Yevgeniy Repiashenko

"No title (No 43)" Photography 32x32 in Edition of 25 by Yevgeniy Repiashenko

2018

"No title (No 16)" Print Edition of 28 36" x 36" inch by Yevgeniy Repiashenko No title (No 16) Photography print Edition of 28 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was...

"No title (No 43)" Photography 32x32 in Edition of 25 by Yevgeniy Repiashenko No title (No 43) Photography Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko Year photo was tak...

"No title (No 70)" Photography 32x26 in Edition of 25 by Yevgeniy Repiashenko No title (No 70) Photography Edition of 25 (32 x 26 inch) by Yevgeniy Repiashenko Year photo was tak...

"Spontaneous Creation (part 2)" Photography 20"x16" inch Ed. 1/40 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox is a fine a...

"Hills" Photography print 16" x 24" inch Edition of 45 by Yevgeniy Repiashenko Year photo was taken: 2013 Unframed - ships in a tube This is an archival pigment print on photo paper with 1" float border (not included in listed image dimensions). Prints are signed and numbered by the artist on verso and come with a certificate of authenticity. Works are hand signed and numbered by the artist and come with a certificate of authenticity. This photo work is transported in a robust plywood case. ABOUT THE ARTIST Yevgeniy Repiashenko is a well-versed photographer working in such genres as dynamic dance and sculpture, portrait, and fashion...

"Suffocate" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist with a BFA ...

This piece titled "This Is Not A Composite" is an original artwork by PJ Linden and is made from digital photography, pigment print on archival paper, and framed with glass. This pie...

Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

Tree of Love, Bavaria, 2015 C-print on Fujiflex paper 70.8 x 47.2 in (180 x 120 cm) Edition of 3 The photographer Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her editorial work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her major advertising campaigns include Victoria’s Secret, Banana Republic...

Clare Grossman ‘The Shape of Her’, homage to Henry Moore’ Limited edition of 45 Solar plate etching on Somerset 300gsm paper. Actual plate/image size ...

The photographs of the young Turkish artist Melissa Mizrakli focus on the human body, giving it a personal interpretation. In some of her black and white works she uses the human bod...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...