Shepard Fairey

Authoritarian

2000

TECHNICAL INFORMATION: Shepard Fairey Burmese Monk 2009 Screenprint 24 x 18 in. Edition of 450 Pencil signed and numbered Condition: This work is in excel...

TECHNICAL INFORMATION D*Face Feels so Good 2008 Screenprint and etching 54 1/4 x 33 in. Edition of 48 Pencil signed and numbered Accompanied with COA by Greg...

TECHNICAL INFORMATION: Shepard Fairey Behind You 2009 Screenprint 41x 29 in. Edition of 75 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art Condition: T...

TECHNICAL INFORMATION: Shepard Fairey 2nd Amendment Solutions 2011 Screenprint 24 x 18 in. Edition of 450 Pencil signed and numbered Accompanied with C...

TECHNICAL INFORMATION Shepard Fairey Arab Woman (gold) 2008 Screenprint 24 x 18 in. Edition of 300 Pencil signed and numbered Accompanied with COA by Greg...

TECHNICAL INFORMATION D*Face Kiss of Death Screenprint 25 1/2 x 25 1/2 in. Edition of 75 Pencil signed and numbered Accompanied with COA by Gregg Shien...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

"Falling for You," Eric Orr, 2022 Silkscreen on 290 gram Coventry Rag paper Dimensions: 13 3/4" x 17 1/4" Signed and numbered by the Artist in pencil An editio...

"Nola" Dark Orange to Light Orange Rain, AP. Screenprint on arches paper. Edition of 66 artist's proofs comprised of six different colour variants, published in 2008 by Pictures on...

Five colour screen print on Somerset Satin 300gsm paper. Published in 2016. Edition 8/10. Signed by the artist.

A screen print on arches paper. Produced in 1990. Edition of 33 + 5 Artist Proofs. This being number 27/33. Littmann P.182. Signed and numbered in pencil by the artist. This work wa...