Comics Portrait Prints

Original Los Angeles, United Air Lines vintage travel poster. Archival linen backed in A- condition, ready to frame. Images shown are of the exact poster you will receive. Step ...

RHYTHM & BLUES is the first suite of original lithographs by the woman artist Robin Morris. This portfolio set of four hand made limited edition lithographs were printed using hand lithography techniques on archival Arches paper, 100% acid free. Ms. Morris utilizes her characteristic Art Deco style in creating colorful musical portraits in a suite of 4 prints titled: Tres Amigos, Urban Serenade, Calypso, and Spotlight - paper size: 17" x 12.5", each has its own compelling contemporary look. Tres Amigos features a zesty trio of Mexican musicians, Urban Serenade is a sensuous female violinist, Calypso is a vibrant horn player, Spotlight calls attention to a piano soloist performing on stage. Rhythm & Blues is a lively and fun collection of hand crafted limited edition lithographs that will make a great wall art grouping...

Toy Story 2 : Toy Story 2 is a 1999 American computer-animated comedy film directed by John Lasseter and produced by Pixar Animation Studios for Walt Disney...

Original Lee Mon Wine and Liquor Co. New York, vintage poster. Size: 17" x 22.5". It is professionally acid-free archival linen backed and ready to frame. No date is on the poster,...

Original poster: Haddon Hall. Original theater vintage poster, archival linen backed. Printed in the United Kingdom. Vintage theater poster...

Caitlin 2019 5-color photopolymer letterpress relief print of hand-torn kozo paper (Edition of 300) 20.5 x 13.5 inches This work is offered by CLAMP in New York City.

Edition 5 A girl is riding on a sneaker JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine...

Isabel Mendoza (Mexico) 'Los saqueadores', 2019 woodcut on paper Guarro Biblos 250g. 29.2 x 44.1 in. (74 x 112 cm.) ID: MEI-101

RED HOT/COOL BLUE are a set of 2 original lithographs by the woman artist Robin Morris. This pair of hand made limited edition lithographs were printed using hand lithography techniq...

Original poster: Radio L.M.T. "La Meilleure Tonalite". Elle l'aime tant. French antique vintage poster for the L. M. T. Radio. The radio wit...

Back to the Future - Artist Edition Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis. Written by Zemeckis and Bob Gale, it stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett "Doc" Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting—threatening his very existence—and is forced to reconcile the pair and somehow return to the future. Artists Rockin Jelly Bean...

Pop Art Digital Painting Portrait Print In his work, Ralf Schmidt combines elements of illustration, graphic design, and painting to create a distinctive, stylized realism with Pop ...

This black and white original lithograph by Mexican artist Juan Carlos Breceda depicts a checkerboard of abstracted woman's face from a variety of ...

Portrait of Cesar Chavez with graves on vines, with inset images of men working in a field and a woman washing a floor. This print is in the collection of the Library of Congress. Si...

AT YOUR SERVICE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on ar...

Leonard Tsuguharu FOUJITA The Fortune Teller, 1960 Original woodcut Signature printed in the plate On vellum 37 x 28 cm (c. 15 x 11 in) REFERENCES : Catalogue Raisonne Sylvie Buiss...

EXCALIBUR by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free....

The Nobel's Chief Bodyguard is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate on the right m...

Richard Lindner, German/American (1901 - 1978) - Galerie Altmann, Paris, Year: circa 1970, Medium: Poster, Size: 37.5 x 26.5 in. (95.25 x 67.31 cm), Frame Size: 38 x 27 in. (96....

Diptych Screen Print Set – Signed & Numbered Limited Edition Golden Future for Some Shepard Fairey Screen print on Cream Speckle Tone fine art paper Metallic gold ink Limited editio...

Signed and numbered from the edition of 69. Framed. Framed copy is also available for $800. A common theme for Chicano art about the violence within their own community while the upper classes prosper. Behind the struggling figures in the foreground are representatives of the police, the government, the church and others. Signed, titled and numbered from the edition of 69. Oscar Magallanes was born in 1976 in Duarte, CA. He recalls, “The first art I saw were murals of Zapata and Mexica glyphs from the Chicano movement. These were juxtaposed next to homeboy role calls and Old English writing. I didn’t see a gallery or museum until I was 15.” After a troubled youth and his expulsion from high school at the age of fifteen, Oscar was accepted into the Ryman Arts program which he credits with encouraging him to pursue a career in art. From 1998 to 2003 Oscar’s studio was located in the thriving Pomona Artist Colony. Oscar also worked closely with the late Gilbert “Magu” Lujan...

Offset lithograph in colors on wove paper. Hand signed and dated lower front by Mr. Hand numbered 104/300 lower front. Artwork size 25.5 x 19.25 inches. Frame size approx. 31.5 x...

Bijinga is an original modern artwork realized by Keisai Eisen in the 1830s. Oban from the series "Keisei dochu Sugoroku, mitate Tokaido gojusan stugi" (...

The present hand-colored lithograph is an excellent example of patriotic mid-nineteenth century American imagery. The print shows the battle and several of the major figures involved in the Battle of Lake Erie: At the center is a view of several frigates on the lake, embroiled in conflict. Above the battle is the quotation: "We have met the enemy and they are ours." Surrounding are laurel-lined roundels with portraits of Oliver Hazard Perry (1785-1819), Stephen Dicateur (1779-1820), Johnston Blakeley (1871-1814), William Bainbridge (1774-1833), David Porter (1780-1843), and James Lawrence (1781-1813) - all of these framed by American flags, banners and cannons. This print shows that the Battle of Lake Erie, part of the War of 1812, still held resonance for American audiences several decades later and was part of the larger narrative of the founding of the country. 9.5 x 13.5 inches, artwork 20 x 23.38 inches, frame Entitled in the image Signed in the stone, lower left "Lith. and Pub. by N. Currier" Inscribed lower right "2 Spruce N.Y." and "No. 1" Copyrighted lower center "Entered according to Act of Congress in the year 1846 by N. Currier in the Clerk's office of the Southern District of N.Y." Framed to conservation standards using 100 percent rag matting and housed in a gold gilded moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

Round Medusa is an original etching realized by Giacomo Manzù in 1970s. Hand-signed. Numbered on the lower left. Ed. 53/125. The state of preservation is very good. Published in ...

Pope and Lovers is an original Original Woodcut Print, realized by an anonymous artist in the 20th Century. The status of preservation Good. The artwork is depicted skillfully thro...

Round Medusa is an original etching realized by Giacomo Manzù in 1970s. Hand-signed. Numbered on the lower left. Ed. 31/125. The state of preservation is very good. Published in ...

Round Medusa is an original etching realized by Giacomo Manzù in 1970s. Hand-signed. Numbered on the lower left. Ed. 26/125. The state of preservation...

History of Giuseppe Garibaldi is an original Vintage Photolithograph realized for the commemoration at Caprera Island in 1935. It portrays some of ...

Portrait of the actor Kawarazaki Gonjuro and curtain is an original artwork realized in 1864 by Toyohara Kunichika (30 June 1835 – 1 July 1900) Oban. Bust portrait of the actor Kawarazaki Gonjuro in front of the brown theatre curtain with advertisement for the theatre performances. Signed: Kunichika ga. Publisher: Tsujiokaya Bunsuke. Censored by Aratame. Excellent impression with blind printing and very fine visible vertical wood grain in the brown curtain and haori, glossy black print (collar), a little bit creased. Toyohara Kunichika (30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama...

Signed, titled and numbered in pencil from the edition of 25. This print was a labor of love. "This is a tribute to my father, Jack Viramontes, who was a carpenter by trade and loved...

JUMPIN' JIVE by the woman artist Robin Morris, is an original limited edition lithograph printed in 13 colors using hand lithography techniques on archival Arches paper, 100% acid fr...

Jason and the Argonauts: The legendary Greek hero leads a team of intrepid adventurers in a perilous quest for the legendary Golden Fleece. Ar...

Frozen 2: Frozen II is a 2019 American computer-animated musical fantasy film produced by Walt Disney Animation Studios. The 58th animated film produced by the studio, and the sequel to the 2013 film Frozen, it features the return of directors Chris Buck and Jennifer Lee...

Linda Stein, Gender Scrambling 777: Gaga, Obama, Salander Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collections of Victori...

Andy Warhol Japanese style PINK Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style.

This woodcut print on rice paper was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matte...

"Love Letter, After Kunimasa" is a hand-painted lithograph by Michael Knigin. It is signed in the lower right and is edition 16/200. This print is inspired by the Ukiyo-e prints of U...

Very large advertisement poster created by Mobil for the promotion of the Masterpiece Theatre series "Kean" Yvan Chermayeff's involvement with the poster for "Kean" at The Public The...

"On Approval" is a 1926 play by Frederick Lonsdale that has been adapted into various films and television productions. The story revolves around two affluent yet exacting individual...

Title: Decorative Documents Author: Alfons Mucha. Publisher: Paris: Librairie Centrale des Beaux-Arts, 13 Rue Lafayette. Emile Levy publisher. Published ...

Artist: Faile Title: Save Stilettos Size: 39 x 27.5 in Medium: Silkscreen Edition: of 100 Year: 2016 Notes: Custom Framed 18 Color Silkscreen Ink on Paper Archival Coventry Rag 290gsm. Signed & Stamped, Faile 2010 "The prints where released in conjunction with the Bedtime Stories show featuring some of the new processes involved in the wood paintings. These are 18-color silkscreen prints on an archival Coventry Rag 290gsm, deckled edge paper. Based off 3 new images from the show. It was quite a journey to try and convey the wood block paintings...

Fairey's 25-year career started in 1989 with his sticker campaign. In addition to his guerrilla street-art presence, the artist has executed more than 50 large-scale painted public murals around the world as of 2015. His works are in the permanent collections of the Museum of Modern Art (MoMA), the Victoria and Albert Museum, the Smithsonian's National Portrait Gallery, the Boston Institute of Contemporary Art, the San Francisco Museum of Modern Art, and many others. Last September, Fairey opened his first painting show in New York since 2010 at the Jacob Lewis Gallery. The exhibition, entitled "On Our Hands," was the gallery's inaugural exhibition of the artist's work as his representing gallery in New York. The show coincided with the artist's most recent monograph release, Covert to Overt (Rizzoli). Debuting this summer, American Civics is the first-ever collaboration between Fairey and the estate of legendary photographer Jim Marshall. Fairey interprets Marshall's iconic photography...

The Royal Army Ordnance Corps (now Royal Logistics Corps) 1914 uniform Lithograph 50 x 31 cm Produced for the Institute of Army Education. Printed for HM Stationery Office by I A Li...

Artist: Dan May (American, 1955-) Title: "Man with Glasses" *Signed and numbered by May in pencil lower left Year: 1988 Medium: Original Screenprint on unbranded white wove paper Lim...

Title: George Michael Medium: Digital Print Size: 40 x 31 inches Edition: 40 Signed by the artist Agent X creates experimental, multimedia collages, pai...

Tristan Eaton released “Women of Marvel: The Portrait Collection”, in partnership with the comic industry titans Marvel Entertainment. Featuring 1,500 (1 of a kind) original fine-art...

after Marc CHAGALL (1887 - 1985) Poster for "Les peintres témoins de leur temps Musée Galiera" 1963 Created by Charles Sorlier after Chagall's 1937 painting...

Title: Decorative Documents Author: Alfons Mucha. Publisher: Paris: Librairie Centrale des Beaux-Arts, 13 Rue Lafayette. Emile Levy publisher. Published ...

Screen Print on Munken Pure paper.. Hand signed and numbered by Ben Frost. From the edition of 36. Frame size approx 23 x 19 inches. Artwork is in exc...

Guerrier de L'ile Solor is a hand colored lithographs realized by Auguste Wahlen in 1844. Good condition. The artwork belongs to the Suite Moeurs, usages et costumes de tous les pe...

Toyokuni III A Modern Shuihuzhuan / Narita no Shinzo 近世水滸伝 Tattoo Size: Oban 36 x 25 cm 文久2年（1862） 　

PATIENT AND NURSE Year: 2020 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Size: 36 x 53 inches (91.5 x 134.5 cm) Edition: 50 Price: $5,000 David...

Jean-Emile Laboureur (1877-1943), La Receveuse, engraving, 1919-1920, signed in pencil lower left, numbered (2/38) lower right and annotated ”imp” [also with initials and the date 19...

Lithograph in 22 colors on Canson Edition paper mounted on cardboard, shaped and applied on gold leaf. Hand signed by Mel Ramos and editioned AP 18/50 on supplemental sheet. Publis...

Internal is an original artwork in China ink on ivory-colored paper realized by Antonio Presti. The state of preservation is good. Not signed.

Piper is an original artwork realized by Guberti in the 1970s. Hand-signed in pencil on the lower right by the artist. Good conditions, except for a fold of paper on the lower left. ...

Mitch McGee, Don't Try So Hard, Limited Edition Pop Art Print, Silkscreen, Edition of 40. Image is 20" round, paper size 24x24. Each signed and numbered. It is unframed. The influences for McGee's own artwork came from the style of Pop Art legend, Roy Lichtenstein. According to McGee, "Lichtenstein with a Red Bow was the first piece that started me down this rabbit hole. Roy Lichtenstein took comic strips and repositioned them as lithography. In an almost tongue-in-cheek fashion I wondered how I could take one of his pieces and recreate it in another medium. The easy answer for me was wood. I grew up working with it and, combined with my graphic design background, it left me with a new medium and expression that I think really works." From that start, Houston artist, McGee began to create his own style and establish his unique voice. Today, his creativity exists in that space between painting and sculpture. In his Birch series, McGee uses pieces of wood, each illustrated, hand cut and stained or painted to create dimensional pieces. Each painting is filled with thick layers and subtle shadows. There is a warmth created by the imperfection of the birch and its grain that creates an emotional connection. Each painting is a labor of love, taking 40 to 50 hours or more to complete. McGee has created original works inspired by Superhero comics, Sports icons, as well as romantic moments using thick lines and bold colors to bring these scenes to life in his own way. Each artwork is filled with humor, irony, compassion or seduction. His artwork has been exhibited throughout Texas since 2001 and in New York with Elisa Contemporary Art...

Lithograph on paper. Hand signed, dated and numbered by the artist. Image size 31 x 15.5 inches. Sheet size 36 x 21 inches. Frame size approx 43 x 26.75 inches. From the edition P...

25 color screen print on lambeth 370 gsm paper. Hand signed lower left by D*Face. Hand numbered 74/150 lower right. Artwork size: 29.6 x 23.7 inches. Frame size: 33 x 27 inches....