Sir Leslie Ward

"Taplow Court" 1890

1890

Amazing original architectural rendering on board (artist: C. Smith 1-97) for the Polo Ralph Lauren Chicago store at #730 No Mich Ave (which opened in 1998) designed by Naomi Leff (1...

Art Sz: 12"H x 24 3/4"W Frame Sz: 13 1/4"H x 25 7/8"W Hand-coloured by the artist The cornerstone of the Aintree Race Course was first laid in 1829, and the first Grand National took place shortly thereafter, in 1836. This map, published nearly 100 years later, shows little has changed in the intervening century, except for the prize purse which now fetches over 1 million pounds. The two mile course boasts 30 fences, individually numbered, the race consists of two laps . Ditches and water features provide additional obstacles and more accurately depict the environment encountered on “the hunt.” This map was drawn by prolific pictorial artist George Annand. Only 2 copies found in the OCLC – at Temple University and Yale. George Annand (June 9, 1890 - September, 1980) was an American graphic artist and cartographer active in New York during the middle part of the 20th century. Annand was born in Croswell, Michigan, the sun of a Scottish immigrant doctor who immigrated to the United States via Canada. He received his early education at a one-room schoolhouse in Croswell before he and his parents relocated to Detroit. It was in Detroit that Annand was first introduced to the arts, enrolling in Art School. Later, as a young man, Annand move to New. York City, where he continued his artistic studies at the Art Students League. In 1920 he married a childhood friend, Elizabeth Sinclair, who had been widowed during World War I. He adopted Elizabeth's two children and she and Annand shortly thereafter became pregnant with a third child. With a family to support and another bun in the oven Annand turned to the booming New York advertising industry, taking work with the National Biscuit...

Print Sz: 8 1/2"H x 4 1/2"W Frame Sz: 14 1/2"H x 10 5/8"W Walter Selby Buckmaster (16 October 1872 – 30 October 1942) was a British polo player in the 1900 Summer Olympics and in t...

Paul Desmond Brown framed pencil '44 print of an angler on a riverbank for Brooks Brothers calendar April 1945 Print Sz: 13 1/4"H X 10 1/2"W Frame Sz: 14 1/2"H x 11 3/4"W w/ bird...

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Art Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Peter Behrens, (German 1868-1940), Deutsche Werkbund-Ausstellung, 1914, Deutsche Werkbund-Ausstellung, Kunst in Handwerk, Industrie und Handel Archit...

Lithograph on Arches wove paper. 75 × 105,8 cm. (29 ½ × 41 ⅝ in.) Signed and dated. One of 96 numbered prints from a total edition of 123. Los Angeles, Gemini G.E.L., 1976 (with the ...

Couple a l’Oiseau (Couple with a Bird). Black and white lithograph on Arches paper created in 1959 by Marc Chagall, printed by Mourlot in Paris. Signed and numbered in pencil by the ...

A striking piece by Moore also presented in the Tate collection. Lithograph in colours, on Rives paper. A Printer’s Proof outside of a limited edition of 50, initialed in pencil. Ye...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art De...

Print Edition 9, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...