20th Century More Prints

This artwork titled "And Put on the Eyes of Zedekiah" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman...

Artist: Joseph Goldyne American (1942 - ) Title: Opening Year: 1984 Medium: 14-color lithograph printed offset from 8 plates Image Size: 23.75 x 18 inches Sheet size: 31 x 22.5 i...

Decorative Motifs of the Persian Renaissance is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork represents Decora...

Abstract Composition is an original colored lithograph realized in the half of XX century. The artwork is hand signed on the lower right margin. Numbered on the lower left. Edition...

Dancer is an original linocut realized by Albert Flocon in 1987. Good conditions. Belongs to the series " from the "Scénographies au Bauhaus". "Hommag...

Roberto Matta, Chilean (1911 - 2002) - Raising A Glass, Year: circa 1943, Medium: Etching, Image Size: 9.75 x 8 inches, Size: 15 x 11.75 in. (38.1 x 29.85 cm), Reference: Unrecorde...

Artist: Marc Chagall Title: Rachel Hides Her Father's Household Goods Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4...

Seascape + Sails is an original artwork realized by Osvaldo Peruzzi in 1988. Mixed colored lithograph. Hand-signed by the artist on the lower right. Numbered on the lower left marg...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

ROADS is an original hand drawn lithograph(not a photo reproduction or digital print) by the artist Frank Licsko printed using traditional hand lithography techniques on archival Arc...

"Untitled" lithograph on cardboard of red "Star for Children" by artist Imi Knoebel from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house f...

Unique chromogenic print Signed, verso This artwork is offered by ClampArt, located in New York City. Jack Pierson was born in 1960 in Plymouth, Massachusetts, and educated at the Massachusetts College of Art in Boston. Pierson's work spans an array of media, including photographs, collages, word sculptures, installations, drawings, and artist's books. He is considered to be part of a group of photographers known as the Boston School, which includes David Armstrong, Philip-Lorca diCorcia, Nan Goldin, Mark Morrisroe, and Doug and Mike Starn...

Hand signed and numbered. Edition of 100 prints. Trimmed margins. Good conditions.

Analysis Loosed the Idea is an original Screen Print realized by Paolo Pasotto in 1976 Hand-signed. Numbered. Edition 90/100.

Selfishness is an Original Screen Print realized in 1976 by Paolo Pasotto. Good conditions. Hand-signed. Numbered. Edition,85/89

A Puzzle Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 95 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

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2001 A Space Odyssey Original Vintage 1968 Lobby Card Good condition with very minor signs of wear - see image Original vintage 1968 lobby card from the cult classic film 2001 A S...

Nunzio Vintage Poster is a contemporary artwork realized in 1989. Mixed colored offset poster realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good conditions.

Very good impressions of these extremely scarce, early color lithograph proofs, double-sided, on Rives BFK. Each an unique proof with color variations, aside from the edition of 100. One side signed, inscribed "monoprint" and numbered 10/16 in pencil. Printed by Joe Funk at Joseph Press...

An original color silkscreen print by Ruth Grotenrath. A lovely assortment of different foods both vegetable and animal alike. The photos do not do this piece justice. The dark color...

'Poolside Pairs' Slim Aarons Limited Edition Estate Stamped Print, Printed Later Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art d...

Edition of 300 copies, 116 pp, including 27 original color lithographs by Antoni Clavé, including 8 out of text. Editions Galatea, Paris. Copy on Velin de Rives paper, in very good...

DIRTY HARRY (1971) Vintage poster created for the first Japanese release of the Don SIEGEL directed thriller starring Clint EASTWOOD * Format: B2: 20×28 inches (51×73 cm) * Condit...

Codre sculpture in Milan is a vintage offset print realized in 1981, for the exhibition held in Milan, Public Garden" Giardini pubblici". Good conditions. is an original offset prin...

Shah Mat Suite - Duncan Tighe O’Donoghue, American (1942–2023) Date: circa 1979 Etching with Aquatint, signed in pencil Edition of V Size: 22 in. x 15 in. (55.88 cm x 38.1 cm)

Vintage Western Movie Posters Image Size: 41 x 27 Frame Size: 46.75 X 32.75 Medium: Print Circa 1940s "Flaming Bullets"

Ex Libris Attila is an original Contemporary Artwork realized in the mid-20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on cardboard. Total...

Door To The East no.65 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, an...

Nunzio Vintage Poster is a vintage poster realized in 1989. Mixed colored offset print realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good conditions.

Door To The East no.58 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

Composition is an original lithograph realized after André Derain for the volume "A même la pierre" by Fernand Mourlot. Ref. A la meme Pierre, Fernand Mo...

Door To The East no.19 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Nunzio Vintage Poster is an original contemporary artwork realized in 1989. Mixed colored offset poster realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good con...

Image dimensions: 46.5 x 70.5 cm. This contemporary artwork is the Abstract Composition by Dorazio. A joyful color lithograph on paper, realized in 1968 by the Italian graphic mas...

The Solitude is an original screen print realized by Peter Klasen. Hand-signed on the lower right in pencil, and numbered on the lower left, the edition of 63/99 prints. Very good ...

Ex Libris Bosznay Karoly is an original Modern Artwork realized in the early 20th Century. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total di...

Mark Kostabi (American, b. 1960) "Close Call" Original Serigraph c.1986 Fine serigraph in three colors by listed artist. The images here show the serigraph in a protective sheet. ...

Image dimensions: 35.5 x 29.5 cm. Hand Signed and Numbered. Edition of 50 pieces. Ref. Guastalla, n. A42; G. Di San Lazzaro n. 50d; L. Toninelli n. 39.

Landscape is a vintage Photolithograph, realized by an unknown artist in the mid-20th Century. The status of preservation Good. The artwork is depicted skillfully through confident...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 96/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlborou...

Butterfly in the Desert is an original Contemporary Artwork realized in 1980 by Renzo Margorari (Mantua, 1937). Original Colored Etching on paper. Artist's Proof, from the edition...

Lucio Del Pezzo - Poster Exhibition is a mixed colored offset print realized in 1984 This print was realized on the occasion of the exhibition dedicated to the artist and held in St...

Colorful Cityscape is an original contemporary artwork realized by the Italian artist Guido La Regina. Original Linoleum on paper. Hand-signed on the...

"Pile Series" was completed during the 1970s. It has a tongue-in-cheek affect as all the prints are photographs of stacks, or "piles", of industrial construction items silkscreened on cardboard giving these building materials a more aesthetic value. These silkscreens are mentioned and one is pictured in the famous, "Kick Out the Jams: Detroit Cass Corridor 1963 - 1977" iconic publication by the Detroit Institute of Arts regarding Detroit's Cass Corridor Artists. They are all signed and numbered. James Alan Crawford was born in 1944 in Hillsdale, Michigan. He studied art for two years at Michigan State University before transferring to Wayne State University and graduating there. He received his MFA in 1969 while being mentored by John Egner and Aris Koutroulis...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Fame - Original Vintage 1980 Movie Film Cinema Lobby Card Mint condition - see image Original vintage 1980 lobby card from the cult classic film FAME directed by Alan Parker FRAMING: Please note that this piece is UNFRAMED – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. See EXAMPLE images We ship regularly using Fedex Express services and shipping to all international locations. Directed by Alan Parker Written by Christopher Gore Produced by David De Silva Alan Marshall Starring : Eddie Barth Irene Cara Lee Curreri Laura Dean Antonia Franceschi Boyd Gaines Albert Hague Tresa Hughes Steve Inwood Paul McCrane...

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Artist: Christo Title: The Museum of Modern Art, Wrapped (Front), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special...

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The work of artist G.H. ROTHE (German-American, 1935-2007) is featured in this event poster for Wash Art '77, May 4-9, Edward Weston Graphics- New York, Paris...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Limited edition of 150 prints. One of the only 20 prints to be realized in black and green. Numbered and hand signed by the Artist. Excellent conditions.

Ruth Zachary (American/Michigan) Signed: Ruth Zachary (Lower, Right) " Earth Woman ", circa 1970s Etching in Colors Numbered: 28/30 Plate Size: 11 1/2" x 8 3/4" Overall Size: 2...

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This artwork titled "New Inn, Gloucester" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 15 x 13 inches, sheet size is 17.5 x 14.25 inches. it is in excellent condition. About the artist: Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church. Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891. His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas...

Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973 John Baldessari Complete set of twelve offset lithogra...

Decorative Motifs of the Indian Renaissance is a vintage chromolithograph realized by an anonymous artist in th early 20th Century. Good conditions.