Rufino Tamayo

Cabeza en Ocre, Surrealist Etching by Rufino Tamayo

1984

Artist: Salvador Dali Portfolio: Our Historical Heritage Title: King Saul Year: 1975 Medium: Intaglio Etching and Color Pochoir on Arches Paper, signed and numbered in pencil Edition...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Caius Flavius Valerius Claudius Constantinus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition:...

Artist: Saint Clair Cemin, Brazilian (1951 - ) Title: Woman in Red Year: 1980 Medium: Aquatint Etching, signed, dated, and numbered in Pencil Edition: 75 Image Size: 9 x 11.5 ...

Artist: Saint Clair Cemin, Brazilian (1951 - ) Title: Portrait Year: 1980 Medium: Aquatint Etching, Signed, Dated, and Numbered in Pencil Edition: 75 Image Size: 9 x 11.5 inche...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Caius Julius Caesar Octivanius Augustus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition: 24/7...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 3 Year: 1969 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 86/100 Image Size: 18.5 x 15 inch...

Elegant pair of etchings by Marie Laurencin (French 1883-1956) from the "Poemes de Sapho" published in 1950 ref. 273. Each beautifully mounted in fram...

Medium: Two-color etching on Saunders Waterford, HP, High White, 425 gsm, fine art paper Size: 42 x 42 inches (107 x 107 cm) Signed and numbered Edition of 50

’Folio of 6 etchings and engravings'. A portfolio of six etchings (Originally 7 but etching Number 1, Sef Portrait, is missing from this folio) and engravings produced by Merivale ...

Heinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp. - slightly darkened, fixed and mounted - The target in sight - About the artwork The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle. Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image. About the artist Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...

Gilles DEMARTEAU Liège 1722 † Paris 1776 Jeune dessinateur. Eau-forte et manière de crayon, imprimée en couleurs au repérage d’après François BOUCHER (1703-1770). H190xL140mm (sujet)...

Stephen Scott Young, "Scarf" Etching on German copperplate paper 5.5 x 5.25 in. [sight], 13 x 12.5 in. [framed] Ink-inscribed "10th proof/15th state" lower left, ink-signed lower r...