Nude Prints

Signed by artist, Artist's Proof Silkscreen print on paper Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas...

Original poster for the exhibition "Mel Ramos" at Galerie Bischofberger in Zürich in 1972.

Artist: Henry Moore (British, 1898-1986) Title: Dame Creole Year: 1976 Medium: Color lithograph Edition: 110 Paper: Arches Image size: 18.5 x 15 inches paper size: 18.5 x 15 i...

Original, horizontal, 1972, 'ICED LOLLY" created by the British artist Michael English. Printed in Harlow England. This nude is melting the form ...

"Tears From Mars" (2021) by SarahGrace Digital art print on archival paper, Figurative drawing, Portrait, Woman, Nude, Red, Peach, Pink and Orange Hand-signed by artist Framing Avail...

Tom Wesselmann Shiny Nude (Stealingworth, 33), 1977 Silkscreen on glossy cast-coated Kromekote paper 8 × 8 inches Edition 489/1000 Pencil numbered 489/1000 with artists printed name on the verso; Held in original stamped envelope Distributed by the Museum of Modern Art; printed by Unity Engraving Co. Unframed "Shiny Nude" - a dazzling limited edition, pencil numbered print features all of the hallmarks of the risque art arising from the sexual revolution of the 1960s and 1970s- saturated lips, full pubic hair...

Original “Coppertone” Colore di Rame vintage Italian poster. Colore de Rame translates into the color of copper. Abbronzatevi! (suntan) Non bruciatevi! (don’t burn) Archival linen-backed in fine condition, ready to frame. This original Coppertone poster is in A condition. The background in the poster is a brighter yellow; after all, it is a sunny day, and you need suntan lotion! Coppertone is an American suntan cream. Interestingly, the American poster of this famous little girl and dog...

Artist: Dan May (American, 1955-) Title: "Are the Cookies Ready Yet" *Signed and numbered by May in pencil lower left Year: 2001 Medium: Original Screenprint on unbranded white wove ...

"Fluidity Nr 12" 40x30inch Original photography Edition of 10 by Lika Brutyan "Fluidity Nr 12" 40" x 30" inch Original photography by Lika Brutyan from the ""Fluidity" series Lim...

1964 Lithograph in black ink 23 1/4 x 16 1/2 in. (59 x 42 cm), unframed From the open edition as issued (Published by the Albertina Museum, Vienna, Austria) Available for local pi...

Nude figurative by Patricia A. Pearce (American, b. 1948). Initialed "PP" on verso with the artist's name. Presented in a new cream mat with foamcore backing. Image size: 13"H x 11"W...

SuperVision by Abi Polinsky 2021 W 62" x H 31" — Framed. Signed limited edition of 5. — Please contact us for shipping quotes and customization options. Shipping is not incl...

Artist: Tom Wesselmann Title: Where is My Baby Tonight (from One Cent Life Portfolio) Double lithograph, 2 sheets (printed on separate pages) Year: 1964 Medium: Lithograph Reference #: One Cent Life portfolio, page 72 (verso page 71) & 73 (verso is page 74) Page 71 is a lithograph by Kimber Smith...

Female Nude is an original colored lithograph from the portfolio "Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in gouache, watercolor, and ...

Cécile Plaisance uses a technique of lenticular developing, super imposing images which creates an image of Barbie from a functional role to undressed. From Lens Series. Edition of...

Peter Max (German / American 1937 - Present) The Lovers. Abstract of two nude women on a bed in vibrant colors. The print is on thick woven paper and is...

Artist: Alfred Leslie Title: Women, from One Cent Life Series: One Cent Life Year: 1964 Medium: Lithograph Initialled in Plate, lower right Dimensions: 1...

The Red Host is an original colored lithograph from the portfolio "Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in watercolor and pencil by...

Leonor Fini - Toads - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm

Leonor Fini - Nimphs - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm

Modella nello studio is a beautiful original lithograph on paper, realized by the Italian master Felice Casorati in 1946. Hand-signed in pencil "F. Casorati" on the lower left margi...

Salvador Dali - At The Beach - Original Handsigned Lithograph Dimensions: 51 x 71 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8

Alain BONNEFOIT Relaxing Nudes, 1975 Original lithograph Handsigned in pencil Numbered / 100 On vellum 38 x 55 cm (c. 15 x 22 inch) Excellent condition

Music is an original woodcut on ivory-colored paper, realized at the beginning of the XX century by the Italian artist Arturo Martini (Treviso, 1889 - Milan, 1947). On the lower mar...

Telephone is an original artwork realized by Mino Maccari in the 1970's. Mixed media colored drawing. Hand-signed by the artist on the lower margin. Good conditions except for s...

Woman is an original lithograph realized by Ugo Attardi in 1977. Hand-signed in pencil on the lower right. Numbered 112 Edition of 150 prints. in very good condition. the artwork...

LE VOYAGE de L'OISEAU is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. LE VOYAGE de L'OISEAU depicts a reclining female nude whose yellow ochre body outlined with vibrant green, rests on deep burgundy colored background looking upward as a brightly colored exotic orange bird...

LE TAPIS NOIR is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. LE TAPIS NOIR is an erotic and intimate interior scene depicting a lying female nude whose muted beige pink body with dark maroon hair and cobalt blue delineated form reclines on a deep black carpet provocatively looking out toward the viewer. Her head rests on a decorative round pillow cushion; a bright red armchair in the distant corner draws attention to the yellow beige damask wallpaper...

This Artwork Titlled "Last Year at Marraketch" 1972 is an original color etching and aquatint on B.F.K Rives paper by noted American artist Clinton Blair King, 1901-1979 It is hand signed, dated, titled, dedicated and numbered 3/40 in pencil by the artist. The plate mark (image) size is 15.25 x 19.5 inches, sheet size is 21.75 x 29.65 . It is in very good condition. The work of Clinton Blair King is held in many corporate, private collections and museums, among them: The Metropolitan Museum of Art, New York, Museum of New Mexico, Smithsonian Museum of Art, Washington and National Gallery of Art, Washington. About the artist: EDUCATION 2005 MFA Sculpture: School of the Art Institute of Chicago 2000 BFA Painting: Columbus College of Art and Design SOLO EXHIBITIONS 2016 SPECTRAL EVIDENCE, Stellan Holm Gallery, New York City, NY 2015 OPEN ENDED, Transmitter, Brooklyn, NY. 2008 APATHY, Shiraya Art Space, Tokyo Japan​ 2001 FOR THE TIME BEING, Ohio Art League, Columbus, OH GROUP ExHIBITIONS 2017 YELLOW CHAIR, David & Schweitzer Contemporary, Brooklyn, NY DECONSTRUCTED Terrault Gallery, Baltimore MD TRANSCENDENCE OF US, Trans-cen-der space, Brooklyn NY 2016 THIS STRANGE GAME, Landmark Arts Building, Chelsea, NY STONE SOUP NASTY, Orgy Park, Brooklyn, New York, NY COLD SUMMER, Curated by Peter Shear, The Provincial, Chief, Michigan "TIKI" Helper Gallery, NADA art fair, Miami FL 2014 BRUTE MODERATES, with Peter Shear, Firework Gallery, Brooklyn, NY BROOKLYN BRIDGE, Curated by Justine Frischmann. George Lawson Gallery. SF, CA SUDDENLY THERE, Garis and Hahn, Bowery NYC DO IT YOURSELF, Curated by Julie Torres / Julia Schwartz B.O.S. Brooklyn NY LOOK & LISTEN, Curated by Yifat Gat. Espace Art / Galerie & Ateliers. Marseille France SORRY I"M LATE, Brooklyn Fireproof. Brooklyn NY. 2013 WHAT I LIKE ABOUT YOU, Parallel Art space, Brooklyn, NY DONUT MUFFIN Dorsky Gallery, Long Island City, NYC 2012 ART BLOG "LOVE", One River Gallery, Englewood NJ BUSHWICK BASEL, Jules de Balincourt Studio, Brooklyn NY. ALTER MINIMAL, Lexicon Series Vol. 1, Parallel Art Space, Brooklyn, NY HIATUS, Urban Institute For Contemporary Art, Grand Rapids, MI 2011 I CAN"T GO ON I MUST GO ON, Tempus Projects, Tampa, FL. VIS -A -VIS, Backyard Projects- New York, NY NEITHER A BEGINNING OR END, Possible Projects, Philadelphia, PA 2010 A VAUGE WHOLE, Spaces, with Benjamin Bellas and Steffani Jemison Cleveland, OH 2009 i.e. ARTIST COLLECTIVE, University of Green Bay, WI i.e. ARTIST COLLECTIVE, Boots Contemporary, St. Louis, MO 2008 FLAT BLACK , Zaim Space, Yokohama, Japan. i.e.llusions, Alogon Gallery, Chicago, IL 2007 i.e. BETWEEN, Harold Washington College, Chicago, IL SPLIT ENDS, with Julie Curtiss...

Alain BONNEFOIT Dreaming Nude, 1975 Original lithograph Handsigned in pencil Numbered / 100 On vellum 38 x 55 cm (c. 15 x 22 inch) Excellent condition

Artist: Mel Ramos, American (1935 - 2018) Title: Banana Split (Sally Duberson) Year: 2000 Medium: Lithograph, signed and numbered in pencil Edition: 199 ...

Etching of a female nude figure by artist Leonor Fini (1908-1996), circa 1960. Signed in pencil lower right. Original vintage work of art on paper displayed on a white mat with a g...

André Minaux Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation d...

Hans BELLMER Woman Original Etching Hand-Signed Edition: 108 / 150 Dimensions: 51 x 38 cm Circa 1970 Hans Bellmer was born in Kattowitz in 1902. At his father's insistence, he worked in a steel factory and a coal mine after finishing the examinations qualifying for university admittance. Nevertheless, Bellmer managed to do some art work and exhibit it in Poland in 1922/23. The work led to his arrest. While studying engineering at Berlin Polytechnic, Hans Bellmer met John Heartfield, Rudolf Schlichter and George Grosz. In 1924 Bellmer dropped out of engineering, worked as a book printer and then as an illustrator for Malik Verlag. That winter Bellmer took his first trip to Paris. After his marriage in 1927, Hans Bellmer worked as a commercial artist, attended lectures at the Bauhaus in the early 1930s and travelled to Italy and Tunisia. He refused to continue working as a sign of resistance to Fascism in 1933. To show his repudiation of Fascism and the aesthetic it propagated, Hans Bellmer began to construct girlish three-dimensional dolls, which he photographed in erotic poses. Some of these works were published by Bellmer at his own expense in 1934, others appeared in the Surrealist journal "Le Minotaure", ensuring Bellmer important ranking among Paris Surrealists...

This is an extraordinary collection of Linoleum Cuts by master printmaker Tom Huck. The Suite of 13 linocuts is encased in a homemade glory hole cover and also include a protective centerfold cover. This artwork could be framed to hang in a grouping. Contact gallery for details. Tom Huck, also spelled Hück, (born 1971), is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St. Louis, Missouri, where he runs his own press, Evil Prints. He is a regular contributor to BLAB! of Fantagraphics Books. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier. Huck’s illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages. Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, Duane Reed Gallery in St. Louis, Missouri, Gallery Victor Armendariz, Chicago and Eli Ridgway Gallery in San Francisco. Beginning in October 2017 Huck’s gallery representation is C. G. Boerner in New York. In September 2011 Huck was awarded a Pollock-Krasner Foundation grant. Huck is best known for creating large-scale woodcuts acting as both satirical narratives and social criticism.[1] He says in his artist statement: "My work deals with personal observations about the experiences of living in a small town in southeast Missouri. The often Strange and Humorous occurrences, places, and people in these towns offer a never-ending source of inspiration for my prints. I call this work 'rural satire'".[2] From 1995 to 2005, Huck created two woodcut folios: 2 Weeks in August: 14 Rural Absurdities and The Bloody Bucket. 2 Weeks in August: 14 Rural Absurdities, a thematically unified suite of 14 large woodcut prints, depicted 14 bizarre folk tales that allegedly occurred in Huck's hometown of Potosi, Missouri. The suite was produced in three years from 1995 to 1998. His second body of work, The Bloody Bucket, was based on violent legends surrounding a bar of that name in or around his hometown of Potosi. It comprises 10 large-scale woodcuts, executed between 1999 and 2005. In December 1999, Huck's work represented the United States in an exhibition entitled From Kandinsky To Corneille: Linoleum in the Art of the 20th Century held at the Cobra Museum in Amstelveen, Holland. Featured in the exhibition was a large scale linoleum cut by Huck entitled "Attack of the 50ft. Yard Ornament". The piece was commissioned specifically for the exhibition by the linoleum company Forbo-Krommenie in Amsterdam. The Whitney Museum of American Art in September 2003 featured two works by Huck in an exhibition entitled To Be Human. Both the works featured were woodcuts from the series 2 Weeks in August. Huck is currently working on a 14-triptych cycle of woodcut prints entitled Booger Stew. The first installment of the series, a triptych entitled "The Transformation of Brandy Baghead Pts. 1, 2, & 3", was completed in March 2009. An exhibition entitled Tom Huck and the Rebellious Tradition of Printmaking opened on August 28, 2009 at the Saint Louis Art Museum. Prints by Albrecht Dürer, William Hogarth, Jose Guadalupe Posada, and Max Beckmann were featured alongside Huck's "The Transformation of Brandy Baghead Pts. 1, 2, & 3". Electric Baloneyland On December 19, 2011, Huck announced the April 1, 2012, release of The Hillbilly Kama Sutra. This new suite of 15 linoleum cut prints is Huck's first portfolio of prints since 1998's 2 Weeks in August: 14 Rural Absurdities. On April 12, 2012, a selection of prints from the new series were released in the St. Louis weekly publication The Riverfront Times. On May 4, 2012, Sherry Leedy Contemporary Art in Kansas City, Missouri, hosted the debut exhibition of The Hillbilly Kama Sutra. In February 2013, Huck illustrated a cover story entitled "The 10 Weirdest Members of Congress" written by Caleb Hannan. The feature article appeared in The Riverfront Times and four other Voice Media Group publications: the Houston Press, Dallas Observer, Broward-Palm Beach New Times, and Minneapolis City Pages. All five had a cover caricature of Michele Bachmann's head on a snake, referencing the "Don't Tread On Me" motif. The story featured 9 politicians in caricature. In early spring of 2014 Huck completed work on his second major woodcut triptych from "Booger Stew" entitled "The Tommy Peeperz". "The Tommy Peeperz" debuted in a show of The Outlaw Printmakers entitled "The Dirty Dozen...

Artist: Mel Ramos (American, b. 1935) Title: Gee Gee Year: 1997 Medium: Lithograph, signed and numbered in pencil Edition: 200 Image Size: 19 x 18.5 in. Size: 28.5 in. x 22 in....

Artist: Mel Ramos Title: Lola Cola #4 (Michelle Pfeiffer) Year: 2004 Medium: Lithograph, signed and numbered in pencil Edition: 199, HC L Paper...

Big Bedroom Blonde. Original color silkscreen on wove paper, 1997. Edition of 75 signed and numbered impressions on wove paper. Tom Wesselmann is one of the biggest American pop arti...

KAWS SKELETON 2021: complete set of 4 works: A set of 4 neon printed KAWS designed skeletons published in 2021 to commemorate Halloween. Each accompanied...