Roland Martin

Abstract Geometric Composition

1972

Max Bill Abstract Geometric Composition Silkscreen on wove paper Year: 1971 Size: 13.7x11.82in Edition: 2500 Unsigned as issued COA provided Publisher: Edition Domberger Siebdruck, Filderstadt, Germany Ref.: 924802-1199 ------------------------------ (Geometric Abstraction, Minimalism, Constructivism) Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work.[3] His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions.[4] Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker...

Hajo Hangen Order #58.G (Ordnungsfolge 58.G) Color silkscreen Year: 1972 Signed, numbered, dated and titled by hand Edition: 80 Size: 24.0×16.9in on 27.6×19.7in COA provided Ref.: 924802-1176 Heijo Hangen (born April 29, 1927 in Bad Kreuznach ) is a German constructive art...

Hans Jurgen Kleinhammes Untitled Color Serigraph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924802-922 Hans-Jürgen Kleinhammes ( November 16, 1937 in Augsburg – August 2008 there) was a German painter and graphic artist. He studied from 1959 to 1961 at the Academy of Fine Arts in Dresden, from 1961 to 1965 at the State University of Fine Arts in Hamburg with Thiemann, Mavignier and Wunderlich. In 1966 he went to Paris for a year on a grant (“ Cité Internationale des Arts ”). From the mid-1960s he developed his visual language, which was reduced to landscape fragments and signet-like abstraction. (“the representation is strongly objectified, but does not lack a surreal-poetic quality...”). He saw Caspar David Friedrich , René Magritte and Giogio de Chirico as his role models . From 1964 he titled his pictures with the term “New Landscape”, which he determined. At the same time, Werner Nöfer and Jens Lausen were working on a similar artistic program. In 1968 he was a co-founder of the CO-OP artists' cooperative Hamburg , which wanted to switch off the art market with several graphic portfolio editions (members included Bruno Bruni , Dizi, Klaus Geldmacher , Dieter Glasmacher , Ullrich Hohenhaus, Tomislav Laux, Ernst Mitzka, Werner Nöfer, Sigmar Polke , Anna Oppermann...

Josef Albers Homage to the Square Year: 1977 9 (nine) Silkscreen Prints in brilliant Colors on strong wove paper Unsigned Published by Verlag Aurel Bongers KG, Recklinghausen, German...

Prizma VI Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Prizma IV Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Gerd Leufert Title: Erebos Signed, titled, dated ‘91 and inscribed P/A in pencil (lower center) Screenprint on paper 23⅝ by 22⅜ in. / 60 by 56.8 cm. Executed in 1991, this work is an artist’s proof from an edition of 35 plus 1 artist’s proof. Provenance: Private Collection, Venezuela - Acquired from the above by the present owner - Sotheby's Auction “The first duty of the creator: restlessness,” Gerd Leufert wrote in 1985, looking back on his 30-year career as an artist, designer, museum worker, and professor of art in Venezuela.1 Bridging the worlds of commerce and culture in Caracas, Leufert’s impact on art and design owed to his interdisciplinary approach: the influence of cutting-edge developments in abstract art appeared in his graphic design, while the efficiency and bold contrast of mid-century design characterized his paintings. An immigrant born in German-controlled Lithuania at the cusp of the first World War, Leufert studied arts and design in Hannover, Mainz, and, finally, in Munich with the German typographer Fritz H...

This image was created to celebrate the festival 'Live from Lincoln Center', 1990. The edition of 72 is signed and numbered. This impression has never been framed. Framed image is fo...

This is a fourteen (14) color screen print on Reeves textured rag paper, hand signed and numbered in graphite from an edition of 118. There are an additional 18 Artist Proofs. The pr...

This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...

RICHARD ANUSZKIEWICZ Red to Blue Portal, 1977 Screenprint on masonite 83 1/2 x 47 3/4 inches Edition of 50

3.11.23 X, 2023 Monoprint in colors, on wove paper 16 1/4 x 18 3/4 in. (41.3 x 47.6 cm) Unique Signed and dated in pencil, lower right