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CITROEN DS POSTER CIRCA 1960's

Circa 1960's

Mick Jagger V - After Andy Warhol. The light green background contrasts with the abstract pink slashes on the image of this lithographic print. Mick Jagger is an iconic rock legend who was the frontman and one of the founders who sang lead in the British Rock and Roll Band, The Rolling Stones...

Mick Jagger VI - After Andy Warhol. The line drawing placed on a golden backdrop is a feature unique to this print adding a sense of motion to Jagger’s features which shows him in a...

Mick Jagger X - After Andy Warhol. This black and white colour scheme lithographic print features - Mick Jagger - an iconic rock legend who was the frontman and one of the founders ...

Mick Jagger III - After Andy Warhol. In this print, Warhol incorporated solid abstract shapes to emphasize Jagger's features - here, focusing on the singer’s famous lips, along with...

PETER MAX – "GEOMETRIC #2" ⚜ Lithograph on Paper ⚜ Hand signed lower right ⚜ Framed AN ICONIC GEOMETRIC STUDY BY PETER MAX "Geometric #2" (1976) captures Peter Max’s signature use o...

Tadanori Yokoo "The 6th International Biennial Exhibition of Prints in Tokyo" The National Museum of Modern Art, Tokyo, 1968 Offset lithograph poster 42...

Bruce Nauman Untitled (2-color lithograph, published in conjunction with the exhibition "Bruce Nauman: Holograms, Videotapes, and Other Works"), Leo Castelli, 1969 Lithograph 24 x 20...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.” It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press in 1980, and features Frank Stella’s Polar...

Printed in the same scale as the original James Rosenquist painting, this black and white, abstract pop art composition features a car door collaged over a gleaming, metallic chrome circle. The shining metal and automobile imagery is characteristic of Rosenquist’s work. Bold, minimalist and monochrome, with a hint of yellow and cobalt blue, Tube's circular composition became a recurring motif for Rosenquist. Circles appear in the artist’s prints from the late 60s – he was interested in the “circles of confusion”, or the phenomenon of a camera lens being pointed directly at the sun. Lithograph based on Rosenquist’s 1963 painting...

Study for Sculpture in the Form of an Inverted Q: Above and Below Ground, 1975 Lithograph, soft-ground etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper 14 × 11 in. / 35.2 × 28 cm Signed and dated in pencil, lower right, numbered in pencil, lower left. Edition of 100 with 20 AP. Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press...