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with ink washes, in different arrangements making each print unique. For more works by Katherine Warriner...