Robert Mangold

Untitled, Robert Mangold

2000

A stunning example of abstracted imagery easily identifiable as the work of Roy Lichtenstein, Blue Face was created by the artist in 1989 as a truly mixed me...

Created in 1980 by Roy Lichtenstein as part of a portfolio of prints known as The American Indian Theme Series, this original woodcut in colors, is...

Created by Roy Lichtenstein in 1984 as a color woodcut and lithograph on Arches 88 paper, Painting on Blue and Yellow Wall is hand-signed, dated, and numbe...

Created in 1983 as a color woodcut, Untitled, 1983 by Keith Haring is an early and highly collectible original print measuring 24 x 30 in. (61 x 76 cm.,) unframed. From the edition o...

One of the most recognizable and collectible images by Al Held, Kyoto-wa was created by the artist as an original woodcut with lithography in 1985. Hand-signed in pencil, dated and ...

With the simplest of line akin to a drawing by Matisse, Alex Katz renders Ada (Black) in elegant simplicity. Created in 2022 as an original one-color woodcut in an edition of just 7...

This work is not a typical landscape by Alex Katz. It is a very stunning, nearly abstract work which is made of a combination of printing techniques like woodcut, lithograph and scre...

Roy Lichtenstein Two Paintings: Beach Ball, from Paintings Series, 1984 uses his signature patterns and lines to create various visual implications. Straight lines are used to emphas...

Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 incorporates his iconic multimedia imagery, flowing with eclectic and imaginative sequence of shapes. Bright colors of neon yellow, blue, gray, and green intertwine against each other creating a strong contrasting effect. Shapes and forms are irregularly placed within a rectangular frame allowing the composition to stand out. Lichtenstein’s famous dots are dispersed along the cream colored block running through mainly the center of the image. This creates a comic-like effect that is a common theme throughout his entire oeuvre. Because Reflections is an important series where Lichtenstein uses multimedia and relates to his Mirrors paintings of the early seventies. Dots, stripes, mirrors, prominent brushstrokes presents themselves in a dashing manner throughout this series. Created in 1990, Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 is a color lithograph, screenprint, woodcut, and metalized PVC collage with embossing on Somerset paper. This work is hand signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. Numbered from the edition of 68 in pencil in the lower right margin, there were also 16 artist proofs. Catalogue Raisonné: Roy Lichtenstein Reflections on Hair...

Created in 2008, this woodcut is hand-signed by Jim Dine (Cincinnati, Ohio, 1935 –) on verso and is numbered from the edition of 118 on verso. Published by Lincoln Center List Poster & Print Program, New York. About the Framing: Framed to museum-grade, conservation standards, Jim Dine Pinocchio...

Jose Bedia (Cuban, 1959) 'Armed animal', 2019 Woodcut and serigraph Limited edition of 30 Image size: 92 x 181 cm. (36.2 x 71.3 in.) Overall size: 118 x 199 cm. (46.5 x 78.3 in.) Sur...

Jose Bedia (Cuban, 1959) 'Animal and mother' (Diptych), 2019 Woodcut and serigraph Limited edition of 30 Image size: 181 x 181 cm. (71.3 x 71.3 in.) Overall size: 199 x 199 cm. (78.3...