Hiba Schahbaz

Untitled (Self-Portrait) by Hiba Schahbaz

2019

Sean Mellyn King Size Sleeper (Green Eyes), 2013 Pigment print on Hotpress 18.75 x 24 inches Edition of 9 Published by Eminence Grise Editions Printed by A...

YSL / Marrakech (Pink), 2019 Pigment print on Hotpress 20 x 15.5 inches Edition of 18 Publisher: Eminence Grise Editions Printer: Andre Ribuoli

Sean Mellyn King Size Sleeper (Black Eyes), 2013 Pigment print on Hotpress 18.75 x 24 inches Edition of 9 Published by Eminence Grise Editions Printed by A...

Derrick Adams Interior LIfe (Man), 2019 24 x 18 inches Pigment print on Hotpress Published by Eminence Grise Editions Printed by Andre Ribuoli Edition of 75

Derrick Adams Interior Life (Woman), 2019 24 x 18 inches Pigment print on Hotpress Published by Eminence Grise Editions Printed by Andre Ribuoli Edition ...

Sara Jimenez Tropical Bounds A, 2018 Pigment print on Hotpress 25 x 12.5 inches Edition of 18 Publisher: Eminence Grise Editions Printer: Andre Ribuoli.

Antonia is a limited edition lithograph, based on a black pastel drawing, by Charlie Mackesy. The edition is limited to 150 and have been signed by Mac...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

This is an artist proof aquatint of a woman stepping forward in a tiled Mexican living room with her dog and a mysterious giant cactus coming out of the floor. Image is 9.75 x 9.75 ...

Inner Defenses and Fences, mixed media cut paper and etching, nude, dog Known for painting fantastical, anxiety-ridden narrative scenes with a touch of humor, Jenny Toth works from ...

BOURGEOIS, Louise The Bad Mother, 2004 Edition 3 of 3 PP, aside from numbered edition of 12 Drypoint with handcoloring, signed and inscribed in pencil 17 x 15 in. $12,000

Dismemberment, 1994 Louise Bourgeois Drypoint and roulette, on smooth Somerset wove paper Signed and numbered from the edition of 44 Fourth and final state Printed by Harlan & Weaver, New York Published by Peter Blum Edition, New York Plate: 17.6 × 12.6 cm (6.9 × 4.9 in) Sheet: 52 × 37.7 cm (20.5 × 14.8 in) Literature: MoMA Cat. No. 652/IV "This is a self-portrait as a helpless, defenceless woman. She has no arms... she is like the harmless women in sculpture. The protecting hand has been cut off. Maybe women are just poor creatures... there is always the fear of being inadequate... of not being able to take care of oneself. It is a permanent feeling. There is the need to defend oneself... then she would be afraid for the children. I always felt that I could not defend myself because I could not understand what motivates people... I still feel that way." In reference to the game of marbles (being played by the hand at bottom right, most easily seen in state IV), Bourgeois said: "There is always someone to trick her... someone always wins. This is the desperate art of self-defense.... But even if someone cut her, she would not lose her dignity... she would still stand there in full self-assurance. She tries to put herself back together through her beauty... through her hair. You can land on your feet if you are beautiful...