Robert Mangold

Untitled, Robert Mangold

2000

A stunning example of abstracted imagery easily identifiable as the work of Roy Lichtenstein, Blue Face was created by the artist in 1989 as a truly mixed me...

Created by the artist in 2022, Sunrise 2 is an 8-color woodcut print on Hiromi Izumi paper measuring 25 3/4 x 17 1/4 in. (65 x 44 cm), unframed, the artwork hand-signed in pencil, an...

An exquisitely printed image created by Richard Bosman in 1996, the artist’s iconic Brooklyn Bridge is a woodcut on Mulberry paper. Measuring 18 ¼ 24 ¼ in. (46.4 x 61.6 cm), unframed...

A familiar and iconic motif by the artist, this color woodcut was created by Jim Dine in 1996, is hand-signed in pencil and numbered. Measuring 26 1/8 x 19 ½ inches (66.4 x 49.5 cm...

This original color woodcut was created by the artist in 1993. Hand-monogrammed by the artist in pencil and numbered, from the edition of 500. Available for local pick up...

With the simplest of line akin to a drawing by Matisse, Alex Katz renders Ada (Black) in elegant simplicity. Created in 2022 as an original one-color woodcut in an edition of just 7...

This work is not a typical landscape by Alex Katz. It is a very stunning, nearly abstract work which is made of a combination of printing techniques like woodcut, lithograph and scre...

Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 incorporates his iconic multimedia imagery, flowing with eclectic and imaginative sequence of shapes. Bright colors of neon yellow, blue, gray, and green intertwine against each other creating a strong contrasting effect. Shapes and forms are irregularly placed within a rectangular frame allowing the composition to stand out. Lichtenstein’s famous dots are dispersed along the cream colored block running through mainly the center of the image. This creates a comic-like effect that is a common theme throughout his entire oeuvre. Because Reflections is an important series where Lichtenstein uses multimedia and relates to his Mirrors paintings of the early seventies. Dots, stripes, mirrors, prominent brushstrokes presents themselves in a dashing manner throughout this series. Created in 1990, Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 is a color lithograph, screenprint, woodcut, and metalized PVC collage with embossing on Somerset paper. This work is hand signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. Numbered from the edition of 68 in pencil in the lower right margin, there were also 16 artist proofs. Catalogue Raisonné: Roy Lichtenstein Reflections on Hair...

Created in 2008, this woodcut is hand-signed by Jim Dine (Cincinnati, Ohio, 1935 –) on verso and is numbered from the edition of 118 on verso. Published by Lincoln Center List Poster & Print Program, New York. About the Framing: Framed to museum-grade, conservation standards, Jim Dine Pinocchio...

Roy Lichtenstein Two Paintings: Beach Ball, from Paintings Series, 1984 uses his signature patterns and lines to create various visual implications. Straight lines are used to emphas...

Leonardo Gotleyb (Argentina, 1958) 'Metáfora urbana VI', 1999 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: GOT-301 Unframed

Leonardo Gotleyb (Argentina, 1958) 'Nocturno', 2000 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: GOT-304 Unframed