Set of Six Birds of Prey
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Cornelius NozemanSet of Six Birds of Prey1770
1770
About the Item
- Creator:Cornelius Nozeman (Dutch)
- Creation Year:1770
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU470381652
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2014
1stDibs seller since 2014
85 sales on 1stDibs
Typical response time: 19 hours
Associations
International Fine Print Dealers Association
More From This SellerView All
- Chicken 'N Dumplings, from Campbell’s Soup IIBy Andy WarholLocated in London, GBScreenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, 91 from the edition of 250 (there were also 26 artist's proofs lettered...Category
1960s Pop Art Still-life Prints
MaterialsScreen
- Etel Adnan, Compotier 111, etching, signed, 2015By Etel AdnanLocated in London, GBEtching with extensive hand colouring, 2015, signed, dated ‘14 and numbered ‘II’, aside from the edition of 15 black and white etchings, published by Gallerie Lelong, Paris, 38 × 56 ...Category
21st Century and Contemporary Impressionist Still-life Prints
MaterialsEtching, Pastel
- ShoesBy Andy WarholLocated in London, GBScreenprint with diamond dust, 1980, on Arches Aquarelle (Cold Pressed) paper, signed and numbered in pencil, verso, from the edition of 60 (there were also 10 artist’s proofs), printed by Rupert Jason Smith...Category
1980s Still-life Prints
MaterialsScreen
Price Upon Request - PaperBy David ShrigleyLocated in London, GBWoodcut, 2005, on wove paper, signed, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, sheet: 59.7 x 39.7 cm. (23.5 x 15.6 in.)Category
Early 2000s Pop Art Still-life Prints
MaterialsWoodcut
- Azaleas on Yellow, from The Flowers PortfolioBy Alex KatzLocated in London, GBArchival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 119 x 86 cm. (46¾ x 33¾ in.)Category
2010s Contemporary Still-life Prints
MaterialsArchival Pigment
- Purple Tulips 1, from The Flowers PortfolioBy Alex KatzLocated in London, GBArchival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 80 x 119 cm. (31½ x 46¾ in.)Category
2010s Contemporary Still-life Prints
MaterialsArchival Pigment
You May Also Like
- Silver Rock Melon: A Framed 19th C. Color Engraving by George BrookshawBy George BrookshawLocated in Alamo, CAThis is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...Category
Early 19th Century Naturalistic Still-life Prints
MaterialsEngraving, Aquatint
- White Hamburgh Grape: A Framed 19th C. Color Engraving by George BrookshawBy George BrookshawLocated in Alamo, CAThis is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...Category
Early 19th Century Naturalistic Still-life Prints
MaterialsEngraving, Aquatint
- Redoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge"By Pierre-Joseph RedoutéLocated in Alamo, CAThis framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...Category
Late 18th Century Naturalistic Still-life Prints
MaterialsEngraving
- Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. WeinmannBy Johann Wilhelm WeinmannLocated in Alamo, CAThis is an original antique colored botanical mezzotint and line engraving of flowering Red Geraniums which is finished with hand-coloring. It is entitled "Geranium Anemones folio Af...Category
Mid-18th Century Naturalistic Still-life Prints
MaterialsEngraving, Mezzotint
- Asparagus: An 18th Century Hand-colored Botanical Engraving by J. WeinmannBy Johann Wilhelm WeinmannLocated in Alamo, CAThis colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled a. Thyrsus asparagi. b. Asparagus, Asperge. c. Aspa...Category
Mid-18th Century Naturalistic Still-life Prints
MaterialsEngraving, Mezzotint
- Calla Lily: An 18th Century Hand-colored Botanical Engraving by J. WeinmannBy Johann Wilhelm WeinmannLocated in Alamo, CAThis is a beautiful original antique colored botanical mezzotint and line engraving of a flowering Calla Lily, which is finished with hand-coloring. It is entitled "Arum Aethiopicum ...Category
Mid-18th Century Naturalistic Still-life Prints
MaterialsEngraving, Mezzotint
Recently Viewed
View AllMore Ways To Browse
Bird Of Prey Prints
Antique Bird Egg Prints
Antique Bird Nest Prints
Buteo Bird
Sarah Drake
Richard Bernstein Ruby
Velveteen Rabbit
Andy Warhol Cantaloupes
Nesbitt Purple Iris
Carol Wax On Sale
Bertha Evelyn Clausen Jaques On Sale
Chiquita Sign
Hunt Slonem Lobster
Inoue Kozo
Jim Dine Vegetables
James Casebere
Lautrec Clowness
Richard Bernstein On Sale