Marino Marini

Marino Marini ( 1901 – 1980 ) – hand-signed deluxe lithography on japanese paper

1974

Original color lithograph , edited in 1970 limited edition signed in pencil in lower right corner and numbered as: 72/110 paper size: 70 x 53,5 cm framed size: 93,5 x 77 cm ( origina...

lithograph on paper edited in 1953 signed in pencil by artist in lower right and numbered as: 54/90 paper size: 70 x 54 cm framed size: 82 x 65 x 4 cm Black wood frame included Blind...

Serigraphy on Fabriano paper, edited in 1983 limited edition, numbered in lower left corner as pda ( artist proof ) signed in pencil by artist paper size: 68 x 68 cm excellent condit...

color lithography on paper, edited in 1985 limited edition in 99 copies signed and numbered 31/99 in pencil by artist in lower right corner, paper size: 88 x 64 cm excellent conditi...

color lithography on extremely fine japanese paper Limited edition of 60 copies in roman numbers signed in pencil by artist and numbered IV/LX paper size: : 72,5 x 51 cm excellent co...

Color lithograph , edited in 1976 Limited edition of 99 copies Hand signed by Joan Miró in pencil in the lower right margin , and numbered HC ( Hors Commerce ) in lower left corner p...

Peter Behrens, (German 1868-1940), Deutsche Werkbund-Ausstellung, 1914, Deutsche Werkbund-Ausstellung, Kunst in Handwerk, Industrie und Handel Archit...

Lithograph on Arches wove paper. 75 × 105,8 cm. (29 ½ × 41 ⅝ in.) Signed and dated. One of 96 numbered prints from a total edition of 123. Los Angeles, Gemini G.E.L., 1976 (with the ...

Couple a l’Oiseau (Couple with a Bird). Black and white lithograph on Arches paper created in 1959 by Marc Chagall, printed by Mourlot in Paris. Signed and numbered in pencil by the ...

A striking piece by Moore also presented in the Tate collection. Lithograph in colours, on Rives paper. A Printer’s Proof outside of a limited edition of 50, initialed in pencil. Ye...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art De...

Print Edition 9, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...