Shepard Fairey

Peace and Liberty by Shepard Fairey and Bob Gruen (Blue)

28 1/2" x 22 1/2" Unframed Screenprint on Cream Speckletone Paper Hand Signed by Shepard Fairey

This screenprint depicts a self portrait of the artist, and an introspective qoute.

24" x 18" Unframed Screenprint in Color on Wove Paper Hand Signed by Shepard Fairey

22" x 22" Unframed Limited Edition Screen Print of 50 Hand Signed by Mr. Brainwash 2020

24" x 18" Unframed Limited Edition Screen Print on Thick Cream Speckletone Paper of 300 Hand Signed by Shepard Fairey and Bob Gruen

19.5" x 16" Unframed Limited Edition Letterpress on Deckled Edge Paper of 450 Hand Signed by Shepard Fairey 2021

"Vivien" is one of the "Three Portraits", a series in which Katz has portrayed Sara, Vivien and Sophie, all close friends and relatives. The portraits are very classical in front of ...

Marilyn Monroe Diamond Girl Black, one color limited edition screen print on hand-torn deckled edge archival paper, hand finished with diamond d...

Marilyn Monroe Diamond Girl Red, one color limited edition screen print on hand-torn deckled edge archival paper, hand finished with diamond dus...

“John Lennon, Fillmore East, NYC, August 1972” Silkscreen and iridescence on 320 gram Coventry Rag paper Dimensions: 16” x 22 ½” An edition of 50 Signed by the Artist in pencil In ...

SENZA TITOLO Litografia es. 64/99 Lithograph es. 64/99 cm 70 x 50 Firma e tiratura in basso Signature and edition bottom below PROVENIENZA Galleria Il Traghetto, Venezia PROVENAN...

Monica Nude with Lichtenstein. Original color silkscreen on cardboard, 2002. Edition of 60 signed and numbered impressions on a cardboard. Tom Wesselmann is one of the biggest American pop artists today. Even he did not like being labeled a pop artist, it is hard to imagine that his artworks featuring consumer goods and assorted American icons would be considered anything but pop art. At first he was a follower of abstract expressionism, but later switched to figurative art. In the late ‘50s he produced a series of small format collages, which became the basis for his future nudes and still lifes. In 1963 he married Claire Selley, his most faithful model from the series ‘Great American Nude’, and other nudes. In his search for creative styles he began to produce three-dimensional works with the technique of assemblage, using everyday objects such as telephones and televisions. In the ‘Still Life’ series he used advertising techniques and complemented traditional still lifes with mass consumption items taken directly from ads. In the ‘80s he began to work with metals and produced original works with a special laser. Over the next two decades he returned to large formats and the theme of the nude from the ‘60s, rounding off his career with The ‘Sunset Nude’ series, inspired by the works of Matisse. Tom Wesselmann went down in history as one of the greatest representatives of pop art due to his exciting commercial images, his aggressive intervention in three dimensions, his choice of trivial motifs, their monumentalisation, the use of stereotypes as a basis for his work and the choice of strong colors. Wesselmann’s aesthetic usage of everyday objects was done not in criticism of American consumerism and culture, but as a way to render Classical genres modern so as to explore the gap between art and contemporary life. He has a series that incorporated iconic paintings by other artists, including Lichtenstein, Warhol, and Matisse, juxtaposing with his famous nudes...