Randy Tuten

1969 Psychedelic poster for Creedence Clearwater Revival , Jethro tull & Sanpaku

1969

This exhibition poster by #Picasso commemorates the thirteenth May Salon in 1957, which was held at the Museum of Modern Art. On this poster, we find an iconic work "the torso of a woman" better known as "the Egyptian. The Salon de Mai was an annual exhibition organized by a group of French artists who first met in 1943 in a café in Paris...

Beautiful 1969 psychedelic poster created by Lee Conklin for It's a Beautiful Day and the blues-rock ephemeral Aum at the Fillmore West. Lee Conklin is an artist best known for his psychedelic posters from the late 1960s and particularly for his iconic cover for Santana's first album. At the time, photography was the basis of advertising, while psychedelic graphics were done by hand and were mostly based on an illustration concept. The posters of this movement claim a new aesthetic: the flashy and warm colors, the shapes and moving typography and the density of the motif that invades the space translate the psychedelic vision, often associated with the taking of substances such as LSD. Music - Psychedelic - United States Fillmore West - Bill Graham Tea Lautrec Litho...

Beautiful poster of exhibition of the writings and engraved work of Max Ernst to the gallery of the point Cardinal. Max Ernst ( 1891 - 1976 ) was a German painter, sculptor, graphic artist and poet. A prolific artist, Ernst was one of the main pioneers of the Dada movement...

A beautiful poster made for the 50th anniversary of the creation of the Bauhaus at the National Museum of Modern Art, by Herbert Bayer 🇺🇸 (1900-1985), a designer, painter, architec...

This beautiful poster was made to promote the concert of B.B. King, Moby Grape, Steve Miller & Steve Miller Blues Band that took place on February 26, 1967 at the Fillmore Auditorium...

Original Serigraphy The original poster for this exhibition was created by American artist Ellsworth Kelly, one of the leading protagonists of abstract art at the time. Kelly was re...

lithograph & screenprint on paper & assemblage with Sailcloth, Mylar, Wooden lightbox, fluorescent fixture, aluminum moveable window shade system and Plexiglas Ed. 23/25

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró V Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations: Lith...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró X Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In ve...

Eduardo Arranz-Bravo - Casa negra (Black House) Date of creation: 1988 Medium: Lithograph on paper Edition: 75 Size: 56 x 76 cm Condition: In perfect conditions and never framed Obse...

Print Edition 9, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...

Print Edition 6, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...