Blackboard Portrait Prints

Edition 5 Self Portrait of Jay-C JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour, 
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

Black Hat, 2012 Alex Katz Woodcut, on Somerset satin white Signed and numbered from the edition of 25 Printed by Collaborative Art Editions, Tampa Published by Lococo Fine Art Publi...

Classikbox – 2016 by Blek the rat Art casing – Ed.100 Containing 3 serigraphs Ed.100 The man who walks through walls / Madonna and Child / Beggar Screen-p...

Edition 5 Self Portrait of Jay-C JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British...

Pablo PICASSO (after) Portrait of Roby, c. 1950 Restrike etching Printed signature in the plate On Japan paper 33 x 25 cm (c. 13 x 10 in) REFERENCE : Catalog raisonne Bloch #680 Fr...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Chuck Close Chuck Close Recent Works (Hand Signed), 1993 Large Illustrated Exhibition Catalogue Boldly hand signed in black marker on the title page by the artist Published by PACE Gallery, New York 14 3/10 x 12 inches Unframed This oversized illustrated softcover exhibition catalogue with stiff wraps is boldly signed by Chuck Close in black marker on the title page. The catalogue itself has 44 pages and is lavishly illustrated with large full color reproductions. It is extremely scarce when hand signed by the artist. Chuck Close signed...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Peter Max, German/American (1937 - ) - Profile, Year: 1990, Medium: Etching, signed in crayon and numbered in pencil, Edition: 39/41, Image Size: 11 x 9 inches, Size: 22.5 in. x...

Offset lithograph with hand-coloring, on wove paper. From an edition of unknown size. Estate of Andy Warhol and Andy Warhol Art Authentication Board Inc. stamps on verso. With ini...

Contains 127 pages with 125 Color reproductions of BRITTO's works. The cover of the book has an Embossed Tin Plate of "Britto's Garden."(6x7") Each Deluxe Edition is Signed and Numbered, and includes a CD case...

Girl in Blue Jeans from Blue Jeans Series. Etching and aquatint in colours, on watermarked Fabriano paper. Hand signed and numbered by the artist. Published...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Uncle Vanja, early 1920’s Technique: Original Hand Signed, Inscribed and Titled Woodcut on thin wove paper Paper Size: 27.5 x 21 cm / 10.8 x 8.2 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted "Onkel Wanja" (Uncle Vanja) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...