Rex Clawson

The War on Poverty Rock, Surrealist Oil Painting on Board by Rex Clawson

1968

Artist: Huong Title: Lady Reaching for the Sun Year: 1994 Medium: Oil on Canvas, signed Frame Size: 65 x 47 inches ; 119 x 165 cm

An Oaxacan School oil painting by Maximino Javier from 1983. A whimsical scene of anthropomorphic figures. Framed in stained wood frame, signed in lower left corner. Artist: Maximino Javier, Mexican (1948 - ) Title: Untitled - Bull on Wheels...

Artist: Raimundo de Oliveira, Brazilian (1930 - 1966) Title: Revelation Year: 1963 Medium: Oil on Canvas, signed and dated l.r. Size: 28.5 in. x 39.5 in. (72.39 cm x 100.33 cm)

Artist: Branko Bahunek, Croatian (1935 - ) Title: Cancan Year: 1989 Medium: Oil on Canvas, signed Size: 18 in. x 15 in. (45.72 cm x 38.1 cm)

Artist: Maria Antonieta Souza Barros Title: Culheitado Algodno Year: 1956 Medium: Oil on Wood, Signed and dated l.l. and verso Size: 13 x 11.5 inches

A colorful folk marriage scene by French artist, Rene Cazassus. The painting is signed lower right and beautifully framed.

This painting is inspires by the painting of chaim soutine pastry chefs.

Natan Heber was trained by his father in Poland to be a ritual slaughterer. In 1925, he joined the Zionist movement "Mizrachi" and in 1936 immigrated to Palestine where he opened a poultry shop in Haifa. He began to paint at the age of sixty-one, after ill health forced him to retire. Driven by a need to memorialize his family and their shtetl community lost in the Holocaust, he drew scenes of traditional Jewish life. Unfamiliar with the conventions of scale and perspective, he set his heavily outlined frontal figures on steeply rising surfaces and often portrayed his father in monumental size to mark his importance. One of Israel's greatest naive-style painters. Along with Shalom of Safed, Kopel Gurwin and Gabriel Cohen, He is renowned as one of Israel's greatest living naive-style folk art painters, The Haifa Museum of Art will be opening the first ever Outsider Art exhibition (also known as Art Brut) in Israel in January 2013. He was included in the show of Outsider art at Haifa Museum The exhibition included works by Classical Outsider artists, none of them have ever been shown in Israel - Henry Darger, Martin Ramirez, Adolf Wölfli, Aloïse, Hauser, Carlo Zinnelli, Bill Traylor, Minnie Evans, William Hawkins and Sam...

Jewish Chassidic Klezmer Shtetl Musicians

Genre: Modern Subject: Fiddler on the roof, Shtetl matchmaker Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

Swing Jazz Quartet. Satchmo, Louis Armstrong! Oil Painting on board. Hand signed and dated 1974 Malcah Zeldis (born Mildred Brightman; 1931) is an American folk art painter. She is ...