Amanda Lomax

Keep Palm and Carry On

2018

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: After a long, dark and cold Vermont winter, the longing for summer is strong. We dream of the first bloom of the bleeding hearts and the scent of peonies. Sometim...

Artist Commentary: After a long, dark and cold Vermont winter, the longing for summer is strong. We dream of the first bloom of the bleeding hearts and the scent of peonies. Sometim...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

In John Kato's "Alpine Lodge", a picture of a cabin nestled among pine trees at dusk encapsulates the endeavor to capture and preserve a cherished memory of serenity, pleasure, recre...

Hari Hockey (American), "Spider Mums" Edition 301/325, Abstract Still Life signed and numbered in pencil, 28.50 x 22, Late 20th Century Colors: Purple, Orange, Red, Blue, Black, Brown

"Renee's Breakfast" depicts a simple image of three eggs on a plate with bacon, a breakfast so familiar to many, and serves as a poignant reminder of the passage of time and the tran...

Regal Flower Arrangement is an original limited edition( 25/50 ) lithograph by Alessandro Nastasio. A large vase of purple flowers and lots of greenery in set on a purple table and is exploding with color and energy. Alessandro Nastasio was born in Milan in 1934. In 1952 he followed the “free school of the nude” led by Aldo Salvatori. In 1960 he attended the Atelier of Giorgio Upilio where Giacometti, Lam, Fontana, De Chirico worked and where he had the opportunity to study the themes of the inspiring myths. He worked at the MAF foundry with the master Tullio Figini who shared the secrets of the lost wax Renaissance fusion and where he met the masters Crocetti, Manfrini, Manzu , Minguzzi, Fabbri,. He then moved on to Quinto de Stampi at the De Andreis foundry where Marino Marini, Pomodoro, Rudy Wach, Strebelle, Negri and Rosental operated. A regular reader of the great sapienzal texts of antiquity, he trained in particular on the Bible which he illustrated with woodcuts, aquatints, etchings and linocuts, especially the Song of Songs, the book of Ecclesiastes and several pages of the Gospels He also drew his inspiration from the philosophical-religious tradition of the Eastern world through the reading of Rig-Veda, Upanisad and the Matnavi of Rumi. In 1966-67 he obtained the chair at the Academy of Fine Arts of Brera and for thirty years he devoted himself to the teaching of Art Education in various schools. Nastasio created works both pictorial and plastic in collaboration with famous architects such as: Figini and Pollini, De Carli, Gardella, Faranda, Selleri, Ponti. His great talent soon came to the attention of various art dealers: first Max G...

John Kato's print, titled "Still Thinking of Her: Orange Breakfast," captures a poignant yet cheery scene. The composition centers on a cut-up orange placed artfully on a plate, acco...

Under the Sea, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. The painting is a limited edition Giclée print, expertly created on archival cotton paper, ensuring its longevity and preserving the intricate details of the artwork. The composition transports us to the depths of the ocean, where the artist uses a mesmerizing combination of geometric shapes and vibrant colors to represent the small animals, plants, and corals that reside in the deep sea. The backdrop of the painting is a captivating blue, symbolizing the vastness of the ocean. Against this blue sea, a multitude of figures, expertly rendered with geometric shapes, appear to be swimming and floating. The artist's imaginative use of shapes and colors invites the viewer's imagination to explore the hidden wonders of the underwater world. A vivid and dynamic palette of colors enhances the enchanting atmosphere of the painting. Shades of green, orange, soft purple, fuchsia, yellow, purple, white, and black come together, evoking the vibrant hues found in the marine ecosystem. These colors breathe life into the artwork, capturing the diversity and beauty of the underwater environment. Among the various figures, some are designed with a grated or textured appearance, adding depth and intricacy to the composition. This textured design creates a sense of movement and mimics the intricate patterns found in coral reefs and marine life. As the viewer explores the artwork, they may discern a multitude of shapes, ranging from circles and triangles to abstract and fanciful forms. Regular and irregular shapes coexist harmoniously, creating a visual tapestry that hints at the diversity and complexity of marine life. Under the Sea, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 30 x 30 Inches Edition 1 of 7 plus 2AP 40 x 40 inches Edition 1 of 5 plus 2 AP Limited Edition Signed by the artist ____________ About the Artist Francisca Oyhanarte...