Etching Prints and Multiples

This exquisite etching by Marc Chagall (1887–1985), titled La rencontre en houppelande (The Encounter in a Cloak), originates from the celebrated folio Nicolas Gogol, Les Ames mortes...

Alan Shields Untitled mixed media geometric abstraction collage, ca. 1979 Etching and aquatint in colors with collage Pencil signed and numbered 15...

Minami, Keiko (Japanese, 1911-2004) DEUX OISEAUX SUR L'ARBRE. Etching and aquatint in colors, 1979. Signed and Numbered 98/100. 11 1/8 x 14 3/8 inches (plate),c. 14 x17 inches (shee...

Auguste Rodin, French (1840 - 1917) - Victor Hugo, de Face State Nine, Year: 1885, Medium: Etching, Image Size: 8.75 x 6 inches, Size: 10.75 x 7 in. (27.31 x 17.78 cm), Reference: T...

Salvador Dali - Flung out like a Fag-end by the Big- - Original Signed Engraving Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - Paper: Rives vellum ...

Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Paul RENOUARD Dancing Class - "Classe du Premier Quadrille", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMA...

Artist: Henri Matisse Medium: Etching Title: Portrait of Mlle. Marguerite Matisse Portfolio: Cinquante Dessins Year: 1920 Edition: 367/1000 Framed Size: 21 1/8" x 18 1/8" Sheet Size:...

Camille Billops, 'Mondo Negro III', color etching, 2000, edition 20. Signed, dated, titled, and numbered '7/20' in pencil. A superb, richly-inked impre...

Il Ressemble à Ernest is an Original Etching and Drypoint realized by Willette (Adolphe Leon). Good condition on a yellowed paper. signed on plate on the lower left corner and titl...

Renée Mauperin; Ten Etchings, Complete Set for the Illustrations to the Novel by Edmond and Jules de Goncourt 1882 Paris: G. Charpentier et Cie, 1882-1884. The complete set of ten ...

Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...

Illustration for "Les Chanson Erotiques" by Pierre-Jean de Beranger. Image Dimensions ：15 x 13.5 cm This artwork is shipped from Italy. Under existing legislation, any artwork in It...

Manuel Ayaso Artist with Models Etching on wove paper Year: 1970 Size: 6.5x7.25 on 15x13in Edition: 50 Signed and numbered by hand COA provided Ref.: 924802-1357 Manuel Ayaso is known for Mod figure, genre, sculptor. Painter; Sculptor Born in Riviera, Spain in 1934. Studied at Newark School of Fine and Industrial Arts. His work is in the Whitney Museum of American Art, Worcester Museum and the Pennsylvania Academy of Fine Arts.

John Beerman, American (1958 - ) - Two Rocks, Year: 1987, Medium: Color Etching Aquatint, signed and numbered in pencil, Edition: Working Proof, Image Size: 18 x 22 inches, Size:...

Etching on paper. Hand signed. Edition of 100 prints. From the collection: “Croquis du Front Italien”.Anselmo Bucci was an Italian painter and printmaker.

Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...

The Loop II was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...

McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...

Hand Signed and numbered. Edition of 125 prints. Published in the artwork series: "Giacomo Manzù: Fifteen original etchings and aquatints", by Touchstone Suite, New York, 1970. Gi...

A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", recently presented in the Danubiana Meulenstein Art Museum in Bratislava.

Jacques Rigaud (c. 1671/91-1754) The Royal Square : A Glimpse of Old Paris Original etching Signed in the plate On Arches vellum 38 x 56.5 cm (14.9 x 22.2 inch) INFORMATION : Publi...

A finely executed etching by Johann Heinrich Lips, produced for Johann Caspar Lavater’s influential treatise on physiognomy, one of the most widely circulated and intellectually sign...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Intra-Uterine Paradisiac Locomotion MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merril Chase...

Drypoint on cream wove paper, 4 1/2 x 6 7/8 inches (114 x 174 mm), full margins. Signed in pencil, lower right margin. In very good condition with no visible defects; inking is exce...

"Le café de la Nouvelle Athènes" French Impressionist Etching Etching of the bustling Café de la Nouvelle Athènes by Jean-Louis Forain (French b. 1852 d. 1931.) A row of men in top...

The whimsical Joan Miró Partie de Campagne III (A Day in the Country III), 1967 is composed of criss-crossing thin black lines placed against bright dots of color. Dominating the com...

Black and white etching on wire rod paper, representing the Greek myth of the Dioscuri, Castor and Pollux. Wonderful plate with very fresh impression and an elegant line, from the v...

Woman at the River is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The state of preservation of the artwork is very good, although the paper has some dark stains that do not affect its reading. This original print shows a very sensual naked woman on a riverbank inside a forest. Amandine Doré (Paris, 1912-2011) is one of the pseudonyms of Odette Amandine Bonne, who signed also as “Aurèa” or “Madame”, according to the type of subject matter of her artworks. Amandine was a French painter, illustrator, and writer. Her production varied from erotic to travel illustrations...

Artist: Gino Scarpa, Italian/Norwegian (1924 - ) Title: Untitled 148 Year: circa 1970 Medium: Aquatint Etching and Carborundum Intaglio print Signed and numbered in pencil, Numbe...

Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 12 1/4 x 15 7/8 inches. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...

'HMAS Australia' Signed in pencil by the artist below the image. Rowland Langmaid was a marine painter and etcher who studied under William Lionel ...

The Work of Horace is an Original Etching realized after Claude Mellan (1598-1688). The artwork is in good condition included a white cardboard passpart...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Surprise is a black and White etching realized by François Chifflart in the 1860s.  Titled in the lower. Image size: 24x32. Very good impression with wide margins and a very fresh...

Ancient Roman statue of a horse, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th ce...

Bob Stanley Branches, 1976 Etching on wove paper with full margins and deckled edges 31 1/2 × 22 1/2 inches Pencil signed, dated and numbered 49 from the limited edition of 65, with ...

Etching on cream wove paper, 5 1/2 x 7 inches (138 x 176 mm), full margins. Signed in pencil in the lower margin. With minor mat tone, and two pin-point spots...

The marvellous bumblebee… The bee is more honored than other animals, not because she labors, but because she labors for others. St. John Chrysostom Guy Allen’s etchings inspired by...

ARTIST: Salvador Dali TITLE: Saint Martin MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 162/175 MEASUREMENTS: 26.5" x 20.5" YEAR: 1965 FRAMED: No CONDITION: Excellent ...

Orchard III by David Smith-Harrison is a richly layered etching and aquatint that merges landscape, architecture, and memory. A leafless orchard stretches across the upper portion of...

Ruins of an Ancient Tomb is an original etching realized by the italian artist Giovanni Battista Piranesi in 1762. Image dimensions: 41.5x56 cm Very precoius and rare lifetime spec...

Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small lo...

London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, and bearing Frederick Marryat's anchor monniker. A well inked impression of this humorous print...

Etching on paper realized by Giovanni Omiccioli in 1974. Hand signed, dated and numbered. Edition of 80. Very good condition.

Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...

Etching on laid paper Signed in plate lower left: Justin Gabriel Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortis...

En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...

Here for your consideration is a wonderful original etching on archival paper by the well known American artist, Ralph Fabri. Strong impression; signed in pencil by the artist lower right margin. Titled and dated bottom left of the sheet “1947-Americana”. Condition of the etching is excellent. Top corner of sheet and bottom right corner of sheet have tiny creases. Not visible, under the mat. Sheet size is 12 by 15 inches. Image size is 8 by 9.75 inches. Matted but not framed. Provenance: A Long Island, New York collector. Painter and printmaker, commercial artist, writer, and teacher, Ralph Fabri was born Fabri Reszo in Hungary in 1894. He was educated in Budapest, first studying architecture at the Royal Institute of Technology from 1912 to 1914. He then enrolled in the Royal Academy of Fine Arts, from which he graduated in 1918 with a Professor's Diploma (M.A.) "for teaching drawing, painting and geometry – including descriptive and projective geometry – in schools of higher education." Fabri arrived in New York City in 1921 and soon adopted the anglicized version of his name, Ralph Fabri. He began doing commercial design work and during the academic year of 1923/24 was enrolled as an evening student at the National Academy of Design. After becoming an American citizen in 1927, he traveled extensively in Europe. Upon returning to New York that same year, Fabri decided his financial situation was stable enough to allow him to focus his attention on fine art. During the Great Depression, Fabri's already inadequate portrait commissions and art sales further declined and he returned to commercial work. He established a workshop known as the Ralph Fabri Studios, that designed theatrical and movie sets, window displays, and retail interiors. But Fabri found the workshop dirty and distasteful, and eventually was able to concentrate on advertising work which could be done from home. The largest clients for his pen and ink drawings were The Stamp and Album Co. of America, Inc. (for which he designed covers for stamp albums and produced illustrations for envelopes housing sets of stamps sold to collectors), Geographica Map Co., and Joseph H. Cohen & Sons (for whom he designed and illustrated mail order catalogs). Another source of income during this period was the design and construction of an addition to "Iroki," Theodore Dreiser...

Louis Justin Laurent Icart. French ( b.1888 - d.1950 ). Scared. Hand Colored Etching. Signed Lower Right. Estampe Moderne Seal Lower Left. Numbered 94 Lower Left. Image size 10.8 inc...

Marie Laurencin Young Girl with Pearl Necklace, 1945 Original etching On Japan paper, 32,5 x 25 cm (c. 12,7 x 9,8 inch) REFERENCE : Catalogue raisonné Daniel Marchesseau #236 Exce...

Grace is an Original Etching and Drypoint realized by Willette (Adolphe Léon). Good condition included a white cardboard passpartout (49x32 cm). Titled "Grace!...Je suis une petite...

This piece is part of an ongoing project entitled "Fragmentary Views" (2001 - Present) by Xiaoze Xie, which is a series of paint-compositions based upon photographs of found newspape...

Etching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lis watermark, 5 5/8 x 4 1/4 inches ( 341 x 107 mm), full...

Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750. Published by Martin Engelbrecht (1684–1756). Similar works ar...

A beautiful 18th century nautical scene filled with movement and activity. One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts four vesse...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert dit le Peseur d'Or (B281). Year: 1878 (of original 1639), Medium: Heliogravure, Size: 10 x 8 in. (...

Bicycle Shop by Julian Trevelyan, 1937 Additional information: Medium: etching with hand colouring 28.5 x 38.5 cm 11 1/4 x 15 1/8 in signed, titled, dated and numbered 19/25 in penc...