Glass Still-life Prints

"Crystal and Jade" Still Life Lithograph in Ink on Paper Delicate and detailed lithograph of a crystal glass and jade vase by John Taylor Arms (American, 1887-1953). On the left side of the composition, there is a crystal martini glass, with intricate designs. Next to it is a jade vase or urn, with a carved surface. They are sitting on an ornate tablecloth, with a strand of beads, possibly a rosary. Numbered ("VI"), inscribed with a dedication ("To Georgiana Brewer and Jasper S. Mathews Jr from Dorothy and John Taylor Arms"), signed ("John Taylor Arms"), and dated ("1940") along the bottom edge. Presented in a wood frame with an off-white mat. Frame size: 16.5"H x 14.75"W Image size: 8.5"H x 7.25"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

Artist: Andy Warhol Title: After the Party Medium: Screenprint on Arches 88 paper Date: 1979 Edition: 637/1000 Sheet Size: 21 1/2" x 30 1/2" Signature: Hand signed and numbered in pe...

Still Life is a lithograph attributed to Patrick Caufield, and realized in 1970s. Hand-signed on the right corner. The artwork is depicted through harmonious colors in a well-balanc...

Still Life is a lithograph realized in the Mid 20th Century. Hand-signed on the right corner. The artwork is depicted through harmonious colors in a well-balanced composition. Good...

Still Life is a screenprint made by Patrick Caulfield in 1970s. Hand-signed on the right corner. The artwork is depicted through harmonious colors in a well-balanced composition. G...

Giclee on canvas. Hand signed and numbered by Thomas Stiltz. Canvas is not stretched. From the edition of 375. Artwork is in excellent condition. Certificate of authenticity inclu...

Giclee on canvas. Hand signed and numbered by Thomas Stiltz. Canvas is not stretched. From the edition of 375. Artwork is in excellent condition. Certificate of authenticity inclu...

Hand embellished giclee on canvas. Hand signed numbered by Michael Godard. Canvas is stretched. From the edition of 450. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: MICHAEL GODARD (1960- ) Begin with a dramatic black background. Take one part animated olives. Gently swirl with a jigger of sudsy strawberries. Garnish with tipsy grapes. Add a liberal splash of humor. It’s the recipe for a unique and sought-after collection of vibrant and light-hearted artwork by Michael Godard, known as the “Rock Star of the Art World.” Celebrities, musicians and average people make up his legion of collectors. The waiting list for his original paintings is long and growing. Godard was born in Southern California and attended the Art Center College of Design in Pasadena. He studied fine art at the University of Nevada in Las Vegas, choosing to “learn all the rules and then break them,” adding, “I don’t mind criticism from the art world or the public. Without it, I know I’m playing way too safe.” Godard has dedicated himself to philanthropic causes, working closely with St. Jude’s, Make-a-Wish and other such organizations. Having lost his young daughter, Paige, to cancer, he says, “The funds I help raise save lives, and at the end of the day, it’s the most important thing I do...The world is small - you can truly make an impact on everyone you meet.” The art and singular humor of Michael Godard are the subject of two books, Don’t Drink and Draw (Foreword by Ozzy Osbourne...

Clean, modern depiction of glasses of water on books by Ellen Ezorsky (American, b. 1956). Three glasses of water are sitting atop a few stacked books. While this piece is executed in black and white, Ezorsky has achieved a wide tonal range between the shadows and highlights, bringing the scene to life. Of particular note is the way she has captured the reflections in the water and the light that the glasses cast on the surfaces below them. Numbered, titled, signed, and dated along the bottom edge: 9/20 Water Glasses Ellen Ezorsky 11/81 Presented in a new white mat with foamcore backing. Mat size: 20"H x 16"W Paper size: 15"H x 10.75"W Ellen Ezorsky (b. 1956) was born in New York City. After graduating from highschool in New Jersey, she attended State University of New York at Purchase before moving to California. In California, she attended Cabrillo College in 1977 and ’78 before spending two years at Massachusetts College of Art in Boston. Ezorsky then returned to the west coast to attend and graduate from UC Santa Cruz with a BA in Studio Art. She then earned her MFA in Painting from the San Francisco Art Institute. Since graduating, Ezorsky has exhibited extensively and her paintings have been acquired for many private collections across the country. EXHIBITIONS 2005: MYTH, DREAM AND FANTASY; Juried show, Gallery 1581, Boston Graduate School for Psychoanalysis, MA 2002: ACTION/REACTION; Juried show, The Art Gallery at U.N.H.; Durham, NH 2001: THE ABSTRACTED IMAGE; Juried show, The Firehouse Art Center Gallery, Newburyport, MA 2001: UNFRAMED AND OUT OF THE BOX; Brickbottom Gallery; Somerville, MA 2000: HALLOWED GROUNDS; Juried show presented by the International Society, Tremont Street Gallery; Boston, MA 2000: SANCTUARY; 10th Annual International Women's Day Exhibit, Rothschild Gallery; Cambridge, MA 1999: SANCTUARY; 9th Annual International Women's Day Exhibit, Bunting Institute; Cambridge, MA 1998: SANCTUARY; 8th Annual International Women's Day Exhibit, Bunting Institute; Cambridge, MA 1997: Massachusetts Coalition for the Homeless Exhibition; Boston, MA 1996: PET PAINTINGS; Bernard Toale Gallery; Boston, MA 1996: FIRST ARTS/COLORS; Dudley House Arts Foundation, Harvard University; Cambridge, MA 1995: FIRST ARTS/COLORS; Dudley House Arts Foundation, Harvard University; Cambridge, MA 1994: ORDINARY THINGS, EXTRAORDINARY PERSPECTIVES; Cambridge Arts Council; MA 1993: The Jewish Community Center on the Palisades; Tenafly, NJ. (Solo Show) 1992-93: Jon Taner Gallery; Westwood, NJ 1991: JURY EXPOSITION; Synchronicity Space; New York, NY 1991: Bergen Museum of Arts & Science Juried Exhibition; Paramus, NJ 1990: The Stable Arts Center; Ridgewood. NJ 1989: San Francisco Art Institute MFA Exhibition; San Francisco, CA 1989: Prager & Co. Corporate Offices; San Francisco, CA 1988: Diego Rivera Gallery; San Francisco, CA 1998: Walter/McBean Gallery; San Francisco, CA 1987: Artists' Liaison Competition; Santa Monica, CA (Honorable Mention) 1986: Studio One; Oakland, CA 1985: The Point Gallery; San Francisco, CA 1985: 13th ANNUAL JURIED ART EXHIBITION, Hill County Arts Foundation; Ingram, TX 1985: 7th ANNUAL DESERT WEST JURIED ART SHOW, Antelope...

Screen print in colors on Arches 88 wove paper. Unsigned edition. Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc stamp on verso. Printed by Rupert J...

Artist's proof, printed on antique watermarked paper, with wide margins, representing three antique vases. Etching with good contrasts and sharp details, dedicated to “Miledi Maria Fox”. Previous edition than the one shown by Ficacci’s catalogue, without signature and with some notes. Good conditions, lightly worn paper, normal folds, right side damaged and little holes on higher margin due to the binding of the volume “Vases and Candelabras...