Marina Abramovic

Self Portrait with Scorpion Homage to Frida Kahlo Lt Ed silkscreen on silk shawl

2014

AUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signed and numbered Screenprints, unframed in original Portfolio case 22 4/5 × 29 9/10 inches (each work) Edition of 100 Each print is hand signed and numbered 64 from the edition of 100 This is the complete Portfolio with 20 original limited edition, hand signed and numbered from the limited edition of only 100 - graphics by 20 Russian artists, including screen printing and collotypes. This portfolio was the mastermind of legendary printer and publisher Michael Domberger, who crisscrossed the globe from Rome, Sydney, Amsterdam, New York, Cologne and Moscow to realize this ambitious project - technically and artistically. Domberger writes that to his great surprise and delight -all of the artists invited agreed to participate. The 20 Russian artists invited to contribute works to this portfolio are: Jurij Albert, Grisha Bruskin, Erik Bulatov, Andrey Filippov, Sven Gundlach, Vladimir Yankilevsky, Ilya Kabakov, Igor Kopystyansky, Svetlana Kopystyanskaya, Georgiy Litvsky, Sergei Mironenko, Vladimir Mironenko, Boris Orlov, Dmitry Prigov, Andrei Roiter, Jurij Sobolev, Ivan Chujkov, Sergei Wolkov, Wadim Zakharov and Constantine Zwesdotschotov. Each print is housed in the original elegant Linen Portfolio Box...

Cindy Sherman The Nine Lives of Cindy, 2019 Printed Bone Porcelain 12 1/2 in diameter Limited Edition of 100 Plate signed verso and also accompanied by plate signed documentation card/official Certificate of Authenticity In original box Produced exclusively for the National Portrait Gallery in the United Kingdom on the occasion of the 2019 Cindy Sherman exhibition which also traveled to the Vancouver Art Gallery. Acquired directly from the National Portrait Gallery before it sold out. Cindy Sherman Biography: Born in 1954 in Glen Ridge, New Jersey, Cindy Sherman lives and works in New York NY. Her ground-breaking photographs have interrogated themes around representation and identity in contemporary media for over four decades. Coming to prominence in the late 1970s with the Pictures Generation group alongside artists such as Sherrie Levine, Richard Prince and Louise Lawler, Sherman studied art at Buffalo State College in 1972 where she turned her attention to photography. In 1977, shortly after moving to New York, Sherman began her critically acclaimed Untitled Film Stills. A suite of 69 black and white portraits, Untitled Film Stills sees Sherman impersonate a myriad of stereotypical female characters and caricatures inspired by Hollywood pictures, film noir, and B movies. Using a range of costumes, props and backdrops to manipulate her own appearance and to create photographs resembling promotional film images, the series explores the tension between artifice and identity in consumer culture which has preoccupied the artist’s practice ever since. Sherman continued to channel and reconstruct familiar personas known to the collective psyche, often in unsettling ways. In 1981, the artist created her Centerfolds, a series of photographic double spreads inspired by men’s erotic...

Jeff Koons Louis Vuitton Da Vinci bag (signed and dated by Jeff Koons), 2017 Limited Edition print with mixed media accessories and embellishmen...

Shepard Fairey God Save the Queen, 2012 Screenprint on wood panel in artist's frame Hand-signed by artist, Signed twice: Pencil signed, dated and annotated AP on the front; also penc...

Ronald B. (R.B.) Kitaj Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970 16 Color Silkscreen with collage and coating on different wove papers Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp Frame included: held in the original vintage metal frame Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time. Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40 Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom Ronald Brooks (RB) Kitaj Biography R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...

Kerry James Marshall MOCA LA Street Banner (Museum of Contemporary Art, Los Angeles), 2017 Silkscreen on Vinyl 95 × 34 inches Unframed This large, banner is amazing and super dramati...

Close Before Striking IV, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. _________________...

Bardot Femme Fatale 2017 , signed and numbered on the front - limited edition n. III/X on paper White wood frame and glass About the artist : Russell Young is a American-British Pop...

Acid Test, 2016 Inkjet print and silkscreen on archival mat paper 100 x 150 cm Unique Don’t Kill Bambi: The studio 54 phenomenon repositioned at times...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

This 48 inch high and 36 inch wide portrait is on archival paper is framed in a white frame. Total dimensions include the frame. It is wired and ready to hang. Anything that fuels the zeitgeist of a particular era is the inspiration for Jon Pannier’s narrative. He creates representational works overlaid with meaningful symbolism to reveal facets of our society that have ignited profound and lasting social change. As a former creative director in pharmaceutical advertising, Jon Pannier’s approach incorporates commercial art...

This 40 inch square portrait is on archival paper is framed in a white frame. Total dimensions include the frame. It is wired and ready to hang. Anything that fuels the zeitgeist of a particular era is the inspiration for Jon Pannier’s narrative. He creates representational works overlaid with meaningful symbolism to reveal facets of our society that have ignited profound and lasting social change. As a former creative director in pharmaceutical advertising, Jon Pannier’s approach incorporates commercial art...