Marie Laurencin"Jeune Fille, " Original Sepia Portrait Etching signed by Marie Laurencinc. 1930s
c. 1930s
About the Item
- Creator:Marie Laurencin (1883-1956, French)
- Creation Year:c. 1930s
- Dimensions:Height: 20.875 in (53.03 cm)Width: 19.375 in (49.22 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
Marie Laurencin
Around 1905 Georges Braque took Marie Laurencin to the Bateau Lavoir, Picasso's famously run-down studio on Rue Ravignan. Laurencin and Braque had both studied at the Académie Humbert. Laurencin originally aimed to paint on porcelain but Braque had the full measure of his colleague's talent and persuaded her to broaden her horizons.
On Rue Ravignan Laurencin found herself in an environment where she could thrive, where painting and literature mingled freely in a state, Picasso said, of permanent cross-fertilization, and at a moment when Fauvism was about to be supplanted by Cubism. Soon Guillaume Apollinaire was devoting to her an important chapter in his The Cubist Painters: Aesthetic Meditations (Peintres Cubistes: Méditations Esthétiques). Married to a German baron she fled France during World War I and lived in Spain, where she met Picabia among others, to return to Paris in 1920.
Laurencin's first canvases are sharper in tone than her later work. From her Ravignan period she left some paintings of real quality which also record the Bateau Lavoir dwellers, famously Picasso and Fernande Olivier, his mistress. Laurencin would enlarge on this composition by grouping together Picasso, Olivier (who wrote Picasso and His Friends [Picasso et ses Amis]), the poet Marguerite Gillot, the poet Maurice Chevrier, Guillaume Apollinaire and André Salmon. The Pont Mirabeau, dear to Apollinaire, can be seen in the background. During her time at Ravignan she also produced burin engravings and woodcuts inspired by fables and romantic street songs.
Laurencin had found her style. She became a painter of doe-like girls, merging realism and fantasy like some poets of her generation. Some see Eugène Carrière's influence in her early works, yet her palette shows much more distinct shading. Laurencin created this unique palette, rich in colors chosen for their softness, the full range of which she explored, deftly and firmly stressing tonalities. Famous among her works are the following: Guitar, Child with Violin, Princess, Sirens, Portrait of Jeannot, Portrait of René Dalize, Portrait of Marcel Jouhandeau and Portrait of André Salmon. She also illustrated many books: Marie Laurencin's Fan (L'Éventail de Marie Laurencin), a collection of poems written for her by writer friends, The Attempt at Love (La Tentative Amoureuse) and The Poems of André Walter (Les Poésies d'André Walter) by André Gide, books by Jacques de Lacretelle, André Salmon, Paul Morand, Louise Faure-Favier and Alice in Wonderland by Lewis Carroll.
Laurencin also pioneered new approaches to theatre set designing, memorably so in the Cocteau and Milhaud collaboration Does (Les Biches) for the Ballets Russes in 1924, and What Do Girls Dream Of? (À Quoi Rêvent les Jeunes Filles?) for the Comédie Française in 1928, even providing themes for the ballet.
She exhibited for the first time in 1907 at the Salon des Indépendants in Paris. In 1912 she showed her work with Robert Delaunay at the Galerie Barbazanges and contributed to the decoration of the Cubist house for the Salon d'Automne. In 1937 at the Petit Palais, Laurencin provided an exemplary sample of her work, including Portrait (1904), Portrait of a Young Woman in a Pink and Black Hat, two canvases executed in 1908 and 1909 and both entitled Guillaume Apollinaire and his Friends (referring to the Picasso circle), Flowers, Two Sisters, Marie Laurencin in Blue (1936), Game of Badminton, Flower Pot, Blue Angel (1929), Young Girls with a Mandolin, Portrait of Madame C.P., Artist and Model, Portrait of Anne-Françoise Mare and Pot and Lemons. In 2002 she featured in the exhibition “Women of Montparnasse” (Elles de Montparnasse) at the Musée du Montparnasse in Paris, chronicling the emancipation of female artists between the wars. In 1994 the Fondation Pierre Gianadda in Martigny presented a retrospective of her work.
Find original Marie Laurencin prints, drawings and watercolor paintings on 1stDibs.
(Biography provided by Leighton Fine Art Ltd.)
- ShippingRetrieving quote...Ships From: Milwaukee, WI
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- "Jean & Sappho, " Original Portrait Sepia Etching signed by Marie LaurencinBy Marie LaurencinLocated in Milwaukee, WI"Jean & Sappho" is an original sepia etching by Marie Laurencin. The artist's stamped signature is lower right. This piece features a delicate portrait of two women leaning on each other. 13" x 9 7/8" paper 9" x 5 1/2" image 20 7/8" x 17 3/8" frame Marie Laurencin (October 31, 1883 - June 8, 1956) was a French painter and printmaker. Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912). Laurencin's works include paintings, watercolors, drawings, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...Category
1930s Modern Portrait Prints
MaterialsEtching
- "Mes Petites Amies, Les Deux Sœurs" signed by Jacques VillonBy Jacques VillonLocated in Milwaukee, WIThis is an original drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...Category
Early 1900s Modern Figurative Prints
MaterialsDrypoint, Aquatint, Etching, Intaglio
- "La Mere de Whistler, " an Etching and Drypoint signed by Auguste BrouetBy Auguste BrouetLocated in Milwaukee, WI"La Mere de Whistler" is an original etching and drypoint signed by the French artist Auguste Brouet in the lower right. It depicts famous artist James Abbott McNeill Whistler's moth...Category
Early 20th Century Portrait Prints
MaterialsDrypoint, Etching
- 'Self Portrait 1974' original etching signed by Sandra SweeneyBy Sandra SweeneyLocated in Milwaukee, WIFollowing in line with artists before her, like Rembrandt and van Gogh, Sandra Sweeny here presents a self portrait. The image is both direct and subtle not only in its handling of m...Category
1970s Contemporary Portrait Prints
MaterialsPaper, Etching
- "Sheila, " Etching and Aquatint in Color signed by Man RayBy Man RayLocated in Milwaukee, WIThis original etching and aquatint in colors is by Surrealist and Dada artist Man Ray, an excerpt from the book "Ballade de Dames Hors du Temps". The etching is from a sketch Man...Category
1970s Realist Portrait Prints
MaterialsEtching, Aquatint, Paper
- 'Peter Breughel' Original Etching, Signed in PencilBy Leonard BaskinLocated in Milwaukee, WIThe present artwork is an original etching by American artist Leonard Baskin. Here, he presents a portrait of the Flemish Renaissance artist Peter Breughel the Elder in profile, executed after the engraving by Johannes Wierix published in 1572 by Volcxken Diericx and Hieronymus Cock. In the portrait, Baskin displays a love of line and texture, using the etching technique to exaggerate and draw attention to the wrinkles of the face, while leaving the hair and clothing like a study or sketch. Like in the work of contemporary artist Claude Weisbuch, the result for Baskin is an image that recalls the old masters and displays the mastery of contemporary printmakers, but that also places mid-century formal concerns at the forefront of portraiture and figuration. etching in black in on Rives paper 17.5 x 17.5 inches, plate 29.75 x 22 inches, sheet 33.5 x 25.88 inches, frame Entitled "Breughel" in pencil, lower left Edition 9/50 in pencil, lower center Signed in pencil, lower right "PB" in the plate, upper left "PB" in the plate, upper right (faint) Label for Irving Galleries, Milwaukee on reverse Label for David Barnett Gallery on reverse Framed behind glass in a distressed cassetta-style moulding Artwork in overall good condition; general toning to the paper; some scattered foxing; frame in good condition with some losses to finished surface revealing white ground Born in 1922 in New Brunswick, New Jersey, Baskin was reared in Brooklyn, New York. The son of a Rabbi, Baskin was educated at a yeshiva (Jewish religious college), which had a profound effect on his aesthetic. Committed to art at an early age, Baskin had his first exhibition. of sculpture, at the Glickman Studio Gallery, New York, at the age of seventeen. He studied at Yale University from 1941 to 1943 and received his B.A. at the New School for Social Research in 1949. Baskin spent 1950 and 1951 abroad, studying in Paris and Florence. In 1953 he began teaching printmaking and sculpture at Smith College in Northampton, Massachusetts, where he remained until 1974. It was while he was at Smith College that he founded Gehenna Press, a small private press specializing in fine book production. He moved to England in 1974 and stayed till 1983 when he returned to America.. These nine years were enormously productive and besides sculptures he created a fine selection of prints and paintings. Baskin became intrigued by Greek history, philosophy and mythology at an early age and this study inspired many of his sculptures and paintings. Other influences were early 20th century sculptors, notably Ernst Barlach Leonard Baskin was one of the universal artists of the 20th century. He was a sculptor of renown. He was a writer and illustrator of books ranging from the bible to children's' stories and natural history. He was a talented water-colourist and a superb, prolific print-maker. His prints ranged from woodcuts through lithography and etching; his subjects covered portraits...Category
1960s Old Masters Portrait Prints
MaterialsPaper, Etching
- "Two Women" Pair EtchingsBy Marie LaurencinLocated in Rio Vista, CAElegant pair of etchings by Marie Laurencin (French 1883-1956) from the "Poemes de Sapho" published in 1950 ref. 273. Each beautifully mounted in fram...Category
20th Century Modern Portrait Prints
MaterialsEtching
- The New Pupil /// Antique Modern Female Artist Etching Child Children FigurativeBy Eileen SoperLocated in Saint Augustine, FLArtist: Eileen Alice Soper (English, 1905-1990) Title: "The New Pupil" *Signed by Soper in pencil lower right Year: 1925 Medium: Original Etching on unbranded white wove paper Limited edition: Unknown Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 93, page 121, 141, 157 Sheet size: 11" x 9" Image size: 6" x 3.5" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: H C Dickens chop mark/blind stamp lower left. The Art Institute of Chicago has an example of this work within their permanent collection. Biography: Eileen Alice Soper (26 March 1905 – 18 March 1990) was an English etcher and illustrator of children's and wildlife books. She produced a series of etchings, mainly of children playing, and illustrated books for other writers, notably for Enid Blyton and Elizabeth Gould. She also wrote and illustrated her own children's book. Some of her illustrations of children and animals were used in a china series for children by Paragon China...Category
1920s Modern Portrait Prints
MaterialsEtching, Intaglio
- Three studies of Bloom Richard Hamilton James Joyce Ulysses illustration printBy Richard HamiltonLocated in New York, NYRichard Hamilton began studying James Joyce's novel Ulysses (1922) during his national service in 1947. Hamilton was inspired by the idea of illustrating Joyce’s complex, experimental novel in and began making sketches the following year, only to put the project to one side in 1950, with no publisher willing to front the exorbitant cost of resetting the novel for illustrations. It was not until 1981 that he made the decision to create one illustration for each of the novel’s eighteen chapters, and a nineteenth image – a portrait of one of the novel’s main protagonists, Leopold Bloom – destined as a frontispiece. He conceived these images as large intaglio...Category
1940s Modern Portrait Prints
MaterialsEngraving, Etching
- Will Barnet Early Important Figural B&W Etching American 1940 Framed RareBy Will BarnetLocated in Buffalo, NYA nice rare early etching by the noted American Artist Will Barnet titled "Mary", created in 1936.Category
1930s American Modern Figurative Prints
MaterialsPaper, Etching
- Raoul Dufy - Village - Original EtchingBy Raoul DufyLocated in Collonge Bellerive, Geneve, CHRaoul Dufy - Village - Original Etching Dimensions: 13 x 10". Edition of 200 1940 Edition Les Bibliophiles du Palais, Paris Raoul Dufy Born in 1877, the French painter Raoul Dufy wa...Category
1940s Modern Portrait Prints
MaterialsEtching
- Jacques Villon - Man - Original EtchingBy Jacques VillonLocated in Collonge Bellerive, Geneve, CHJacques Villon - Man- Original Etching 1951 Signed in pencil and numbered Dimensions : 34.8 x 25 cmCategory
1950s Modern Portrait Prints
MaterialsEtching
