Faune Berger

Jean Cocteau (1889 -1963 ) " LE LIVRE BLANC " . 1930 . original and unique : exemplaire H.C " EXEMPLAIRE d " imprimé pour Madame GERMAINE KRULL . Hand colored lithograph ce li...

" La mystérieuse dame grise " . Jean Cocteau Edited in 1963 . terracotta partially glazed . edition originale . signed Jean Cocteau / atelier Madelin...

" Phébus-Apollon " signed Jean Cocteau .1958. terracotta plate painted in colours .in an edition of 30 . N° 2/30. littérature: A . GUEDRAS . Jean Cocteau céramiques...

" le Bouquetin aux Aguets " . signed Jean Cocteau ; marked and numbered Edition originale de Jean Cocteau . Atelier Madeline & Jolly N° 3/10 (underneath ). partially glazed terracotta oval plate with colored engobe . conceived in 1958 and executed in an edition of 10 . literature : Annie Guedras , Jean Cocteau céramiques...

"la difficulté d'être " Signed and dated 1962. partially glazed white earthenware plate 30cm. conceived in 1962 in an edition of 25 . N° 3 / 25. Menton 's museum jean Cocteau exhibition . Literature : A . GUEDRAS. Jean Cocteau céramiques...

"Visage ovale " partially glazed earthenware oval plate conceived in 1958 and executed in an edition of 15 . N° 11 / 15. with certificate literature : A. GUEDRAS . Jean Cocteau céramiques...

"Harvest" is a 20.5 x 31.5 inches, original gold foil serigraph by Russian born Art Deco artist, Erte (Romain De Tirtoff). The serigraph is numbered CLVII/CCL in the lower left (157/...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

Archival inkjet print with Fluro Stamp Edition 27/33 Signed in pencil and stamped on recto Published by the artist and Amsterdam Light Festival Foundation

Artist: After Hans Holbein the Younger (German 1497-1543). Title: King Henry VIII of England. Limited Edition of 100. Medium: Giclée Fine Art Print on Ilford Galerie Textured Cotton Rag 310gsm paper. Sheet Size: Height 52.7 cm x Width 42 cm. About: Hans Holbein the Younger was born in Augsburg Germany in 1497, a painter and printer working in the Northern Renaissance style. Considered one of the pre-eminent portrait painters of the 16th century In 1526 Holbein travelled to England and quickly build a reputation as a fine portraitist. He then spent four years in Basel returning to England in 1532 to work for Anne Boleyn and Thomas Cromwell...

Artist: After Hans Holbein the Younger (German 1497-1543). Title: King Henry VIII of England. Limited Edition of 25. Medium: Fine Art High Definition Fusion Metal Print. Edition: Limited Edition of 25 Prints Image Size: Height 35.6 cm x Width 28 cm. Framed Size: Height 44.7 cm x Width 37 cm. About: Hans Holbein the Younger was born in Augsburg Germany in 1497, a painter and printer working in the Northern Renaissance style. Considered one of the pre-eminent portrait painters of the 16th century In 1526 Holbein travelled to England and quickly build a reputation as a fine portraitist. He then spent four years in Basel returning to England in 1532 to work for Anne Boleyn and Thomas Cromwell...