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CITROEN DS POSTER CIRCA 1960's

Circa 1960's

ROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful e...

1983 Japanese pearlescent paper 27 × 20 in 68.6 × 50.8 cm Edition of 1000 2 colors printed matter on Japanese Kirabiki Paper

Born in Ireland and now based between Dublin and London, Fin DAC spends much of the time on the road, actively working throughout the world. Through his work, which he describes as “...

ED (Edward) RUSCHA (born 1937) 1937 Omaha, Nebraska (American) Title: If, from: Etc.; If; South; Question & Answer, 1991 Technique: Original Hand Signed, Dated and Numbered Lit...

Claes Oldenberg (b.1929) is a Swedish-born American artist, renowned for his contribution to Pop art by way of his iconic soft sculptures and public installations. In 1962, Oldenburg debuted his revolutionary soft sculptures at the Green Gallery in New York. Three giant, squishy sculptures of an ice cream cone, a hamburger, and a slice of cake, swelled across the gallery floor, forever changing the way we define sculpture. It has been noted that Oldenburg's early work was largely inspired by Yayoi Kusama's hand-sewn phallic-shaped soft sculptures that enveloped the surfaces of ironing boards, sofas, and boats. Click here to see an exhibition poster featuring a later example of Kusama's soft sculptures. Ranging from voluminous hamburgers (famously on display at the AGO) to ballistic badminton shuttlecocks, Oldenberg's colossal sculptures replicate commonplace objects on a grand scale, often disrupting the environment they inhibit with curious and playful subtexts. The confrontational nature of Oldenberg's sculptures places an emphasis on the viewer, asking us to reconsider our relationship to these recognizable, but obscure, objects. "Geometric Mouse...

Banging the Drum DETAILS 27 x 17 inches (unframed), 2020 Offset lithograph 80# Classic Linen Solar White Cover

A very good impression of this color lithograph on Arches. Signed, dated and numbered 49/90 in pencil by Rivers. Printed by Styria Studio, Inc., New York, with the blind stamp lower left. Based on Rembrandt van Rijn's oil on canvas, "The Polish Rider," 1655, currently in the Frick Collection...

Bruce Nauman Untitled (2-color lithograph, published in conjunction with the exhibition "Bruce Nauman: Holograms, Videotapes, and Other Works"), Leo Castelli, 1969 Lithograph 24 x 20...

Takashi Murakami Superflat Exhibition Poster 1999: Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...

Robert Rauschenberg is revered as one of the most innovative American pop artists - more avant-garde than Warhol, more audacious than Jasper Johns. In addition to his artistic achie...