Ricardo Villasana

Ricardo Villasana, ¨Al alcance de la mano¨, 2003, Mixed Media, 16.9x19.7 in

2003

"Nelson Dominguez (Cuba, 1947) 'Madre (gris/victor guadalajara detras)', 2005 mixed media on paper Velin Arches 300 g. 19.7 x 19.7 in. (50 x 50 cm.) Prueba de Estado (P.E) ID: DOM-211"

Enrique Cattaneo (Mexico, 1946) 'Emulando a Allen Jones', 2010 silkscreen on paper Velin Arches 300 g. 15 x 15 in. (38 x 38 cm.) Edition of 40 ID: CAT-311 Unfr...

Chino Bu (Cuba) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 ID: BUC-303 Unframed

Bernardo Navarro Tomas (Cuba, 1977) 'Luna de Tepoztlán 4', 2018 etching, sugar aquatint on paper Feltmark 300 g 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 ID: NAA-104 Unframed

Bernardo Navarro Tomas (Cuba, 1977) 'Cosmopolitan I', 2018 silkscreen on paper Feltmark 300 g 25.6 x 35.3 in. (65 x 89.5 cm.) Edition of 40 ID: NAA-108 Unframed

Namiko Prado Arai (Mexico, 1963) 'Untitled 3 (Buril)', 1998 etching, aquatint on paper Deponte 400g. 20.9 x 24.5 in. (53 x 62 cm.) Unframed ID: PRA-305 Hand-signed by author

Brigitte Bardot Large edition Charcoal and black glitter Screen print on 300 gsm Somerset Satin Paper Edition of 10 Price is for unframed, we are happy to coordinate framing for this piece at an extra cost. This new larger ‘Sparkle edition’ Brigitte Bardot is limited to just 10 and will create an impact on any wall. Originally released as a smaller print, it was dubbed ‘Beautiful, original and certainly collectable’ in the Sunday Times Style Magazine ‘, and was an instant sell out. The print features Emerson’s signature elongated figure combined with a delicate textural surface, which combines a unique black glitter and charcoal powder finish. Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Silkscreen on paper with mixed media, felt and glitter. Hand signed and numbered by the artist. Edition of 250. Artwork image size approx 31.5 x 23.5 inches. Artwork sheet size 39....

Rosie Emerson returns to her elongated trademark style for the release of a brand new Audrey Hepburn print. Emerson has developed her very own technique to make these to prints using charcoal powder instead of ink, these print have a soft look and light texture to them, the powder is fixed with layers of fixative and also a UV varnish so they are protected for the years to come. Elevating the iconic Audrey Hepburn these prints unite hand painted elements, collaged found wire, diamonds and star constellations all in her monochrome style. A small edition of just 20, each print will vary slightly due to her unique technique, they come signed and edition in pencil and embossed with an artists stamp. Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Rosie Emerson Brigitte Bardot Large Edition Silkscreen Print on Paper Edition of 10 Charcoal powder and Black glitter Screen print on Paper Sheet: H 150cm x W 60cm x D 0.1cm Sold unf...

When unfolded and displayed flat, this LARGE limited edition towel/wall hanging measures: 42 inches × 69 inches × 1/5 inches (the smaller measurements 10" x 20" are for the work wh...

Ai Weiwei Crabs, 2010-11 Limited Edition, hand numbered Silkscreen on 100% Canadian 2-Ply Maplewood Skateboard. Signed on the deck 31 × 1 × 3/10 inches Edition 126/150 Signed on the deck. Hand numbered from the edition of 150 Highly desirable and sought after limited edition; long sold out worldwide. The text reads: "THE WORLD IS NOT CHANGING IF YOU DON'T SHOULDER THE BURDEN OF RESPONSIBILITY." This skateboard was inspired by the artist’s installation ‘He Xie’, a group of 3,200 ceramic crabs installed at Washington D.C.’s Hirshhorn Museum in 2011. "Crabs" refers to a slang word used for internet censorship in China. It plays on the similar sounding between ‘river crab’ and ‘harmonious’. “I think there is a responsibility for any artist to protect freedom of expression.” – Ai Weiwei “Without freedom of speech there is no modern world, just a barbaric one."― Ai Weiwei This photo is part of ‘Study in Perspective’ where Ai Weiwei openly attacks the regime in place by de-sacralizing one of the country’s most iconic and controversial sites: Tiananmen square...